Event TR8 Tuned Reference Biamplifier Studio Monitors

Magnetically shielded. Balanced XLR and 1/4 in.; unbalanced RCA inputs.

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Event TR8 Tuned Reference Biamplifier Studio Monitors reviews

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90 People rated this product : * * * * * * * * * * 8 out of 10

 

14 People wrote reviews

Read all Event TR8 Tuned Reference Biamplifier Studio Monitors reviews...
* * * * * * * * * * 10 out of 10

Event TR8 Studio Monitors Customer Review

Feature:
TUNED REFERENCE: No switches to tweak for acoustics. I set these up in my home studio and they sounded as good as they did at the store.

Quality:
Quality at an excellent price. I had an Event Tria system before these, I never had to replace a driver, don't expect I'll need to with these.

Value:
Go listen to them.

Desirability:
Not as "cool" or "techno" looking as some other near-field monitors out there, but damn if they don't sound incredible, especialy for the price. Maybe they should get a 10 for the fact that they aren't distractingly attractive next to my computer screen.

Sound:
I A/B'ed the Event TR8's and M-Audio BX8's with an LTJ Bukem Drum and Bass CD, and a 60's Love Jam CD. I had a fresh pair of Sony 7506 headphones to use as my control group since I'm very familiar with them. I switched back and forth quite a bit, listening to the music in the headphones, then on one pair of monitors, then I did the same thing with the other pair. I then switched between the monitors themselves. The TR8's came etremely close to the 7506's - even in a room with no sound dampening, I still heard and felt the same thing the headphones were telling me when I listened to the Event's. The BX8's however seemed to have poor stereo imaging, and a few problems across many of the frequency ranges - I even played with the spatial switches they feature on the back - no dice. The BX8's might be more like the Yamaha NS10's in that they will produce a disco smile in your mixes because you'll sweeten up the EQ'ing in your mixes to hear the detail you want... I would rather take a transparent monitor and let my ear discern this, as I plan to mix many styles and moods of music.

Support:
Owning an affordable, high quality product that I've never had problems with or needed support for is enough support for me.

Overall:
For the price and the quality of their function, I don't see another candidate that can beat these monitors. I might add a subwoofer.

Submitted: 9/20/2003

Style of Music: Progressive Dance, Downtempo, Ambient


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* * * * * * * * * * 10 out of 10

"A good buy & mixes translate better than something that will cost you twice the price!"

Feature:
no external eqs or other junk to deal with (other than gain) which I keep at 0 as they are coming streight from a m-audio delta1010 interface. what you hear is what you get.

Quality:
the independantly tuned tweater/sub amping makes for a flat response. It isn't widly known, but I contacted event electronics to find out what exactly the differance is between the newer tr-8's and the more expensive ps-8. turns out that the drivers are Identical and that cheaper cabinet construction and manufacturing location allow them to sell for considerably less. the only aural differance is about 3db less overhead than the ps8. However, the "newness" factor of the tr8 sometimes makes them even more expensive then the ps8 i'm told, so shop around and we'll have to wait for that to wear off to find its true value.

Value:
definatly shop around. online tends to be cheaper than guitar cener for instance. Unless you get pleasure from peeling the wrapper off a brand new pair to get that factory-fresh smell, getting you're hands on a good used/ slightly used pair will save you tons. (its not like they're gonna deterierate too much from normal use.)

Desirability:
sleak black on black cabinetry looks very professional.

Sound:
I got some used and have done lots of experamenting with mixes of differant styles and moods. excelent flat response. Highs are crystal clear and the bass isn't overwhelming at all. the biamped system stereo imaging is perfectly flawless and symetrical.

Support:
haven't needed any yet

Overall:
Don't plan on replacing these anytime soon. they are all around great all-purpose nearfield monitors.

Submitted: 2/3/2004

Style of Music: jazz, techno, classical


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About This Product!
Description
Docs
Do your mixes suffer from buried vocals, overwhelming bass, screetchy guitars, or other sonic unpleasantries? No doubt your monitors simply aren't giving you an accurate picture of what's going on in your mix. How to make the problems go away? Switch to Event monitors -- the monitors famous for their "mixes you can trust" sound. (Just ask the people who have won Grammy awards for mixes they've done on them.)

And now it's easier than ever to make the switch. Introducing the Tuned Reference 5 and Tuned Reference 8. Their names tell the whole story: These monitors are precision tuned to provide flat frequency response and uncolored sound, giving you a true sonic reference for mixing. So when you mix on a Tuned Reference monitor, you know your mixes will translate accurately to other playback systems. (Which is, after all, the whole point.)

You might think that this level of mix precision comes at a high price. But thanks to a powerful new ultra-efficient amplifier (actually 2 of them, since these are biamplified systems), Event's able to bring you high definition, non-fatiguing monitoring at prices so low they're downright silly. But don't let the cost fool you: The TR series monitors are filled with time-tested Event technology, and designed by the same engineering team behind our full line of critically acclaimed monitors.

So pick up a pair of TR monitors today at your favorite music store. Your mixes will thank you.

Technical Info

LF Driver: magnetically shielded 8 in. mineral-filled polypropylene cone with 1 1/2 in. diameter high-temperature voice coil and damped rubber surround

HF Driver: magnetically shielded 25mm ferrofluid-cooled silk dome Frequency

Response: 35Hz - 20kHz,
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