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Behringer B3030A 2-Way Active Studio Monitor

Examine every note in your recordings with the Behringer B3030A, which has built-in 80 and 35 watt amps. 5 People rated this product: Rate and Review This Product
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Manufacturer's Description for Behringer B3030A 2-Way Active Studio Monitor

When it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! That's why we designed the new B3030A and B3031A Reference Monitors to speak nothing but the TRUTH. Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind -- where every note you play or sing is "under the microscope."

Features

- Ultra-linear frequency response with individual frequency diagrams
- Built-in 80 and 35-Watt power amplifiers with enormous power reserve
- Ultra-high resolution, 2-inch velocity ribbon transducer for ultimate sound reproduction
- Long-throw 6 3/4-inch woofer with deformation-resistant Kevlar cone and aluminum die-cast chassis for ultimate bass response
- Controlled dispersion characteristics and extremely large "sweet spot" owing to the unique BEHRINGER wave guide technology
- Active crossover network with 4th order Linkwitz-Riley filters
- Adjustable to a wide range of acoustic conditions and subwoofer operation
- Separately controlled limiter for low and high-frequency overload protection
- Magnetic shielding allows placement near computer monitors
- Servo-balanced inputs with XLR and 1/4-inch TRS connectors
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany

Built on a Legacy

Our TRUTH B2030A and B2031A monitors have been so wildly successful that we've sold thousands upon thousands of them to some of the most critical ears on the planet. So, from the moment we started this project, we knew these new speakers would have to be something really special, and indeed they are!

Years of R'n'D

For the past two years our Research and Development team has been on a mission to create the "perfect" studio monitor. Since the TRUTH B2031A had already become the industry standard, our acoustic engineers decided to start there and see just how far they could push the envelope. They tried a variety of transducers and enclosure designs, along with existing and emerging technologies. When all the dust settled, they chose to deploy an ultra-high resolution, 2-inch velocity ribbon transducer and a long-throw, Kevlar-coned woofer in a deformationresistant, die-cast aluminum chassis.

Why Kevlar?

We're glad you asked. Kevlar has an incredible strength-to-weight ratio -- that's one reason it's used in bulletproof vests. Kevlar gives our LF transducer the strength to handle the extremely high energy levels required for distortion-free, chest-pounding bass. And since they have such low mass, Kevlar speaker cones also respond much more quickly than those made of paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. Our Kevlar transducers reproduce even the subtlest nuance of the low-frequency realm without muddying the midrange.

What's With the Funny-Looking Tweeter?

Ribbon tweeters bring a level of accuracy and sophistication to high-resolution studio monitors that was previously unattainable. They provide exceptionally wide horizontal dispersion (for a larger "sweet-spot"), while holding the vertical dispersion extremely tight. And since our ribbon transducer diaphragm is virtually weightless, it reacts instantaneously to changes in the high-frequency content. Now, not only do you hear the dulcet tones of a flute, you hear the breath flowing through it... You hear the wind chimes bouncing off each other... You can hear the fingernails on the nylon strings of a classical guitar...

Another reason why ribbon tweeters are so supremely accurate is their ability to reproduce frequencies far above our normal hearing range. Even though we can't hear these "ultrasonics," the lower harmonics they generate do aff ect the way we experience the stereo image. For instance, a 30 kHz signal is too high for us to hear, but we can hear its first sub-harmonic (15 kHz), second sub-harmonic (7.5 kHz), and third (3.75 kHz), etc. All these sub-harmonics combine with the primary sound to create stunning realism. Power to the People It takes quite a bit more than just a "bulletproof" woofer and a high-tech ribbon tweeter stuck inside a fancy box to make a studio monitor of this class. It also takes power -- and lots of it! But even more importantly, that power has to be matched to the individual high and low-frequency tranducers. While some of our competitors are content to stick whatever speakers they have on the shelf into haphazardly designed boxes and then strap on a one-size-fits-all amplifi er package, we build every single component from the ground up.

We pack 225-Watts of bi-amped technology (including a time- and phase-corrected active crossover) into every B3031A (110-Watts for B3030A), ensuring that you have the enormous power reserves you'll need to drive them really hard.

Power to the People

It takes quite a bit more than just a "bulletproof" woofer and a high-tech ribbon tweeter stuck inside a fancy box to make a studio monitor of this class. It also takes power -- and lots of it! But even more importantly, that power has to be matched to the individual highand low-frequency tranducers. While some of our competitors are content to stick whatever speakers they have on the shelf into haphazardly designed boxes and then strap on a one-size-fi ts-all amplifi er package, we build every single component from the ground up.

We pack 225-Watts of bi-amped technology (including a time- and phase-corrected active crossover) into every B3031A (110-Watts for B3030A), ensuring that you have the enormous power reserves you'll need to drive them really hard.

Designed to Work in Your Environment

The ideal environment for listening is a room that is "flat," neither too reflective (echoes) nor too absorptive (where the sound is muffled). But since all rooms are not the same acoustically, all TRUTH monitors come equipped to function in a wide variety of situations. Switches are provided to adapt the monitor's low- and highf-requency characteristics for optimal performance specific to your listening environment.

Placement is also critical. Ideally, all loudspeakers should be placed away from walls to ensure proper bass response. But fear not, B3030A/ B3031A monitors feature Room Compensation switches so you can place them against walls, or even in corners. Walls tend to enhance low-frequency content, and corners exaggerate bass even more, but your TRUTH monitor can be custom-tailored to provide honest bass response for your situation, with the simple flick of a switch or two.

Non-fatiguing, Wide "Sweet Spot"

While some of our competitor's studio monitors have a highly focused "sweet spot" (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won't wear a hole in the carpet in that one spot where everything sounds great.

You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities. You also won't suff er the ravages of "monitorfatigue- syndrome," an ailment that comes from listening to harsh highmids and treble content for hours on end. The new 2" velocity ribbon transducer, along with our proprietary wave-guide design, generates silkysmooth high-end that is non-fatiguing, even during those all-night mix-down sessions that can test your nerves.

Hearing is Believing

We could bore you to tears with all the technical jargon (if you really like that stuff , there's a special treat at the end), but hearing the TRUTH will make you a believer. From the "bulletproof" bass of its Kevlar woofer to the silky top-end of its ribbon transducer, we think you'll agree that nothing in this class outperforms the B3030A and B3031A monitors. Compare them to the competition and own BEHRINGER! zZounds is an authorized dealer of Behringer products.
Dimensions and Weight in Packaging
Pair
Shipping Weight: 47 lbs
Shipping Dimensions: 22 x 16 x 14 in
Behringer Warranty If you have additional warranty questions, please call the manufacturer at 425-672-0816
Our extended 30-Day 100% Satisfaction Guarantee applies on this product. Buy it, and if it isn't just right for you, return it!
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Customer Reviews
5 out of 5 (5 ratings) Rate and Review This Product
zZounds has verified that this customer bought this product from us. "Behringer 3030a Monitors - Really Great Pair of Speakers"
Sound: Ok, so I got my Behringers.... WAY TOO COOL!!! Anyone that talks smack about these things is an idiot. As stated above I had some Alesis monitors which I used for years and liked them, but these things are like night and day. The mids and Hi's are great. I can hear all the articulations and tones of my guitars, vocals and upper bass tones extremely clear. This made me totally change my mixes. Mastering with these things is great. I no longer use the Sonic Maximiser in my mastering sweet. I'm going with the Pulsetec EQ, LMT Leveler and stereo expander only now. This is because I can hear the mids and highs so much better during mixing that I don't have to use it anymore. Technically if you've mixed correctly, mastering should be just about final eq, stereo field and leveling. These monitors are every bit as good as the Adam 7's with a slight difference in the mids and highs. I stand by my original assessment that the Adams are great, but not great enough for me to spend 800 to a Grand more for them over the Behringers. Depending on your music, the added mids and hi's of the Adams may be a bad thing in that they will cause you to pull back on those frequencies during mixing and mastering. We were going to get the 3031a's and now I'm glad we didn't. The added power and larger low frequency driver would have been too much for our room. I agree with those that say these things are really loud. I have mine at 50% on the trim in the back and that's plenty loud enough when I push them. Anymore than that is just stupid. If you want some really good monitors, whatevery your price point, you need to check these things out! Quality: these monitors are very well made. Heavy little buggers. Value: When you look at the reviews and comparisons to Adam 7's and you find that they are just as good, this is an unbelievable value. Behringer may put Adam out of business should the rest of the recording studios out there get a clue about them and stop buying stuff based on Name. Not that the Adam's are bad, because they are great. But the Behringers are just as good. The Wow Factor: While I love these monitors it may be that Behringer has a bad name because of past bad products. Hopefully these things will change their reputation. Overall: I should be using these monitors for a long time. My last pair of monitors I used for 8 years and I'm expecting these to exceed that time.
Style of Music: Rock, Progressive Rock, Fusion, Funk and Jazz
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"Best Value, Best Sound for the money... B3030A's"
Sound: I bought the Behringer B3030a's because in the store they lived up to the reviews I had read about in being very similar to the Adam speakers. When I got them home I was not dissappointed. They have a great stereo field, very good mids and hi's and more than enough bass. The settings for room placement works great. They are quite loud as well. Feature: I like the fact that these speakers are solid. they are heavy and the fact that the cabs are real wood makes a lot fo differnce. The ribbon tweeaters are crisp and clean and they fit really well in my studio space. Ease of Use: Right out of the box and on the desk... voilla.. sound Quality: C'mon you can't find another pair of speakers that sound this good for $329. I mean really aside from a slight difference in the mids and hi's they sound just as good as the Adam speaker they are compared with. I use them all day and they do not fatigue my ears. Value: At 329 bucks this is the best value I've seen around. Even if they were $529 for the pair they would be a better value than their rivals the Adams at almost $1400 a pair. Don't let anyone tell you different either. You need to hear them. Manufacturer Support: I haven't had to use any tech support or return them and I'm hoping I don't have to. But we'll see. I usually don't blow my speakers and if they are built as sturdy as they feel, I won't be replacing them for a while... unless I get rich and then I'll still be using them. The Wow Factor: I know everyone bags on Behringer, but truly I've had several of their products and so has my friends and we never have problems with the stuff. I think those that do are probably idiots that don't know how to use products and then plame failure on the product when it was their fault. Maybe not everyone, but a good portion of the people that buy gear don't know what they're doing and then blame it on the product. Overall: I shouldn't have to replace these speakers for quite a while
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