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Line 6 Flextone III XL Guitar Combo Amplifier (150 Watts, 2x12 in.)
32 Vetta-based amp models. 12 effects based on the stomp box modelers. 16 Mix 'n' Match Speaker Cab options.
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About This Product!
Description
Docs
From Our Catalog
With the introduction of the Flextone series, Line 6 combined the power of their modeling technology with the simplicity of a classic combo amp. Line 6's goal was to give you everything you'd need to gig, rehearse, or even tour the world. Over the past five years, the Flextone family of amps have consistently delivered.
The all new Flextone III has amp tone from Line 6's flagship Vetta, effects adapted from our award-winning MM4 and DL4 stomp box modelers, 16 classic Reverb types, and our exclusive A.I.R. II direct recording technology. Get serious about your tone.
Simple, Versatile, Powerful Flextone III.
Amps & Cabs
Flextone III's soul is its remarkable collection of Amp and Cabinet models -- resulting from the meticulous study of a dream collection of vintage and modern amplifiers and cabinets. Flextone III features 32 groundbreaking amp models built from the same amp technology found in the flagship Vetta amplifier. We've even added all new models based on* a 1963 Fender Vibroverb, Bogner Extacy, Cornford mk50h, and a 1985 Marshall Silver Jubilee.
Effects
Against the Line 6 accountant's better judgment, they took the liberty of adapting a bunch of great stomp box models from the MM4 Modulation Modeler and DL4 Delay Modeler pedals, and stuffed them all into your Flextone III. You'll get instant access to models based on* the Maestro EP-1 Echoplex, Roland Space Echo, Electro-Harmonix Deluxe Memory Man, MXR Phase 90, Uni-Vibe, and Leslie 145. There's even a dedicated Compressor and Gate. And it doesn't stop there. They've even added 16 classic reverb types ranging from Plate and Chamber to vintage Spring.
Flextone III XL Features:
32 Vetta-based amp models
12 Effects based on the award-winning stomp box modelers
16 Mix 'n' Match Speaker Cab options
Award-winning Point-to-Point modeling technology
2x12 touring quality cabinet
Powerful 150-watt stereo power amps
4 programmable amp channel memories
Stereo XLR direct outputs
MIDI compatibility allowing access to deep editing and the Tone Transfer library (coming soon)
Add an FBV Shortboard Foot Controller:
Access to 36 Presets on Flextone
Dedicated, hands-free channel switches
Dedicated reverb and FX loop On/Off switches
Large name display
Wah / Volume pedal with toe switch On/Off
Expression pedal input for separate Volume control
Chromatic tuner
Program Patch Naming
Powered by the Flextone
Amp Models Based On*:
'87 Roland JC-120
Hiwatt DR-103
'64 Fender Deluxe
'53 Fender Deluxe
'58 Fender Bassman
'63 Fender Vibroverb
'65 Blackface Fender Twin
Budda Twinmaster 2x12 Combo
'96 Matchless Chieftain
'02 Cornford mk50h
'63 Vox AC 30 with Top Boost
'61 Vox AC 15
'65 Marshall JTM-45
'68 Marshall Super Bass
'68 Marshall 'Plexi' Super Lead
'85 Marshall Silver Jubilee
'90 Marshall JCM-800
?00 Marshall TSL100
'01 Mesa Boogie Dual Rectifier
'02 Mesa Boogie Triple Rectifier
Soldano SLO-100 Head
Bogner Extacy
Gibson Explorer
Supro S6616
Cab Models Based On*:
1x6 in. Supro
1x10 in. Gibson
1x12 in. Celestion Blue Bell
1x12 in. Fender '64 Deluxe
2x10 in. Fender Vibroverb
2x12 in. Fender Twin
2x12 in. Matchless
2x12 in. Roland JC-120
2x12 in. Vox '67 AC-30
4x10 in. Fender '58 Bassman
4x12 in. Marshall '67 Greenbacks 20
4x12 in. Marshall '68 Greenbacks 25
4x12 in. Marshall G70
4x12 in. Marshall V30
4x12 in. Mesa Boogie
*Line 6 and Flextone are trademarks of Line 6, Inc. All other names used in this website are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds are modeled in Line 6's products.
The all new Flextone III has amp tone from Line 6's flagship Vetta, effects adapted from our award-winning MM4 and DL4 stomp box modelers, 16 classic Reverb types, and our exclusive A.I.R. II direct recording technology. Get serious about your tone.
Simple, Versatile, Powerful Flextone III.
Amps & Cabs
Flextone III's soul is its remarkable collection of Amp and Cabinet models -- resulting from the meticulous study of a dream collection of vintage and modern amplifiers and cabinets. Flextone III features 32 groundbreaking amp models built from the same amp technology found in the flagship Vetta amplifier. We've even added all new models based on* a 1963 Fender Vibroverb, Bogner Extacy, Cornford mk50h, and a 1985 Marshall Silver Jubilee.
Effects
Against the Line 6 accountant's better judgment, they took the liberty of adapting a bunch of great stomp box models from the MM4 Modulation Modeler and DL4 Delay Modeler pedals, and stuffed them all into your Flextone III. You'll get instant access to models based on* the Maestro EP-1 Echoplex, Roland Space Echo, Electro-Harmonix Deluxe Memory Man, MXR Phase 90, Uni-Vibe, and Leslie 145. There's even a dedicated Compressor and Gate. And it doesn't stop there. They've even added 16 classic reverb types ranging from Plate and Chamber to vintage Spring.
Flextone III XL Features:
32 Vetta-based amp models
12 Effects based on the award-winning stomp box modelers
16 Mix 'n' Match Speaker Cab options
Award-winning Point-to-Point modeling technology
2x12 touring quality cabinet
Powerful 150-watt stereo power amps
4 programmable amp channel memories
Stereo XLR direct outputs
MIDI compatibility allowing access to deep editing and the Tone Transfer library (coming soon)
Add an FBV Shortboard Foot Controller:
Access to 36 Presets on Flextone
Dedicated, hands-free channel switches
Dedicated reverb and FX loop On/Off switches
Large name display
Wah / Volume pedal with toe switch On/Off
Expression pedal input for separate Volume control
Chromatic tuner
Program Patch Naming
Powered by the Flextone
Amp Models Based On*:
'87 Roland JC-120
Hiwatt DR-103
'64 Fender Deluxe
'53 Fender Deluxe
'58 Fender Bassman
'63 Fender Vibroverb
'65 Blackface Fender Twin
Budda Twinmaster 2x12 Combo
'96 Matchless Chieftain
'02 Cornford mk50h
'63 Vox AC 30 with Top Boost
'61 Vox AC 15
'65 Marshall JTM-45
'68 Marshall Super Bass
'68 Marshall 'Plexi' Super Lead
'85 Marshall Silver Jubilee
'90 Marshall JCM-800
?00 Marshall TSL100
'01 Mesa Boogie Dual Rectifier
'02 Mesa Boogie Triple Rectifier
Soldano SLO-100 Head
Bogner Extacy
Gibson Explorer
Supro S6616
Cab Models Based On*:
1x6 in. Supro
1x10 in. Gibson
1x12 in. Celestion Blue Bell
1x12 in. Fender '64 Deluxe
2x10 in. Fender Vibroverb
2x12 in. Fender Twin
2x12 in. Matchless
2x12 in. Roland JC-120
2x12 in. Vox '67 AC-30
4x10 in. Fender '58 Bassman
4x12 in. Marshall '67 Greenbacks 20
4x12 in. Marshall '68 Greenbacks 25
4x12 in. Marshall G70
4x12 in. Marshall V30
4x12 in. Mesa Boogie
*Line 6 and Flextone are trademarks of Line 6, Inc. All other names used in this website are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds are modeled in Line 6's products.
Technical Info
Dimensions: 29 in. x 21 in. x 11 in.
Lots of Line 6 in a 2 x 12" combo! With 100 stereo watts, 32 amp models and 12 effects, the tonal combinations are endless.
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Item: LINFTIIIXL
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Line 6 Flextone III XL Guitar Combo Amplifier (150 Watts, 2x12 in.) Reviews
9 out of 10
zZounds has verified that this customer bought this product from us.
"What else can you want?"
Feature:
You should buy the floor board so you can get everything out of this amp: The only thing I find that I dontlike is for the external jacks on the back-they have a plastic ring on the outside and can break. I really love the xlr mic jacks - you don;t need to compete with someone who has a full stack of Marshals.. the electronics here are so solid you can go right into the mains and use the amo as your monitor.
Quality:
As stated before the plastic rings for external jacks are a concern. everything else is great/.
Value:
can't compare
Desirability:
excellent amp for anyone
Sound:
There are 2 types of players:1 bare bones tube and 2. effects players. This amp will please both and possibly make a couple bare bones guys change their view about effects. I don;t need to use anything else but this amp and my floor controller to duplicate almost anything. with the volume pedal used as swell I can even get a 'string's sound with a little delay. very impressive. This amp will serve well someone who is into recording or live production/
Support:
never needed it ; but some minor parts are tough to find for the layman
Overall:
won;t use anything else from now on.
You should buy the floor board so you can get everything out of this amp: The only thing I find that I dontlike is for the external jacks on the back-they have a plastic ring on the outside and can break. I really love the xlr mic jacks - you don;t need to compete with someone who has a full stack of Marshals.. the electronics here are so solid you can go right into the mains and use the amo as your monitor.
Quality:
As stated before the plastic rings for external jacks are a concern. everything else is great/.
Value:
can't compare
Desirability:
excellent amp for anyone
Sound:
There are 2 types of players:1 bare bones tube and 2. effects players. This amp will please both and possibly make a couple bare bones guys change their view about effects. I don;t need to use anything else but this amp and my floor controller to duplicate almost anything. with the volume pedal used as swell I can even get a 'string's sound with a little delay. very impressive. This amp will serve well someone who is into recording or live production/
Support:
never needed it ; but some minor parts are tough to find for the layman
Overall:
won;t use anything else from now on.
Submitted: 04/25/2004
Style of Music: Rock/Alt/Folk/HardRock
10 out of 10
"Line6 does it again!"
Feature:
It comes with 4 built in fully adjustable preset channels, and you can upgrade to 36 with the shortboard. The knobs are easy to use, and amp model changes and cab changes are a snap. I dont like the way they set up the delay and modulation effects knobs in that for instance you lose your number of echo repeats if you go to adjust the echo relative volume... Dont know why they did that...
Quality:
Tough, and good looking. I am a little worried about tearing the mesh over the speakers... but there is a soft road cover.
Value:
Knock out amp for $700!
Sound:
This amp has so much going for it, I find it difficult to describe. The variety you get out of the different models, the quality of the onboard effects, the magnitude of the 150 watts of power, and easy interface, all make the amp a real keeper. The amp models take some tweaking, and that is easy to do. The different cabinet models change the tone dramatically. Some people on the Line6 forum gripe about a couple of the marshall amp models, but not having owned those amps myself, I must say the sounds are great. An important tweak to know about is to turn off the noise gate when adjusting drive and tone, and then turn it on, as the gate cuts a lot of drive occassionally. I also push it at times with an Electro Harmonix overdrive, and it sounds great with that. I recommend getting the shortboard for foot control.
Support:
No idea.
It comes with 4 built in fully adjustable preset channels, and you can upgrade to 36 with the shortboard. The knobs are easy to use, and amp model changes and cab changes are a snap. I dont like the way they set up the delay and modulation effects knobs in that for instance you lose your number of echo repeats if you go to adjust the echo relative volume... Dont know why they did that...
Quality:
Tough, and good looking. I am a little worried about tearing the mesh over the speakers... but there is a soft road cover.
Value:
Knock out amp for $700!
Sound:
This amp has so much going for it, I find it difficult to describe. The variety you get out of the different models, the quality of the onboard effects, the magnitude of the 150 watts of power, and easy interface, all make the amp a real keeper. The amp models take some tweaking, and that is easy to do. The different cabinet models change the tone dramatically. Some people on the Line6 forum gripe about a couple of the marshall amp models, but not having owned those amps myself, I must say the sounds are great. An important tweak to know about is to turn off the noise gate when adjusting drive and tone, and then turn it on, as the gate cuts a lot of drive occassionally. I also push it at times with an Electro Harmonix overdrive, and it sounds great with that. I recommend getting the shortboard for foot control.
Support:
No idea.
Submitted: 10/21/2003
Style of Music: rock/jazz
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