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Behringer XENYX 1202 Mixer
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- New from $79.95
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The XENYX 1202 has 12 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Learn More...
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Behringer UB1202 Eurorack 12 Input Mixer
Ultra low-noise design 12-input 2-bus mic/line mixer.
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Description
Docs
Behringer's newest 12-input, 2-bus mic/line mixer boasts 4 state-of-the-art Invisible Mic Preamps (IMPs) and an effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels. There is also 1 post fader FX send per channel for external FX devices, main mix outputs plus separate control room, headphones, and stereo tape outputs. Tape inputs are assignable to main mix or control room/phones outputs. Like the smaller UB1002, the UB1202 is an extremely versatile mixer with possibilities ranging from connecting a DAT recorder and monitor speakers to running permanent video and audio installations.
Every crucial development stage of the new UB Series has Uli Behringer's name on it - literally: from the design study to the circuitry layout to the mechanical makeup of the consoles. He has personally selected each and every individual component, all with the goal of squeezing the very most out of every single one of them. These consoles have been pushed as far as the technology permits to-date.
Features
Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
4 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with:
130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
Ultra-wide 60 dB gain range
Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
Effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels
12 balanced high-headroom line inputs with +4/-10 level selection on all stereo channels
State-of-the-art 4580 operational amplifiers provide lowest noise and distortion - better than 4560 op amps
1 post fader FX send per channel for external FX devices
Peak LEDs on all mono channels
Main mix outputs plus separate control room, headphones, and stereo tape outputs
Tape inputs assignable to main mix or control room/phones outputs
FX to control room function helps to monitor effect signal via headphones and control room outputs
Switchable +48 V phantom power for condenser microphones
Long-wearing 60 mm logarithmic-taper ALPS¬ master fader and sealed rotary controls
External power supply for noise-free audio and superior transient response
Extremely rugged steel construction ensures long life even under the most demanding conditions
Manufactured under ISO9000 certified management system
Invisible Mic Preamp (IMP)
Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion-free circuitry. The Behringer IMP provides ultra-linear frequency response up to 100 kHz. The result of perfect design. Almost unmeasurable distortion for your signal integrity.
Ultra Low-Noise (ULN)
ULN stands for the Ultra low-noise design of our circuitry. It is based on extremely low-impedance components that keep thermal inherent noise and crosstalk at an absolute minimum. The result: your console is considerably less noisy and crosstalk between neighboring channels is virtually non-existent. The result of perfect design. Almost unmeasurable distortion for your signal integrity.
Every crucial development stage of the new UB Series has Uli Behringer's name on it - literally: from the design study to the circuitry layout to the mechanical makeup of the consoles. He has personally selected each and every individual component, all with the goal of squeezing the very most out of every single one of them. These consoles have been pushed as far as the technology permits to-date.
Features
Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
4 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with:
130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
Ultra-wide 60 dB gain range
Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
Effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels
12 balanced high-headroom line inputs with +4/-10 level selection on all stereo channels
State-of-the-art 4580 operational amplifiers provide lowest noise and distortion - better than 4560 op amps
1 post fader FX send per channel for external FX devices
Peak LEDs on all mono channels
Main mix outputs plus separate control room, headphones, and stereo tape outputs
Tape inputs assignable to main mix or control room/phones outputs
FX to control room function helps to monitor effect signal via headphones and control room outputs
Switchable +48 V phantom power for condenser microphones
Long-wearing 60 mm logarithmic-taper ALPS¬ master fader and sealed rotary controls
External power supply for noise-free audio and superior transient response
Extremely rugged steel construction ensures long life even under the most demanding conditions
Manufactured under ISO9000 certified management system
Invisible Mic Preamp (IMP)
Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion-free circuitry. The Behringer IMP provides ultra-linear frequency response up to 100 kHz. The result of perfect design. Almost unmeasurable distortion for your signal integrity.
Ultra Low-Noise (ULN)
ULN stands for the Ultra low-noise design of our circuitry. It is based on extremely low-impedance components that keep thermal inherent noise and crosstalk at an absolute minimum. The result: your console is considerably less noisy and crosstalk between neighboring channels is virtually non-existent. The result of perfect design. Almost unmeasurable distortion for your signal integrity.
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Behringer UB1202 Eurorack 12 Input Mixer Reviews
9 out of 10
zZounds has verified that this customer bought this product from us.
"Perfect for a personal mixer!"
Feature:
A standard power cable would have been nice, instead of the included AC adaptor cable. Also, a peak light on the stereo channels would be useful, and wouldn't take up much space. On the positive side, the phantom power works perfectly, the gain on each mono channel is VERY powerful, which is good for quick volume fixes. Also the choices for where the tape signal goes to (ie main mix, control room, fx, etc) comes in very handy when you want to record just yourself w/out the tape track in the background.
Quality:
It's a very solid unit. If you leave it on for a while, it does heat up. The manual says this is usual, so I guess I can't complain about that. I do have one stereo channel however that doesn't turn off completely. I had my iPod running through it, and with the level turned all the way down but the mix turned up, you can still hear it playing. Haven't had this issue on any other channels, so I am fairly confident it's an isolated incident.
Value:
For a 12 channel mixer at this price that works this well, it is definitely worth the buy. If you're like I was, constantly walking to your amp(s) to change cables, invest the money to buy this. you'll be glad you did.
Desirability:
"Big things come in little packages"... It's rather small, but with the silver color how it is, you might even call it sexy. And if you're a keyboard player, being able to EQ it and send more than one to the same amp should be sex appeal enough...
Sound:
I'm running an iPod, computer, bass guitar, keyboard, and an acoustic guitar through the UB1202 all to a bass amp, shelf system, and guitar amp, (wired diff. through control outs, main outs, and FX send), They all sound perfect.
Ease of Use:
Since the level controls are knobs instead of faders, I can't give this a 10. If you're like me, and know how to run a mixer, how to troubleshoot, etc, you'll have no problem. But if you're a more visual person, with a basic understanding, all those knobs start looking the same after a while. Overall, all of the ins/outs are in logical locations, with room for your fingers, which is very good.
Support:
Haven't had to deal with support
Overall:
It does everything I want it to. There is some room for expansion, which is always good. For instance, soon I'll have my own personal stage monitor for my keyboard(s), which would plug into the FX send. For recording, you've still got both your main and control outs. For a personal mixer, it does exactly what you need it to do.
A standard power cable would have been nice, instead of the included AC adaptor cable. Also, a peak light on the stereo channels would be useful, and wouldn't take up much space. On the positive side, the phantom power works perfectly, the gain on each mono channel is VERY powerful, which is good for quick volume fixes. Also the choices for where the tape signal goes to (ie main mix, control room, fx, etc) comes in very handy when you want to record just yourself w/out the tape track in the background.
Quality:
It's a very solid unit. If you leave it on for a while, it does heat up. The manual says this is usual, so I guess I can't complain about that. I do have one stereo channel however that doesn't turn off completely. I had my iPod running through it, and with the level turned all the way down but the mix turned up, you can still hear it playing. Haven't had this issue on any other channels, so I am fairly confident it's an isolated incident.
Value:
For a 12 channel mixer at this price that works this well, it is definitely worth the buy. If you're like I was, constantly walking to your amp(s) to change cables, invest the money to buy this. you'll be glad you did.
Desirability:
"Big things come in little packages"... It's rather small, but with the silver color how it is, you might even call it sexy. And if you're a keyboard player, being able to EQ it and send more than one to the same amp should be sex appeal enough...
Sound:
I'm running an iPod, computer, bass guitar, keyboard, and an acoustic guitar through the UB1202 all to a bass amp, shelf system, and guitar amp, (wired diff. through control outs, main outs, and FX send), They all sound perfect.
Ease of Use:
Since the level controls are knobs instead of faders, I can't give this a 10. If you're like me, and know how to run a mixer, how to troubleshoot, etc, you'll have no problem. But if you're a more visual person, with a basic understanding, all those knobs start looking the same after a while. Overall, all of the ins/outs are in logical locations, with room for your fingers, which is very good.
Support:
Haven't had to deal with support
Overall:
It does everything I want it to. There is some room for expansion, which is always good. For instance, soon I'll have my own personal stage monitor for my keyboard(s), which would plug into the FX send. For recording, you've still got both your main and control outs. For a personal mixer, it does exactly what you need it to do.
Submitted: 07/08/2006
Style of Music: Rock
8 out of 10
zZounds has verified that this customer bought this product from us.
"Solid so far despite cheap price"
Feature:
As with most of Behringer's stuff you get max number of features at lowest possible dollar. A ton of features for this price range, you won't find anything with more at this price point.
Quality:
Behringer's stuff is almost always the cheapest with the most features, and the only question is whether it's built to last and of high quality. I'm not ready to make a generalization of the entire brand but this mixer has been totally fine despite my fears that it might crap out cause it was cheap. As far as the physical construction, it seems plenty solid, obviously nothing you would want to throw around but knobs feel solid, fader is reasonably solid, enclosure seems pretty solid, connectors are good.
Value:
Pretty amazing value as long as it continues to work!
Desirability:
Come on...mixers? How attractive can they be? I got it cause it was necessary, and it does it's job. But I suppose the little blue and red lights look nice. It's definitely not ugly, looks reasonably modern and nice.
Sound:
Seems nice and quiet. I'm sure there are big-time studio consoles that are quieter but from what I haven't been able to hear any hiss or hum at all getting introduced to the signal chain. EQ is fine, not the warmest sounding but quiet and effective.
Support:
don't know, haven't needed to try
Overall:
Awesome features for the price, no noticeable noise, no flakiness whatsoever so far. I've had it for roughly a year and a half.
As with most of Behringer's stuff you get max number of features at lowest possible dollar. A ton of features for this price range, you won't find anything with more at this price point.
Quality:
Behringer's stuff is almost always the cheapest with the most features, and the only question is whether it's built to last and of high quality. I'm not ready to make a generalization of the entire brand but this mixer has been totally fine despite my fears that it might crap out cause it was cheap. As far as the physical construction, it seems plenty solid, obviously nothing you would want to throw around but knobs feel solid, fader is reasonably solid, enclosure seems pretty solid, connectors are good.
Value:
Pretty amazing value as long as it continues to work!
Desirability:
Come on...mixers? How attractive can they be? I got it cause it was necessary, and it does it's job. But I suppose the little blue and red lights look nice. It's definitely not ugly, looks reasonably modern and nice.
Sound:
Seems nice and quiet. I'm sure there are big-time studio consoles that are quieter but from what I haven't been able to hear any hiss or hum at all getting introduced to the signal chain. EQ is fine, not the warmest sounding but quiet and effective.
Support:
don't know, haven't needed to try
Overall:
Awesome features for the price, no noticeable noise, no flakiness whatsoever so far. I've had it for roughly a year and a half.
Submitted: 01/14/2005
Style of Music: funk, jazz, acoustic, techno
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