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Marshall 1960A Angled Guitar Speaker Cabinet (300 Watts, 4x12 in.)
4/16 ohms mono/8 ohms stereo.
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About This Product!
Description
From Our Catalog
The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed "the business."
Great sound and looks however are not everything. Many years of experience mean that Marshall's speaker cabinets are also built to stand the test of time. Their highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy-duty hardware, and the highest quality fittings.
The Marshall Stack
If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then they have made many thousands, which have appeared on stages both large and small all over the world.
After the initial success of the Marshall 4x12, it wasn't too long before they designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only 6 were ever made.
As a result, we came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack, on the other hand, has stayed in production ever since and has gone on to become the most recognizable rock 'n' roll icon.
As we invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation.
The 1960A is switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side], and is equipped with Celestion G12T-75 speakers.
The highest quality woodwork includes the "corner locking" of each and every joint. This helps give Marshall cabinets the incredible strength and durability, which has become as legendary as the Marshall sound itself.
Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.
No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all 8 cabinet corners.
White piping
Black elephant grain vinyl
Speaker: 4 x 12 in. G12T-75
Power: 300 watt
Impedance: 4 or 16 ohms mono/8 ohms stereo
Dimensions: 760 x 830 x 360mm
Weight: 36.4 kg
Great sound and looks however are not everything. Many years of experience mean that Marshall's speaker cabinets are also built to stand the test of time. Their highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy-duty hardware, and the highest quality fittings.
The Marshall Stack
If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then they have made many thousands, which have appeared on stages both large and small all over the world.
After the initial success of the Marshall 4x12, it wasn't too long before they designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only 6 were ever made.
As a result, we came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack, on the other hand, has stayed in production ever since and has gone on to become the most recognizable rock 'n' roll icon.
As we invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation.
The 1960A is switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side], and is equipped with Celestion G12T-75 speakers.
The highest quality woodwork includes the "corner locking" of each and every joint. This helps give Marshall cabinets the incredible strength and durability, which has become as legendary as the Marshall sound itself.
Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.
No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all 8 cabinet corners.
Technical Info
Black grille clothWhite piping
Black elephant grain vinyl
Speaker: 4 x 12 in. G12T-75
Power: 300 watt
Impedance: 4 or 16 ohms mono/8 ohms stereo
Dimensions: 760 x 830 x 360mm
Weight: 36.4 kg
Nothing compares to Marshall cabinets in terms of tone and projection. Switchable from mono (4 or 16 ohms) to stereo (8 ohms per side). Handles 300 watts. 1960A has angled front, 1960B has straight front.
What Our Customers Say About zZounds
"Wonderful shopping experience. Many thanks." - customer on October 29, 2009
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866.ZZOUNDS (996.8637)
and mention priority code: 79N5CCM
Item: MSH1960A
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Marshall 1960A Angled Guitar Speaker Cabinet (300 Watts, 4x12 in.) Reviews
10 out of 10
"Stands alone, without peer.....legendary."
Feature:
Well, it does what they say it should, what else is there for it to do?? It's loud, durable, made extremely well, none others are better than the Marshalls. --that means all you other guys. Marshall's been doing these things for over 35 years, c'mon guys, I think they got it down pretty well.!! The finger locking joints, all the elephant black vinyl, the gold logo , it's just the stuff!!
Quality:
These things are the bomb. what I mean is, you can't really compare a Marshall cabinet to anything else, because nothing else even comes close to 'em. They are just made to perform, and out perform everything else.
Value:
so here's the big catch, there's an old saying; you get what you pay for. and this is certainly the case with Marshalls. enough said, you want to sound good, and have awesome tone,
Desirability:
None of 'em even come close, ....gold , black , and white emblem.. you always can tell when a guy in a band is using a Marshall, he looks the best!!
Sound:
sounds amazing, like it was made for any style music you could throw at it. Responds to a Marshall head, or any other with amazing clarity, and brilliance. You WILL NOT find a better cabinet, I know, because I've tried all of 'em.
Ease of Use:
Yea, plug it in, and you get what your looking for, amazing tone and no compromises- none.
Support:
You know ,, I can't even comment on that one, because my stuff never broke down.
Overall:
You know, my first half stack was a Marshall, and since then, i've tried Everything else, including the very expensive stuff, but the ones that have made me sound the best were the Marshalls. Every body will comment and say, that amp sounds great@!@!! and I say thanks.
Well, it does what they say it should, what else is there for it to do?? It's loud, durable, made extremely well, none others are better than the Marshalls. --that means all you other guys. Marshall's been doing these things for over 35 years, c'mon guys, I think they got it down pretty well.!! The finger locking joints, all the elephant black vinyl, the gold logo , it's just the stuff!!
Quality:
These things are the bomb. what I mean is, you can't really compare a Marshall cabinet to anything else, because nothing else even comes close to 'em. They are just made to perform, and out perform everything else.
Value:
so here's the big catch, there's an old saying; you get what you pay for. and this is certainly the case with Marshalls. enough said, you want to sound good, and have awesome tone,
Desirability:
None of 'em even come close, ....gold , black , and white emblem.. you always can tell when a guy in a band is using a Marshall, he looks the best!!
Sound:
sounds amazing, like it was made for any style music you could throw at it. Responds to a Marshall head, or any other with amazing clarity, and brilliance. You WILL NOT find a better cabinet, I know, because I've tried all of 'em.
Ease of Use:
Yea, plug it in, and you get what your looking for, amazing tone and no compromises- none.
Support:
You know ,, I can't even comment on that one, because my stuff never broke down.
Overall:
You know, my first half stack was a Marshall, and since then, i've tried Everything else, including the very expensive stuff, but the ones that have made me sound the best were the Marshalls. Every body will comment and say, that amp sounds great@!@!! and I say thanks.
Submitted: 08/26/2009
10 out of 10
"You want the best? It's gonna cost ya'!"
The original and still the best. I have a JCM 2000
TSL 100. It's what you hear on records! It's new and
I have no road stories. With my tele and SG, it sounds
really great. Use it only with great guitars as it will
bring out the best or worse of the instrament because it
is so sensitive. A guitar builder agreed. Same for effects boxes.
The cabinet really is a full sound. Nothing like it!
TSL 100. It's what you hear on records! It's new and
I have no road stories. With my tele and SG, it sounds
really great. Use it only with great guitars as it will
bring out the best or worse of the instrament because it
is so sensitive. A guitar builder agreed. Same for effects boxes.
The cabinet really is a full sound. Nothing like it!
Submitted: 08/30/2000
Style of Music: country to hard rock
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