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Behringer MIC2200 Ultragain Pro

With precise parametric EQ, Behringer's 2-channel tube mic preamp is the perfect front-end for a stereo audio interface – and doubles as a DI box for guitars. 62 People rated this product: Rate and Review This Product
Ships to: Can ship to United States Can ship to Puerto Rico
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Manufacturer's Description for Behringer MIC2200 Ultragain Pro

Like its predecessor, the new Behringer Ultragain Pro MIC2200 is once again causing sensation. It's the ideal extension to your console, sampler, hard disk recording system or DAT recorder. The extremely low-noise, high-end 2-channel microphone/line preamp with its warm tube sound lends your most demanding instrumental and vocal recordings incredible detail resolution and musical warmth. Helpful supplementary functions and dramatically improved sound make the Ultragain Pro an indispensable addition to your outboard gear.

Features

- Extremely low-noise, high-end discrete microphone/line preamp
- Integrated high-quality 12AX7 vacuum tube for super-musical tube sound
- Microphone input stages based on state-of-the-art, ultra low-noise 2SA1084 transistor pairs
- Extreme bandwidth from 2Hz to 200kHz for open, transparent sound
- 2 additional high-end parametric EQs
- Independent level conversion from home to professional level (-10dBV/+4 dBu)
- Super low-noise 4580 operational amplifiers for outstanding audio quality
- Extremely flexible "Direct Inject Box" function
- Soft mute function for +48V phantom power suppresses switching noise
- Fully sweepable, switchable high-pass filter (12dB/octave)
- Phase Reverse button for phase correction
- Precise 12-segment output level display
- Servo-balanced, gold-plated XLR and 1/4 in. TRS connectors
- Professional-quality potentiometers and illuminated switches
- Manufactured under ISO9000 certified management system

Tube Technology

In today's digital world the classic tube sound is experiencing a surprising renaissance. In Behringer's continuing effort to react to your demands, they've integrated a 12AX7 vacuum tube into the Ultragain Pro MIC2200. In doing this they managed to create an effective symbiosis of tradition and innovation, to further develop traditional tube circuitry and adapt it to modern professional audio technology.

High-End Parametric EQ

Parametric EQs represent the state of the art in equalizer systems. That's why they're the perfect complement for the Ultragain PRO. Behringer's parametric EQ allows you to adjust all filter parameters: center frequency, bandwidth and amplitude. The highly precise state-variable filter allows musical frequency correction as well as creative sound shaping. Frequency switching allows you to sweep the entire frequency range from 10 Hz to 20 kHz for exceptional flexibility.

"Notching out," the precise elimination of problem frequencies for feedback or hum removal without affecting neighboring frequencies, is one of many common and invaluable applications for this EQ.

Behringer Has the Solutions

Be honest: have induced interference or transmission losses due to lengthy cables ever made you want to scream (or worse)?

Here's the answer: the Ultragain Pro's "Direct Inject Box" function permanently commits these deadly effects to history, converting unbalanced instrument signals into clean, balanced signals. Another vital element is the soft mute function for the +48V phantom power, which effectively suppresses switching noises and pampers your microphones, speakers and nerves. Low-frequency signals like impact noise can also deteriorate your audio quality and damage your gear. A switchable low-cut filter with a sweepable range from 15 to 320Hz provides efficient low-frequency attenuation and removal of unwanted noise.

Applications Unlimited

The Ultragain Pro provides excellent service when you need to convert home-recording levels (-10dBV) to the professional standard (+4dBu) -- just one more example of its outstanding functionality. zZounds is an authorized dealer of Behringer products.
Audio Input
Microphone:
Connectors: XLR

Type: transformerless, DC-decoupled input

Impedance: 3k Ohms balanced

Maximum input level: +10dBu balanced and unbalanced

CMRR typ.: 40dB, >55dB @ 1kHz

Line:
Connectors: XLR and 1/4 in. jack

Type: transformerless, DC-decoupled input

Impedance: 60k Ohms balanced

Maximum input level: +23dBu balanced and unbalanced

CMRR typ.: 40dB, >55dB @ 1kHz

Audio Output
Connectors: XLR and 1/4 in. jack

Type: electronically servo-balanced output stage

Impedance: 60 Ohms balanced, 30 Ohm unbalanced

Maximum output level: +21dBu balanced and unbalanced

System Specifications
Frequency response: 10Hz to 200kHz, +/- 3dB

Noise: > 94dBu, unweighted, 22Hz to 22kHz

THD: 0.011 % typ. @ +4dBu, 1kHz, Gain 1

IMD: 0.01 % typ. SMPTE

Crosstalk: < -88dB, 22Hz to 22kHz

Function Controls
Mic gain: variable (+10dB to +60dB)

Frequency: (lo cut) variable (12 to 320Hz)

Frequency: (PEQ) variable (10Hz to 20kHz), dependent on x 10 and x 0.1 switch

Bandwidth: variable (0.03 to 2 octaves)

Level: variable (-15dB to +15dB)

Output: variable (-20dB to +20dB)

Function Switches
+48V activates phantom power

Mic/line switches from line to mic preamplifier

Phase rev. phase reverse (180 degrees)

Lo cut activates the high-pass filter

x 0.1 switches the frequency control to 10Hz - 200Hz

x 10 switches the frequency control to 1kHz - 20kHz

EQ in/out activates the parametric filter

Indicators
Clip: clipping control LED

Output level: 12-segment LED display: -30/-24/-18/-12/-6/-3/0/+3/+6/+9/+12/+18 dB

function switch: LED indicator of every switch

Power Supply
Mains voltages: USA/Canada 120V ~, 60Hz

UK/Australia: 240V ~, 50Hz

Europe: 230V ~, 50Hz

General export model: 100 - 120V ~, 200 - 240V ~, 50 - 60Hz

Power consumption max.: 20 Watts

Fuse: 100 - 120V ~: T 500 mA H

200 - 240V ~: T 250 mA H

Mains connection: standard IEC receptacle

Physical
Dimension (H x W x D): 44.5 x 482.6 x 217 mm (1-
Dimensions and Weight in Packaging
Shipping Weight: 7 lbs
Shipping Dimensions: 21 x 12 x 4 in
Behringer Warranty If you have additional warranty questions, please call the manufacturer at 425-672-0816
Our extended 30-Day 100% Satisfaction Guarantee applies on this product. Buy it, and if it isn't just right for you, return it!
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Customer Reviews
4 out of 5 (62 ratings) Rate and Review This Product
This review has been selected by our experts as particularly helpful. "Nice bit of cheap kit."
Sound: The sound is quiet enough noise wise, and the gain given is smooth but not ultra punchy. I used it for vocals mainly and lately on stereo mixdowns, which I'm not totally convinced on the later. On the subject of the tube - it really is only on the post gain that the tube is employed and the yellow light thing that fades in is just a LED. I've never really heard the tube in that regard. Feature: Using the EQ is do-able but not surgical or invisible. The variable req low cut is great. A chain I use alot is; channel 1 for gain and pre compressor eq - into a compressor for de-essing and compression - back into channel 2 for re-gaining and EQ to maximize level for soundcard AD. So even if you want you can get a lot of use out of the two parametric EQs for even one vocal mic. Quality: It takes all sorts of beatings, shipped it overseas and around the place, there was one bit of plastic rattling around in there for a while but I opened it and shook it out. Value: I bought it a while ago and now it's cheaper to buy new! The Wow Factor: Sort of over it now but it was the only pre I used for a while, I'm looking for the next step up. I'd still use it on other gear to get more control on synths and the like.
Style of Music: Dance
9 of 11 people (81.82%) found this review helpful. Did you?
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"A cheap box that doesn't live up to it promise."
Sound: Sounds OK when not clipping but this unit has insufficient headroom for live performance. Change singers after it is trimmed and you may not like the outcome if the next guy is a little louder. +10dBu is not enough input range. Noise floor is acceptable when used individually but when used in groups the power supply noise is additive being in phase. This can be dealt with by throwing the odd unit out of phase but that is not always practical. Feature: I originally bought for the DI/splitter function and as front end for Alesis HD24XR. Lots of I/O connections. Quality: Build quality is actually pretty good but it's apparent the bean counters didn't let Behringer's engineers do what they wanted to do with this unit. Value: For rookie sound engineers this will be one of those pieces they are happy with until they get something better and realize the problems they had were not due to them. It's, at best, Ok for home recording but unusable for live unless you know your signal source very, very well. Manufacturer Support: Haven't need to deal with this yet. Web site is good. The Wow Factor: Yeah it looks nice. Dig the lit buttons. Overall: Not quite what I was hoping for. I will dissect one and see if it can be made better but my guess is that will take major surgery. I'm looking forward to buying a trio of octal preamps or design my own to replace these but now I have a better idea what I need. I'm over the "tube" mystique. I need a preamp with at least 16dBu of input capability.
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