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Behringer FBQ3102 Ultragraph Dual 31-Band Equalizer with FBQ

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    • 52 People rated:
      9 out of 10
Ultragraph Pro EQs are professional, ultra-musical, and equally at home in both live and studio applications. They feature the amazing, patent-pending FBQ Feedback Detection System that instantly detects feedback frequencies and can also be used as an audio analyzer. Learn More...

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Behringer GEQ3102 Ultra Graph Pro 31-Band EQ

Sound improvement in post-production and all recording situations. 31-band stereo graphic equalizer for live and studio applications. Extremely low-noise operational amplifiers for outstanding audio quality.

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Description
Perfect Sound with 2 x 31 Bands
Behringer's new Ultra-Graph Pro is a high-end, 2-channel graphic equalizer with flexible signal processing capabilities. This professional sound-shaping tool can be used at live venues for PA optimization or in the studio to process individual signals or your stereo mix. The GEQ3102 is also perfect for feedback removal or placing vocals and instruments in the mix. Last but not least, the Ultra-Graph Pro is a useful tool for mastering.

Direct Access to All Controls
The Behringer Ultra-Graph Pro enables you to directly access all functions, allowing lightning-fast adjustments and precise setting in any situation. All controls are illuminated and two 12-segment LED displays can be set to monitor input or output level, helping you to prevent overloading. The sweepable high-pass and low-pass filters allow "pre-graphic" trimming of the frequency range. After that, you can get to the heart of the matter with 31 EQ faders per channel for extensive processing between 20 Hz and 20 kHz. A Range button is included, which switches the maximum boost/attenuation of all bands between +/-12 dB and +/-6 dB. For quick comparison between original and processed signal, the entire EQ section can be switch on and off via the relay-controlled Audio IN/OUT button.

Live on Stage: The Ultra-Graph Pro's Natural Environment
Club, stadium, and concert hall acoustics can vary immensely depending upon their construction. Even with the best PA system, an engineer often has to fight hard against poor clarity, dull sound and ill-defined signal positioning. The Ultra-Graph Pro offers invaluable assistance in adapting the program material to the current room acoustics. With the GEQ3102, you can achieve dramatically improvements in signal presence and overall audio quality, optimize your system's efficiency, and give the audience the kind of sound they expect. Feedback loops in the monitor system are a breeze to conquer. Just zap the feedback frequency with maximum attenuation and that feedback is history. Extremely low frequencies are often cut to avoid low-end feedback, which leads to muddy sound. Used in the monitor system, the Ultra-Graph Pro cleans up your monitor sound, making it more transparent and giving you considerably more headroom. Go ahead and crank up that aux send master. By the way: if you should ever be surprised by a power-down, the GEQ3102 is automatically switched to bypass mode. The same relays that take care of this also provide a switch-on delay to protect your system against dangerous switching noises.

Ultra-Graph Pro: You're in Control of Your Music's Sound Spectrum
You want a differentiated audio image for your production? With the Ultra-Graph Pro, you've got extensive signal processing capabilities. Boosting or attenuating certain frequencies can accent voices and instruments in the mix. Next to this classic application, equalizers are often used today for creative sound design: with extreme settings you can conjure up wild effects that get your audience's attention. A further application is mastering. Sometimes a mix sounds a bit out of whack. Using the GEQ3102 in the sum enables you to manipulate a finished mix by correcting frequency imbalances until the mix sounds homogenous. No matter which application, the Ultra-Graph Pro helps you reach your goal: that same professional sound you hear out of top recording studios.
The Ultra-Graph Pro GEQ3102: perfect sound with 2 x 31 bands!

Features
31-band stereo graphic equalizer for live and studio applications
Sound improvement in post-production and all recording situations
Sweep-able high-pass and low-pass filters remove unwanted signal portions, i.e. impact noise, tape hiss, etc.
Servo-balanced inputs and outputs with gold-plated XLR and 1/4" TRS connectors
Relay-controlled hard bypass switch with auto bypass function (safety relay)
Extremely low-noise operational amplifiers for outstanding audio quality
Illuminated high-precision Alps faders
12-segment LED display for input or output level
High-quality components and rugged construction for long life
Manufactured under ISO9000 certified management system

Technical Info

Audio Input
Connectors: XLR and 1/4" jack
Type: RF filtered, servo-balanced input
Impedance: 50 kOhm balanced, 25 kOhm unbalanced
Max. input level: +21 dBu balanced and unbalanced
CMRR typ.: 40 dB, > 53 dB @ 1 kHz

Audio Output
Connectors: XLR and 1/4" jack
Type: electronically servo-balanced output stage
Impedance: 60 Ohms balanced, 30 Ohms unbalanced
Max. output level: +21 dBu balanced and unbalanced

System Specifications
Frequency response: 10 Hz to 35 kHz, +/- 3 dB
Noise: > 92.3 dBu, unweighted, 22 Hz to 22 kHz
THD: 0.004 % typ. @ +4 dBu, 1 kHz, Gain 1
Crosstalk: < -85 dB, 22 Hz to 22 kHz

Roll-Off Filter Section
Type: 12 dB/oct., butterworth
Input variable: (-15 dB to +15 dB)
Low cut variable: (10 Hz to 400 Hz)
High cut variable: (2.5 kHz to 30 kHz)

Graphic Equalizer
Type: analog 1/3-octave equalizer
Frequency range: 20 Hz to 20 kHz in 31 1/3-octave bands (ISO frequencies)
Bandwidth: 1/3 octave
Control range: +/- 6 dB or +/- 12 dB (switchable)

Function Switches
Audio in/out: switch to bypass the equalizer functions
I/O meter in/out: switches the meter display from input to output
Range: shift of the maximum cut/boost range for all 31 bands

Indicators
Input/output level: 12-segment LED display: -30/-24/-18/-12/-6/-3/0/+3/+6/+9/+12/+18 dB
Function switch: LED indicator for every switch

Power Supply
Mains voltages: USA/Canada 120 V ~, 60 Hz
U.K./Australia 240 V ~, 50 Hz
Europe 230 V ~, 50 Hz
General export model 100 - 120 V ~, 200 - 240 V ~, 50 - 60 Hz
Power consumption: max. 20 Watts
Fuse: 100 - 120 V ~: T 400 mA H
200 - 240 V ~: T 200 mA H
Mains connection: standard IEC receptacle

Physical
Dimension: 3-1/2 x 19 x 5.3 in. (89 x 482.6 x 135 mm), approximately

Weight: 2.5 kg, approximately

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Behringer GEQ3102 Ultra Graph Pro 31-Band EQ Reviews

55 People rated this product :
           9 out of 10
           10 out of 10
"Great functions and value"
Behringer is always concerned about building quality into all their products, and they sell for a lot less then most competing manufactures
Since I got hooked on electronic keyboards, I have been using a mixer,(MX200A) an Ultra-Curve
Processor (DSP9024) and the Pro GEQ3102 all from Behringer. Boy those keyboards really kick out some sound now. And I only have one powered speaker so far. Behringer also likes to put a lot of survo balanced lines in their products,(They are compatable with un-balanced
instrument cables) and that really helps in the final mix. I have had no problem with noise at all, but remember, correct grounding is a must. I had secound thoughts after I ordered the equilizer, (did I really need one?)
but after hooking it up, it just added that much more flexibility to my music. Glad I did.
I would recommend any one of the above products from Behringer to anyone who is looking for much better sound production, not just those on a budget.
Submitted: 11/28/2001
Style of Music: Jazz, Rock, Contemporary Classic, and Church
1 of 1 people (100%) found this review helpful. Did you?    
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           10 out of 10
"Very intuitive and efficient adjustment for monitor feedback suppression and sound enhancement"
Took only a few minutes to notch out any monitor feedback, and it sounds great as a booster for the mains. Amazing value for such a great EQ. The lit sliders are a nifty addition, especially for low-light situations. Behringer continues to impress me with their quality and value.
Submitted: 09/03/2002
Style of Music: Rock/Pop
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