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Focusrite Saffire Pro 40 I/O FireWire Audio Interface

Experience award-winning technology and more than a gigabyte of royalty-free samples with the Focusrite Saffire Pro 40 audio interface. 65 People rated this product: Rate and Review This Product
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Manufacturer's Description for Focusrite Saffire Pro 40 I/O FireWire Audio Interface

The Focusrite Saffire PRO 40 represents the new generation of Focusrite multi-channel firewire audio interfaces. It is the best sounding interface in its class; attentively designed with today's project studio in mind.

Focusrite's unparalleled pre-amp legacy forms the foundation of this new interface, with eight award-winning Focusrite pre-amps. These are combined with the very latest in firewire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability.

With Saffire PRO 40, sonic integrity reigns supreme. The eight Focusrite pre-amps ensure low noise and distortion, whilst quality digital conversion and JetPLL(TM) jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.

Alongside the eight Focusrite pre-amps are a host of i/o options; 10 analogue outputs, ADAT i/o, stereo SPDIF i/o and 2 virtual 'loopback' inputs for routing digital audio between software applications. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for each analogue input offers accurate viewing of levels.

Saffire PRO 40 comes with the Focusrite plug-in suite. All-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session. Focusrite's established Xcite+ bundle is also included. The bundle includes Ableton Live Lite, Novation's Bass Station soft synth and over 1 gig of royalty-free samples.

Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes.

Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customisable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround.

Eight High Quality Award-winning Focusrite Pre-amps

The best sounding interface in its class. Focusrite's unparalleled pre-amp legacy forms the foundation of this new interface, with eight award-winning Focusrite pre-amps.

High Quality 24-bit/96kHz Firewire Interface

Features high quality A-D / D-A conversion and JetPLL(TM) jitter elimination technology; pristine audio quality and reliable synchronisation are guaranteed.

Total I/O Count of 20 Inputs and 20 Outputs

A host of i/o options are provided*, including a unique loop-back facility for routing audio between software applications via Saffire PRO 40 Control.

The Focusrite Plug-in Suite

Upgrade your standard sequencer effects and bring a touch of class to your session with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins.

Two separate headphone buses

Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel.

Saffire PRO 40 Control Zero-latency DSP Mixer/Router

Routing flexibility and intuitive one-click set-up solutions; Saffire PRO 40 Control provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities.

Unmatched routing flexibility

Saffire PRO 40 is the most flexible interface in its class, able to adapt to any recording session quickly and intuitively. The user is able to route any input signal or DAW output, or a mix of both, to any of the 20 outputs.

Xcite+ Pack

'Xcite+' comes on a DVD-ROM filled to the brim with royalty-free loops and samples alongside some powerful applications ideal for getting the new user started, or to expand the experienced user's creative toolbox.

Ableton Live Lite 7 forms the foundation of this collection, providing the ideal platform to create, produce and perform. Novation's classic bass synth, 'Bass Station' enables you to create bass and 303-styled patches. Alongside these comes 'Mike the Drummer'; a collection of 572 inspiring and original live drum loops ranging from 79 to 191 bpm, with loop lengths ranging from 1 beat to 4 bars, as well as extended freestyle solo sections. Individual drum hits and REX files are also available.These drum loops are however, just the beginning. An entire gigabyte of royalty-free samples, exclusively compiled by LoopMasters, provide a selection of loops and samples large enough to satisfy the appetite of even the most demanding artist.

The Xcite+ Pack bundle is Windows XP, 32 bit Vista, Mac OS X and Intel Mac compatible.

Focusrite Plugin Suite

Saffire PRO 40 includes the Focusrite plugin suite, produced by the same team that who developed Novation's nio FX rack and Saffire PRO 40 Control. They provide the perfect upgrade from your standard sequencer effects with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins, for use in the mix.

Each plug-in has a host of pre-sets that provide a reasonable starting point, delivering suitable solutions for the chosen sound source. Having selected a preset, you can then go on to finely tune these settings.
The compressor and Gate have been modeled on the Focusrite's hardware devices, using the measurement of custom optos to achieve the signature Focusrite sound. (All Focusrite optos are tuned by ear, just like in the old days of analog design, ensuring a faithful recreation of those classic vintage 1960s optical compressors.)

With the same signature as the original Focusrite EQ curves. Focusrite's R&D team used state-of-the-art numerical transform techniques to create an authentic response across the entire audible frequency spectrum for this software EQ.

The Reverb is based on classic algorithmic studio reverb designs.

The Focusrite Pre

Focusrite has, over the past decade, built a reputation as the market leader for high quality recording equipment, with is mic-pre technology as the cornerstone of that enviable reputation. The original mic-pre, as featured in the early Focusrite Forte console, used rotary switched gain controls and high quality audio transformers. This mic-pre is still used by many of the industries greatest producers and is the sound of countless hit records. Today, Focusrite design equipment for a far greater audience, from professionals to amateur enthusiasts, all with varying budgets.

As with the Red and ISA ranges, the Mic-pre technology found in the Platinum and Saffire ranges is designed to the highest possible standards. They uphold the same wide bandwidth philosophy featured in the original forte console, back in 1989. All Focusrite mic-pres feature custom components which have undergone an intense testing and qualification process. With the facts and figures in, Focusrite designs then have to pass the essential listening stage. Any design can measure well on the test bench but only a great design can be qualified in the studio. The FET-based design in the Saffire range is no exception and ensures the same low noise and distortion performance as earlier transformer-based designs. It delivers clarity without colouration and exhibits the signature transparency for which Focusrite have become famous. zZounds is an authorized dealer of Focusrite products.
Specifications
Microphone Inputs:
- Frequency Response: 20Hz - 20kHz +/- 0.1 dB
- THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)
- Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)

Line Inputs:
- Frequency Response: 20Hz - 20kHz +/- 0.1dB
- THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
- Noise: -90dBu (22Hz/22kHz bandpass filter)

Instrument Inputs:
- Frequency Response: 20Hz - 20kHz +/- 0.1dB
- THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter)
- Noise: -87dBu (20Hz/22kHz bandpass filter)

Conversion performance:
- Dynamic Range = 110dB (A-weighted)
- Clock jitter = 250 picoseconds
- THD+N AMPL = -109dBFS 'A' weighted

Front and Rear Connectivity

Analogue Channel Inputs (Inputs 1-8):
- 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2)
- 6 Mic/Line Combo XLR (Inputs 3-8)
- Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument)

Digital Channel Inputs (Inputs 9-18) 44.1-96kHz:
- Stereo S/PDIF input on RCA
- 8 ADAT inputs on Optical Connector, reduces to 4 inputs at 88.2/96kHz
- Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)

Digital Channel Outputs (Outputs 11-20) 44.1-96kHz:
- Stereo S/PDIF output on RCA
- 8 ADAT outputs on Optical Connector, reduces to 4 outputs at 88.2/96kHz
- Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)

Other I/O:
- 2 6-pin Firewire sockets
- 2 Standard 5-pin DIN MIDI connectors: In and Out
- IEC mains power input connector

Weight: 3 kg / 6.6 lbs

Dimensions (WxHxD): 350mm / 13.8 in. x 45mm / 1.8 in. x 235mm /9.3 in.

System Requirements

Windows
Operating System: Microsoft Windows XP SP2 (32 bit and 64 bit) and Windows Vista (32 bit and 64 bit)

CPU/Clock: 900MHz AMD or Pentium. (1.5 GHz or higher recommended)

Memory (RAM): 512 MB (more recommended)

Apple Mac
Operating System: OSX (10.4 and 10.5)

CPU/Clock: PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac

Memory (RAM): 512 MB (more recommended)
Dimensions and Weight in Packaging
Base Item
Shipping Weight: 12 lbs
Shipping Dimensions: 25 x 15 x 5 in
with Monitor Pack
Shipping Weight: 60 lbs
Focusrite Warranty If you have additional warranty questions, please call the manufacturer at 866-FOCUSRITE
This item cannot be returned once opened due to copyright law. details
What Our Customers Are Saying About zZounds "zZounds has been my favorite musical equipment retailer for years and I couldn't be more satisfied." - customer on January 16th, 2012
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Focusrite Saffire Pro 40 I/O FireWire Audio Interface
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Customer Reviews
4.5 out of 5 (65 ratings) Rate and Review This Product
"Professional sound quality that everyone can afford!"
Sound: I've owned and used the Saffire Pro-40 for a little over a year in my project studio to record countless records. The mic-pres are clean with minimal color and among other variables I attribute the Pro-40 to many happy returning customers. Sounds great with microphones such as; Sterling Audio's ST-69, Shure's SM7B-SM57-SM58, The Blue Bird-Spark-Baby Bottle, Se's X1 and many others. Great for drums, vocals, guitar cabs etc... We have since planned on purchasing the Focusrite OctoPre MkII 8-Channel Dynamic mic-pre to add a few more inputs because of how great this interface sounds. This interface will NOT disappoint! -Nas Briseno. www. nympro .com Feature: Excellent sound using a typical setup with SM57, Mogami cables, Crate GLX1200H Amp Head, G412SL Cabinet and Gibson SG 2005. Software takes a bit to take full advantage of everything it allows you to do. Best feature by fare are the pre's! Ease of Use: The only downfall in my opinion are the drivers and bundled software used as a mixer. For someone who's classicly trained on consoles it was rather counter-intuitive (as it turned out I was not the only one who thought so). That aside, once you've learned the software it work seamlessly with Pro-Tools and I think it's a great addition/upgrade for any serious studio. Quality: Knobs are excellent quality and feels as sturdy and well built as anything double the price. Value: Easily sounds like it's worth double. And that's coming from myself as well as others who have recorded/engineered in million dollar facilities! Manufacturer Support: Haven't had to. I think that says something about the quality as well. The Wow Factor: Sound quality is amazing and must say it looks damn good sitting in your rack mounts. Overall: I've set off to purchase the Octopre MKII because of how great this interface sounds. In other words it sounds good enough to where I went back to Focusrite to get more inputs!
Style of Music: Hip-Hop, Country, R&B, Rock etc...
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zZounds has verified that this customer bought this product from us. "Great piece of gear!"
Sound: Excellent sound, the preamps are very musical - honestly, everything I've tracked so far has sounded great. I like being able to set up separate cue mixes between the two headphone outputs too - very useful for an intimate tracking setup. Feature: Of all the units at this price point I thought this was the best combo of I/O available. Very flexible software mixer - a bit of a learning curve, but they do give you some basic settings out of the box for tracking, mixing etc. that get you started right away. You'll still want to RTFM - but that's true of anything with advanced features. Would be nice if it was FW800, but then again neither is the competition, so... Ease of Use: There is a bit of a learning curve with the software mixer - again, that's to be expected with a lot of flexibility. Still, it's fairly straightforward getting things going. Being a 1RU size piece of gear the print is small, so it can be hard to read if your eyes aren't sharp...but it's not unworkable. The LED meters on the front are very useful to have! Quality: Seems pretty solid - I wish the front panel Neutrik jacks were screwed in like the ones on the rear...but they seem OK. I actually had the Pro 14 first, and was more worried about the jacks on that one. I liked that unit enough, though, that when I decided i needed to step up I went with its big brother instead of Presonus, MOTU, Mackie, etc. Value: I'm very happy - I got 8 really nice preamps, plenty of outputs, MIDI, flexible routing software & some nice plugins and a VSTi as lagniappe. Manufacturer Support: Haven't had to deal with support, other than online for registering the unit & included plugins. No problems there - hopefully I won't have to find out how they are anytime soon. :) I will note, however, that they seemed to have OS X 10.7 support before most of their competitors, so points for that. Overall: I expect this to be part of my studio for some time to come - I can expand with it, and if I should ever outgrow it (THAT would be a great problem to have!) I can expand with another of their units.
Style of Music: Funky
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