Gibson 1959 ES-175D Double Pickup Electric Guitar (with Case)

No longer available at zZounds
The ES-175's full-bodied and powerful tone is like few other guitars. It's creamy and rich, with enough bite and thump to nail leads and rhythm parts.

What's special about this item?

Feature: What it does:
Fully hollow body Single tone chamber, resonant and alive sound
Dark rosewood fretboard Hand-selected for optimal tone and beauty
Gibson '57 Classic humbucking pickups Vintage PAF feel; warmth, depth and distinct edge
TonePros bridge Upgraded materials & precise workmanship

First released in 1949, Gibson's ES-175 was a revolutionary take on the challenge of electrifying what was otherwise an acoustic archtop guitar, and it immediately set a benchmark for jazz tone and performance that remains the standard to this day. For most players, though, the ES-175 fully reached its potential a decade later in 1959, when the PAF humbucking pickups that had replaced its original P-90s in 1957 were joined by a rounded, ultra-comfortable neck profile. Gibson Memphis recreates this vintage classic as a Vintage Original Spec (VOS) instrument that's period-perfect in every detail. The 1959 ES-175 comes in either single- or dual-pickup versions, both with Gibson's proprietary nitrocellulose lacquer finish with VOS process for a gently aged look, and correct nickel hardware that exhibits a mellow, aged patina. All together, it's the closest thing available to the tone beloved of legendary jazz virtuosos such as Kenny Burrell, Jim Hall, Herb Ellis, Joe Pass and Pat Metheny, as well as plenty of rock guitarists such as Steve Howe and Mark Knopfler.

To recreate the 1959 ES-175, Gibson Memphis employs all the tonewoods, components and constructional details that helped to make the original legendary. The body, designed by Gibson to reduce feedback in a full-depth archtop, is made from three-ply plain maple with an AAA plain maple top face. From the pointed Florentine cutaway, to the solid maple rims with replica cotton rim stays, to the precise binding dimensions and read more colors, every effort has been made to ensure the look of the 1959 ES-175 is dead-on. The set neck is made from solid mahogany with a bound rosewood fingerboard inlaid with characteristic split-parallelogram position markers. Carved to a comfortably rounded late '50s profile with hand-rolled binding, it exudes the playing feel of a well-aged classic. A mother-of-pearl Gibson logo and crown inlay grace the headstock, along with a set of vintage-style, single-line TonePros tuners with amber tulip buttons. The hardware complement is completed by a multi-ply ES-175 pickguard, traditional floating rosewood bridge, and a correct "zig-zag" trapeze tailpiece made on the original building forms, previously lost for decades.

Original late '50s ES-175s benefited from the glorious tone of some of the most revered pickups ever created, Gibson's hallowed "PAF" humbuckers, and Gibson Memphis goes all out to achieve that sound in this recreation of the classic. A single or dual set of Aged '57 Classic humbuckers (depending on the guitar) accurately transmits the 1959 ES-175's acoustic voice, while adding the warmth, depth, edge and articulation that made PAFs famous in the first place. They are wired through original-spec 500k CTS potentiometers with "Bumble Bee" tone capacitors, and a three-way switch on the two-pickup guitars with original style rubber grommet. All together this guitar breathtakingly recreates the total look, feel and sound of the highly prized original, and represents one of the most comfortable, playable historic guitar reproductions Gibson has provided the market in years.

Each guitar comes protected in a plush-lined hardshell case with black exterior and charcoal interior, and includes Gibson Memphis Certificate of Authenticity, owner's manual and adjustment literature, and protection by Gibson's Limited Lifetime Warranty and 24/7/365 customer service.

Features:

- Plain Maple body with three-ply poplar core
- Rosewood fingerboard with aged-cellulous split-parallelogram inlays
- Double aged '57 Classic humbuckers
- Rosewood base bridge with height-adjustable compensated rosewood top and period-correct "Zig Zag" tailpiece
- Vintage single line, tulip-button TonePros with 18:1 tuning ratio
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- Body Type: Fully Hollow
- Top: 3-ply - Maple/Poplar/Maple, Hot Pressed
- Back: 3-ply - Maple/Poplar/Maple, Hot Pressed
- Binding: Vintage Cream
- Neck: Mahogany Neck with Maple Spline
- Truss Rod: Traditional
- Adhesive: Franklin Titebond 50
- Fingerboard: Hand-selected Dark Rosewood
- Fingerboard Radius: 12"
- Scale Length: 24.75"
- Nut/E.O.B: 1.687/2.062
- Inlays: Aged-Cellouse Plastic Split Parallelogram
- Binding: .04, Vintage Cream
- Other: Thin '59 Style Fret Wire/Tortoiseshell Side Dots
- Nut Material: Vintage-Style Nylon
- Nut Width: 1.687
- Slots: Gibson PLEK System
- Logo: Mother of Pearl 'Gibson'
- Inlay: Mother of Pearl Crown
- Truss Rod Cover: Vintage Truss Rod Cover
- Tuner: TonePros Kluson with Tulip Buttons
- Plating: Nickel
- Tuning Ratio: 18:01
- Bridge Type: Rosewood Base, Compensated Rosewood Top, Height-Adjusting Knurled Wheels
- Material: Rosewood and Nickel-Plated Adjustment Wheels
- Tailpiece Type: Original Spec "Zig Zag" Style
- Knobs: Amber Top Hat with Dial Pointers
- Pickguard: Black Reissue with 5-ply Binding
- Pickup Mounting: Rings Black Plastic
- Strings: .012 - .052, Genuine Gibson Strings
- Strap Buttons: Single Tapered Plastic
- Pickups: '57 Classic Humbucker (Alnico II)
- Finish: Nitrocellulose Lacquer

For support or warranty questions, please contact the manufacturer:
Phone: 800-444-2766

Reviewers gave this product an overall rating of 5 out of 5 stars. (3 ratings)
Submitted February 28, 2015 by Ray Ryan in Fryeburg, ME

"A Keeper!!"

Overall: 5 out of 5 stars
(see rating details)
Verified Customer zZounds has verified that this reviewer made a purchase from us.
I am a gigging musician and play in a variety of projects and use a variety of guitars depending on the show. This was a special purchase for me as I don't usually spend that kind of money on an ax and I did not buy it to play live as it doesn't totally fit what I do. All that said, the guitar is beautifully made and sounds amazing. I find I can use it live with a 1 x 12" set-up with virtually no feed-back. But, I do not use it for gigging much. It is my "Go home, unwind and listen to the sweet warm tones this guitar produces. It's like being an Indy Car Driver and then jumping into a Cady for the trip home.I am not so pleased with some of Gibson's recently made Les Pauls, but this Gibson is one fine Guitar!

Musical Background:

Guitar player for 40+ years.

Musical Style:

Rock, Country, Funk, Blues
3 of 3 people (100%) people found this review helpful. Did you?
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No longer available at zZounds

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