Behringer DSP1124P Feedback Destroyer Pro

Digital 24-bit feedback suppressor. Parametric EQ with 24 full parametric filters.

Item: BEHDSP1124P

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Behringer DSP1124P Feedback Destroyer Pro reviews

Rate and Review This Product:

86 People rated this product : * * * * * * * * * * 7 out of 10

 

18 People wrote reviews

Read all Behringer DSP1124P Feedback Destroyer Pro reviews...
* * * * * * * * * * 10 out of 10 zZounds has verified that this customer bought this product from us.

Behringer DSP1124P Customer Review

Feature:
Three different filter modes from parametric to automatic feedback suppression - this is a very flexible box! I'm using this in a very feedback-prone situation. A theater where speakers are mounted in the trussing above the stage, with wireless lavs on two of the actors, with heavy effects on their voices because they're magical characters. Understand, the main speakers are pointed directly at the omni mics! I was able to ring the system out in just a few minutes and have way more headroom than I expected. I haven't heard a bit of feedback through the whole production.

Quality:
Seems fine so far... (had it 4-6 weeks, only used it for the last three).

Value:
For barely more than the price of a cheap graphic EQ you get something that'll ring out your system automatically?

Desirability:
For barely more than the price of a cheap graphic EQ you get something that'll ring out your system automatically? I don't see why there's not one of these in every PA out there!

Sound:
I haven't heard the high-pitched whine the previous reviewer mentioned but it would be difficult to hear in its current installation. I've heard other people also use it as a parametric EQ for recording so I'm wondering if his unit is defective - or the gain structure isn't right. And the manual's not as bad as someone else said. Previous reviewer really went the roundabout way to save a feedback suppression set up. You don't have to convert filters to parametric, you just start out with them set to "single shot," ring out the room (the filters stop flashing and go into locked mode), and save. Filter parameters will be saved; if you need to reset them, you'd have to reset the filters from locked to single-shot. I used factory preset 2, which is set up with all but 5 of the filters/ch to single shot, "primed" it and saved over the preset. Now when the sound op turns on the system, the single-shot filters are preset, and the five indicators for the automatic (not single-shot) filters flash, showing that they're not set. By the end of the show, some of the Auto filters have also locked in on some frequency or another, and I haven't heard any feedback.

Support:
I've never had to use Behringer support.

Overall:
overall, I have no complaints so far and it was far cheaper than anything else on the market!

Submitted: 12/11/2003

Style of Music: jazz/world/theatrical

8 of 8 people (100%) found this review helpful. Did you?

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* * * * * * * * * * 9 out of 10 zZounds has verified that this customer bought this product from us.

"A Critical Piece Of Gear For My PA"

Feature:
The fact that the unit easily doubles as a parametric equalizer is a very nice extra.

Quality:
Some Behringer build quality is a bit suspect (I had a power switch fall off of its post and rattle around inside the unit's case for a while), but I have not had any of my three units die on me. They have performed quite well in a mobile PA that moves quite a bit.

Value:
This unit is an extremely valuable tool that I absolutely MUST have to do my job properly. Having both EQ and feedback extermination in one affordable unit is fantastic.

Desirability:
Its functionality makes it appealing, but it probably won't win any beauty contests.

Sound:
This unit really does perform as advertised, in that it (when used correctly) doesn't wreak havoc with the tone of the PA when used to eliminate feedback. Its parametric equalization functions have been absolutely instrumental in getting workable sound from even some cheap PA cabinets with piezo loaded horns.

Support:
I have to give Behringer the benefit of the doubt, as I have never dealt with their support for these units.

Overall:
I have yet to find any other unit that offers exactly what I want in the way that this unti does.

Submitted: 2/2/2004

Style of Music: Rock, Christian Rock, Worship, and whatever else comes my way.

4 of 4 people (100%) found this review helpful. Did you?

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Read all Behringer DSP1124P Feedback Destroyer Pro reviews...

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About This Product!
Description
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From Our Catalog
You know the situation: your system is perfectly set up and carefully equalized. You've done everything possible to avoid problems. Then it happens: a mic too close to a speaker... ear-splitting feedback. Switch on a DSP1124P and you'll hear the difference immediately. Within fractions of a second, the Feedback Destroyer Pro's ingenious search algorithm locates feedback frequencies and sets extremely narrow, 1/60-octave filters, leaving the desired signal virtually untouched. The result: a rich, full sound without feedback. And without headaches.

Features
Digital 2-channel feedback suppressor/parametric EQ based on a high-power 24-bit DSP

20-bit A/D and D/A converters with 64/128 times oversampling

Automatically searches and suppresses feedback frequencies

24 programmable, fully parametric filters, adjustable manually or via MIDI

Single-Shot, Auto and Manual mode selectable for each filter

24-bit internal processing, professional 46-kHz sampling rate

Servo-balanced inputs and outputs with XLR and 1/4 in. TRS connectors

Internal power supply for professional use

Extensive MIDI implementation

Super-precise 8-segment LED level meters

"Future-proof" updatable software architecture

Technical Info

Analog Inputs Connectors: XLR and 1/4 in. jack

Analog Outputs Connectors: XLR and 1/4 in. jack

Bandwidth: 20 Hz to 20 kHz, -3 dB

Noise: > 94 dB, unweighted, 20 Hz to 20 kHz

THD: 0.0075 % typ. @ +4 dBu, 1 kHz, Gain 1

Crosstalk: < -76 dB

MIDI Interface: Type 5-Pin-DIN-Socket IN/OUT/THRU

Digital Processing: Converters 20-bit Sigma-Delta, 64/128x oversampling

Display: Type 2 1/2-digit numeric LED-Display

Power Consumption max. 15 Watts

Dimensions (H x W x D): 1-3/4 x 19 x 7-1/2 in. (44.5 x 482.6 x 190.5 mm)

Net Weight: 2 kg, approximately

Shipping Weight: 3 kg, approximately
Eliminates the most-hated PA gremlin: feedback. How? It digitally monitors incoming signal. When feedback strikes, it cuts the offending frequency completely. Its super-narrow filters ensure the rest of the sound is left intact. Also works as a parametric EQ.

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