128-voice, expands to 128 Meg ROM. Amazing filters and knobs on a general purpose high-value module.
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68 People rated this product : 8 out of 10
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13 People wrote reviews |
Read all Emu Proteus 2000 Sound Module (Model 9094) reviews... |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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I have owned my P2K for about a year and a half. I use it every weekend in clubs all over Ontario, and on sessions. It resides in a 2u rack next to me and I simply pull the necessary cables out the empty space, plug in and play. I have the B3, ZR-76, and Orch 1 (group strings) Roms installed. I was a bit disappointed with the ZR piano, as my 1996 Roland A90 still sounds richer. The B3 and Orch 1 roms are great.
The features and construction quality are excellent overall. The only problem I experience is that sometimes the knobs will jump to their present location, causing an unpleasant change in the sound. Now I let the unit warm up and do the recalibrating function in the master menu. This usually works.
The sound quality is a bit bland compared to the hyped sound of other modules, but I think this is because of the more conservative use of effects, and that the quality of the waveforms in the P2K rom as well as the Ensoniq rom are not as high as on the other expansions.
Still, I appreciate the programming power, polyphony, filters, knobs, and the price. It can sound really good if you get into the programming side of it. When I was looking for an auxilliary synth I also checked out the Roland xp-30, and the Triton rack. The triton sounded great but even the rack was more than I wanted to spend at the time. When I disabled the FX on the Roland, it was clear the the Proteus was a much fatter and up-front sounding synth.
After having bought the other roms, I've gone back and listened to the triton, and still think it sounds great, but for having spent the same amount of money, I have a better piano sound, far superior organs, and the strings are outstanding.
I feel I should also mention that in live settings, the zr piano dosen't do it for me, but in the studio, when I can run in stereo, it's a totally different instrument. The A 90 can appear over hyped, while the zr seems to be able to just fit into the mix well. Also it has a more detailed upper register. I guess things that work live and in the studio are two different things.
Overall I am happy with my purchase, and would recommend it to others. The dual MIDI ins (which are lacking on the new 2500) allow me to do some pretty slick stuff live. It's easy to use, the manual is well written, and has served me well as my workhorse synth in a variety of situations.
Submitted: 9/29/2002
Style of Music: From coutry to hip hop (musically schizophrenic)
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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This is a great ROMpler. No one admits they like 'em, but everybody needs one.
It comes factory loaded with enough sounds to keep you busy for weeks. The 4 front-panel edit knobs let you quickly edit 12 different parameters per patch, allowing many additional weeks of sonic delight. If that's not enough, the depth of programmability (including all the MIDI syncable time functions, including LFOs, Delay FX, and Envelopes), will keep you busy for months.
Wanna stay busy for years? OK. The Protues 2000 has 3 blank sound ROM slots, meaning you can add thousands of new sounds to the Proteus 2000 and start the cycle all over again.
Many companies make ROMplers, but no one does it like Emu. To my ears, their sounds are much more "mixable" than Roland or Korg, whose sounds all seem to be designed to sell the instrument in a store rather than sit well in a mix.
Unfortunately, I've just had to send my 1-year old Proteus 2000 back to Emu for a repair. I've owned numerous Emu products over the years and this is the first time I've ever had one go south on me. I'm not too concerned, since Emu is a very reputable and reliable company. I like to think I just used it too much! If you get one, you probably will, too.
Submitted: 9/2/2000
Style of Music: All
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