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DigiTech Vocalist VR Harmony Processor

Capable of 2, 3, 4, or 5-part harmonies, including your input voice.

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Description
Docs
There are a lot of harmony processors out there, however the patented DigiTech harmony algorithm is the only one capable of maintaining the characteristics of the human voice. Whether you need harmonies for a live performance, your new CD, or just a demo tape, the DigiTech VR is up to the job. The VR lets you choose between Chordal or Scalic Harmonies, select the key and scale, determine whether the harmonies are below or above your voice, assign individual mix levels for your voice and the harmonies, add warm reverbs, and much more.

Technical Info

Microphone Input
Balanced: XLR, 2 KOhm

Line Input: Unbalanced 1/4 TS, -10 dBV Level, 10 KOhm

Auxiliary Input: Unbalanced 1/4 TS, -10 dBV level, 10 KOhm

Microphone Input Range: -32 dBV minimum to -9 dBV maximum

Line Input Range: -20 dBV minimum to +6dBu maximum

Line Outputs Unbalanced: 1/4 in. stereo or mono, -10 dBV nominal

Sampling: 16-bit A/D conversion @ 44.1 KHz

Frequency Response: (dry) 20 -20kHz

Signal to Noise: >92 dB A weighted

Total Harmonic Distortion: + Noise <0.04%

Power Requirements: 9.75 VAC, 820 mA. or 9VAC, 1A

Size (W x H x D): 19 x 1.75 x 5.75 in.

Weight: 4 lbs.

What Our Customers Say About zZounds

"Great transaction. Product descriptions were easy to compare which made choosing a suitable microphone easy." - customer on November 10, 2009

DigiTech Vocalist VR Harmony Processor Reviews

57 People rated this product :
           9 out of 10
           10 out of 10
  zZounds has verified that this customer bought this product from us.
"Soloist's backup band-in-a-box"
As a songwriter/producer making my own music in my own studio, this piece of equipment is a solid addition - adding wonderful harmonies with exceptional ease. Definitely made for use with midi and solo applications. DigiTech's other choices include a non-midi vocalist for live performances, but for the songwriter/recordist, this is THE buy of the year!
Submitted: 03/27/2002
Style of Music: Songwriter - all genres
2 of 2 people (100%) found this review helpful. Did you?    
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           10 out of 10
"great for playing live with midi, even with horns"
I use this all the time on live gigs. I have it hooked to the midi out of my Roland GR 30 Guitar Synth. It reads the chords and does program changes. But if you play jazz, you should set it up NOT to read the bass note, or else a C9 will just give you a C7. Without the bass note it reads E min7 flat 5, which gives just the right harmonies. For a thirteen chord, be careful. It reads it as the major seven of the 7 which means the third is raised to a fourth. It does work, but just barely. I use a Crown headset mic with expansion/gating and compression so I have no problem with bleeding of other instruments. But I've also used it without processing with a regular mic and it works fine. I've used this with my trumpet and trombone player and it really sounds nice most of the time, especially with the 'bone. For vocals make sure the lead isn't too soft compared with the harmonies. When they are too loud, they sound a bit like Micky Mouse. I find it works better with male voices than females. My one complaint...I wish it were half rack instead of full.
Submitted: 03/12/2002
Style of Music: Jazz, pop, etc.
1 of 1 people (100%) found this review helpful. Did you?    
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