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Behringer VX2000 Ultra-Voice Pro Mic Preamp/Voice Processor
Voice-optimized equalizer. Opto-compressor.
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Description
Docs
Behringer's new Ultra-Voice Pro is a high-end signal processor that combines mic preamp, equalizer, compressor, expander, de-esser, and tube emulation in one single rack space, making it the perfect tool for direct-to-disk recording. However, it also serves brilliantly in especially demanding live applications.
On top of that, it's also extremely easy to use: just connect your microphone or line signal and adjust the input gain, eliminate unwanted frequencies, choose between expander and gate functions, and use the tube emulation to add warmth to your sound. Control the dynamic range using the opto-compressor, add aural enhancement, and finally shape your sound with the 3-band EQ. Still too much sibilance? No problem, thanks to the integrated opto-de-esser. Put the final polish on your vocals with the Ultra-Voice Pro.
Features
Distortion
Mic -> Ins Send: < 0.02%/-30dBu in/30dB gain
Line -> Ins Send: <0.002%/0dBu in/Unity
Noise
Main Out bal.: -98dBu
Recording Out: -100.5dBu
Input Level Max.
Mic In: +11.5dBu
Line In: +22dBu
Output Level Max.
Main Out bal.: +22dBu
Main Out unbal.: +22dDu
Recording Out: +22dBu
Insert Send: +2dBu
Power Consumption: 20W max.
Dimensions (H x W x D): 1-
On top of that, it's also extremely easy to use: just connect your microphone or line signal and adjust the input gain, eliminate unwanted frequencies, choose between expander and gate functions, and use the tube emulation to add warmth to your sound. Control the dynamic range using the opto-compressor, add aural enhancement, and finally shape your sound with the 3-band EQ. Still too much sibilance? No problem, thanks to the integrated opto-de-esser. Put the final polish on your vocals with the Ultra-Voice Pro.
Features
Technical Info
Frequency Response: 10 Hz to 200 kHz, +0/-1.6 dBDistortion
Mic -> Ins Send: < 0.02%/-30dBu in/30dB gain
Line -> Ins Send: <0.002%/0dBu in/Unity
Noise
Main Out bal.: -98dBu
Recording Out: -100.5dBu
Input Level Max.
Mic In: +11.5dBu
Line In: +22dBu
Output Level Max.
Main Out bal.: +22dBu
Main Out unbal.: +22dDu
Recording Out: +22dBu
Insert Send: +2dBu
Power Consumption: 20W max.
Dimensions (H x W x D): 1-
What Our Customers Say About zZounds
"The interest-free payment plan is a huge plus plus - so easy to set up, and now I have the gear I need." - customer on January 28, 2010
Behringer VX2000 Ultra-Voice Pro Mic Preamp/Voice Processor Reviews
8 out of 10
zZounds has verified that this customer bought this product from us.
"Nice Piece for the Money."
Feature:
The Tube Emulation in FULL BW add nice top end openiness and harmonics. But I don;t use it often. Mayeb i'll try it on some whisper tracks. I Like the opto Compressor. Very nice. The Eq is cool. Especially for warming up stuff. The De-Esser chain even bypassed dulls the sound tremendously. I'd skip it altogether.
Quality:
It's a Behringer.
Value:
Excellent Value for the Money.
Desirability:
Ugly, but functional. Focusrite is much sexier.
Sound:
The low mids are not as full as i would like, but I really love this piece on BGV's. The compressor works great
Overall:
It will be here for a long time. It has it's use and I will use it good.
The Tube Emulation in FULL BW add nice top end openiness and harmonics. But I don;t use it often. Mayeb i'll try it on some whisper tracks. I Like the opto Compressor. Very nice. The Eq is cool. Especially for warming up stuff. The De-Esser chain even bypassed dulls the sound tremendously. I'd skip it altogether.
Quality:
It's a Behringer.
Value:
Excellent Value for the Money.
Desirability:
Ugly, but functional. Focusrite is much sexier.
Sound:
The low mids are not as full as i would like, but I really love this piece on BGV's. The compressor works great
Overall:
It will be here for a long time. It has it's use and I will use it good.
Submitted: 10/24/2003
Style of Music: All Styles. True Music Lover
10 out of 10
"What a difference"
Our bass player, who is usually not impressed with anything new and doesn't notice the differences in tonal qualities, really loved what this did for lead vocals. Instead of buying a multi-channel compressor, we have now purchased 5 of these (one for lead, and 4 for backup vocals). The quality of the sound is excellent, and I love the fact that it has XLR in and out connections, making the snake useable while still having the effects up on stage. The vocals are more powerful now because of the high quality compressor, and the silence is dead silent with the gate. The EQ functions are labeled in real-world terms, making it very useful. It can also make our vocals much louder than a mic straight into the mixing board, which is always a good thing with the volume we produce.
Submitted: 11/20/2002
Style of Music: Loud
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