Get high-quality compression, expansion, limiting, alignment delay, several styles of EQ and more with the Behringer DEQ2496 Ultracurve Pro.
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Manufacturer's Description for Behringer DEQ2496 Ultracurve Pro
The Behringer Ultracurve Pro DEQ2496 is an ultra high-precision digital 24-bit/96 kHz EQ/RTA mastering processor. Its extremely high audio performance makes it ideal for audiophile mastering and PA purposes. There are 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer and three dynamic EQs per channel).
Another highlight is the additional 61-band RTA that can run simultaneously with the EQ section. The Behringer Ultracurve DEQ2496 features high-quality AKM (R) 24-bit/96 kHz A/D and D/A converters and two high-performance 32/40-bit floating-point SHARC (R) digital signal processors for ultimate sonic resolution and 113 dB dynamic range. There are also multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA mic input) plus 64 user memories for complete setups and/or individual module configurations. You get a separate RTA mic/line input with phantom power, a professional wordclock input and MIDI connections for full remote control, preset dumps and system updates.
The Behringer Ultracurve DEQ2496 also boasts balanced inputs and servo balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical). The internal switch-mode power supply assures maximum flexibility (100 - 240 V~), noise-free audio, superior transient response and lowest possible power consumption. Like all Behringer products, the DEQ2496 was manufactured under ISO9000 certified management.
Features:
- Ultra high-resolution processor for all EQ, RTA and dynamic applications, especially for PA and audiophile mastering - 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus three Dynamic EQs per stereo channel) - Flexible Compressor/Expander function with Peak Limiter per stereo channel as well as additional - Stereo Imager and Stereo Delay for delay line applications - Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs - Ultra high-resolution 61-band real-time FFT Analyzer with additional auto EQ function for room and loudspeaker equalization - Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA mic input) -64 user memories for complete setups and/or individual module configurations - Separate RTA mic/line input with phantom power, professional wordclock input and MIDI connections for full remote control, preset dumps and system updates - Ultra high-quality AKM (R) 24-bit/96kHz A/D and D/A converters (113 dB dynamic range) - Open architecture allowing future software updates via MIDI - Two high-performance 32/40-bit floating-point SHARC (R) digital signal processors for ultimate sonic resolution - Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, - AES/EBU and S/PDIF inputs and outputs (XLR and optical) - Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response and lowest possible power consumption - Manufactured under ISO9000 certified management system
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"When I shop with zZounds I know I'm not getting ripped off. The customer service staff takes great care to make sure I'm buying the right piece of equipment not the most expensive piece of equipment." - customer on February 4th, 2012
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"Good enough for entry level home hi-fi."
Sound:
10+ for the digital domain, no noise!
Since I'm using it in a dedicated listening room, I'm a little more critical of the final sound and the onboard DAC isn't the best money can buy, but is more than adquate for the $300 pricetag. You can bypass it using the digital outs if a more refined DAC is available.
Feature:
Unfreakin' believable that they can cram so much processing into 1RU. PEQ, DEQ, DYN, LIM, fully controllable Image Enhancer, MIDI control, AES/EBU in/out, Optical in/out.... seriously, this is one of the last honest-to-God-bargains out there.
I would like to see it support the Width processing whilst in dual-mono mode, but at $300, I can afford a 2nd one just for that function.
Ease of Use:
You don't learn how to fly a fighter jet after reading a manual. You have to get in a USE it, experiment, A/B compare, etc. This is no different. The layout is rather intuitive (I have no problems with it), but it's a complex device. The multi-function jogs are very helpful, but the lack of backlighted button text makes finding the right hotkeys a little tough in darker situations.
Quality:
No problems. Worked out of the box. Fit'n'finish is good. I'd expect to get at least 10+ years out of my home use (after that, I'll shoot myself if digital controllers are where they are today). I don't have any concerns about the quality of this product.
Value:
I couldn't find anything close to this price that allows me to autoeq my room.
Manufacturer Support:
The best support is the support you don't need.
The Wow Factor:
Yeah, it's pretty sweet.
Overall:
Since I can bypass the onboard DAC and select my own, I plan on using this for quite sometime. I'm extremely satified with the product so far.
Style of Music: All
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"live or studio"
Sound:
the sound quality is pristine. i use it for live recordings and mastering. great space saver. does the work of many other brands you have to purchase individually. if you know how to master, this is all that you need.
Feature:
for live pa, with speakers spaced apart, the time delay is a great feature to align speaker outputs, witht the stereo imaging feature, you can get creative and aim your sound at different target points in the audience, more eq's than you can handle, great digital out which offers ultra clean recordings and compatibility
Quality:
solid, well made, we shall see if it stands the test of time, in the studio and on the road
Manufacturer Support:
have not had any problems, own other behringer products, no problems
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