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Behringer XENYX 1622FX Mixer with Effects
Four XLR inputs, 16 total inputs. Studio-grade 24-bit stereo FX processor.
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About This Product!
Description
Introducing XENYX: Premium Analog Mixers with USB from BEHRINGER
With close to one million units sold, the UB mixer series has become one of the most popular mixer series of all times that has no doubt connected musicians all over the world. Our new XENYX mixers will take you to an even higher plane.
The XENYX 1622FX has 16 inputs and 2 Aux Sends for each channel. Additionally, 2 subgroups with separate outputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic "British" EQ brings back the warmth and musicality of those '60s and '70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips.
Select XENYX mixers come with a USB/Audio Interface for direct plug & play connectivity to your Windows or Mac computer. Get your audio to and from any DAW and make your XENYX mixer the perfect globetrotter in both analog and digital worlds.
Features
Premium ultra low-noise, high headroom analog mixer
4 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound
Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
USB/Audio Interface included to connect directly to your computer.
Channel inserts on each mono channel for flexible connection of outboard equipment
2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
2 subgroups with separate outputs for added routing flexibility; 2 multi-functional stereo aux returns with flexible routing
Main mix outputs with 1/4" jack and gold-plated XLR connectors, separate control room, headphones and stereo tape outputs
Control room/phones outputs with multi-input source matrix; Tape inputs assignable to main mix or control room/phones outputs
Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Rack mount brackets included for ultimate flexibility
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
With close to one million units sold, the UB mixer series has become one of the most popular mixer series of all times that has no doubt connected musicians all over the world. Our new XENYX mixers will take you to an even higher plane.
The XENYX 1622FX has 16 inputs and 2 Aux Sends for each channel. Additionally, 2 subgroups with separate outputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic "British" EQ brings back the warmth and musicality of those '60s and '70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips.
Select XENYX mixers come with a USB/Audio Interface for direct plug & play connectivity to your Windows or Mac computer. Get your audio to and from any DAW and make your XENYX mixer the perfect globetrotter in both analog and digital worlds.
Features
Premium ultra low-noise, high headroom analog mixer
4 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound
Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
USB/Audio Interface included to connect directly to your computer.
Channel inserts on each mono channel for flexible connection of outboard equipment
2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
2 subgroups with separate outputs for added routing flexibility; 2 multi-functional stereo aux returns with flexible routing
Main mix outputs with 1/4" jack and gold-plated XLR connectors, separate control room, headphones and stereo tape outputs
Control room/phones outputs with multi-input source matrix; Tape inputs assignable to main mix or control room/phones outputs
Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Rack mount brackets included for ultimate flexibility
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
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Item: BEHXENY1622FX
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Behringer XENYX 1622FX Mixer with Effects Reviews
10 out of 10
zZounds has verified that this customer bought this product from us.
"A nice step up for the Behringer mixer line."
Feature:
It comes with a usb interface which I have not used as I am feeding the sub outputs to my soundcard, but I think this could be usefull.
Quality:
So far so good. The finish seems to be a cut above the previous Behringer mixers. Controls are silent in operation both mechanically and electrically. I cant comment on the "road worthiness" of this mixer, it is used in a small home project studio.
Value:
Excellent value for the money
Desirability:
Good looking product. not as industrial metal looking as the MX or UB series was. The display for the effect preset might be a bit bright but that is just nit-picking.
Sound:
Very clean sound. The effects presets are useable with low noise, some adjustment would be nice but for the price they are good. The mic. pres. have a lot of headroom.
Ease of Use:
Setup is a breeze, all controls are well laid out and function as shown in the manual.
Support:
Havent needed it.
Overall:
I had the MX-1604A for over 5 years without a problem and can see no reason why this mixer should not last at least that long.
It comes with a usb interface which I have not used as I am feeding the sub outputs to my soundcard, but I think this could be usefull.
Quality:
So far so good. The finish seems to be a cut above the previous Behringer mixers. Controls are silent in operation both mechanically and electrically. I cant comment on the "road worthiness" of this mixer, it is used in a small home project studio.
Value:
Excellent value for the money
Desirability:
Good looking product. not as industrial metal looking as the MX or UB series was. The display for the effect preset might be a bit bright but that is just nit-picking.
Sound:
Very clean sound. The effects presets are useable with low noise, some adjustment would be nice but for the price they are good. The mic. pres. have a lot of headroom.
Ease of Use:
Setup is a breeze, all controls are well laid out and function as shown in the manual.
Support:
Havent needed it.
Overall:
I had the MX-1604A for over 5 years without a problem and can see no reason why this mixer should not last at least that long.
Submitted: 08/04/2006
Style of Music: Surf Rock
10 out of 10
zZounds has verified that this customer bought this product from us.
"It has changed my mind about using this type of mixer in a radio production studio. It's THE way to go."
Feature:
This unit is perfect for the application, which included the need to hear a headphone mix of voice and music while recording voice only. The FX are fun, effective and easy to set up with the ability to send to and return from external units. Be careful with the headphone level ... it's LOUD and CLEAN.
Quality:
It won't take unreasonable abuse-be careful about connector stress. That said, the usual decent analog commercial broadcast console, which does not have anywhere near the switching ability, is $5 grand at minimum. For $210, these boxes are throw-aways. If the staff takes care, it should last quite nicely. Keep it clean and it should serve for a long time.
Value:
I have usually shunned this type of mixer for broadcast, but this unit is changing my mind. The included features that go way beyond the usual broadcast console make this an incredible bargain for commercial use at a price that allows for keeping more than one backup on hand in the event of disaster.
Desirability:
When the staff saw the capabilities, everyone wanted to put one into home studio use for commercial radio spot production. The 4 mic/mono line and 4 stereo inputs are PLENTY adequate with today's computer based recording. One job pays for the mixer. And I wouldn't mind having one to mix jam sessions with my buddies just for fun.
Sound:
The mic preamps and 2-channel line inputs are exceptionally clean and true to the source.
Ease of Use:
The application is a small radio broadcast production studio tied to an Echo Audio balanced I/O audio card under Adobe Audition. Set up took all of 10 minutes without the need to crack open the manual. Switch labeling/purpose is very intuitive with selective -10dbu consumer and +4dbu pro coarse sets with trim. It's the fastest studio setup, ever.
Support:
Unknown ... extensive documentation is included. It gets a '10' because support wasn't needed and it worked perfectly out of the box.
Overall:
The next unit I consider would need more stereo line inputs, but with computer recording software, a full fledged production studio may not need anything more than this.
This unit is perfect for the application, which included the need to hear a headphone mix of voice and music while recording voice only. The FX are fun, effective and easy to set up with the ability to send to and return from external units. Be careful with the headphone level ... it's LOUD and CLEAN.
Quality:
It won't take unreasonable abuse-be careful about connector stress. That said, the usual decent analog commercial broadcast console, which does not have anywhere near the switching ability, is $5 grand at minimum. For $210, these boxes are throw-aways. If the staff takes care, it should last quite nicely. Keep it clean and it should serve for a long time.
Value:
I have usually shunned this type of mixer for broadcast, but this unit is changing my mind. The included features that go way beyond the usual broadcast console make this an incredible bargain for commercial use at a price that allows for keeping more than one backup on hand in the event of disaster.
Desirability:
When the staff saw the capabilities, everyone wanted to put one into home studio use for commercial radio spot production. The 4 mic/mono line and 4 stereo inputs are PLENTY adequate with today's computer based recording. One job pays for the mixer. And I wouldn't mind having one to mix jam sessions with my buddies just for fun.
Sound:
The mic preamps and 2-channel line inputs are exceptionally clean and true to the source.
Ease of Use:
The application is a small radio broadcast production studio tied to an Echo Audio balanced I/O audio card under Adobe Audition. Set up took all of 10 minutes without the need to crack open the manual. Switch labeling/purpose is very intuitive with selective -10dbu consumer and +4dbu pro coarse sets with trim. It's the fastest studio setup, ever.
Support:
Unknown ... extensive documentation is included. It gets a '10' because support wasn't needed and it worked perfectly out of the box.
Overall:
The next unit I consider would need more stereo line inputs, but with computer recording software, a full fledged production studio may not need anything more than this.
Submitted: 04/27/2008
Style of Music: Radio Broadcast Production studio
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