Behringer FBQ3102 Ultragraph Dual 31-Band Equalizer with FBQ

For live and studio applications. XLR and 1/4 in. TRS connectors.

Item: BEHFBQ3102

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Behringer FBQ3102 Ultragraph Dual 31-Band Equalizer with FBQ reviews

Rate and Review This Product:

37 People rated this product : * * * * * * * * * * 7 out of 10

 

2 People wrote reviews

Read all Behringer FBQ3102 Ultragraph Dual 31-Band Equalizer with FBQ reviews...
* * * * * * * * * * 9 out of 10 zZounds has verified that this customer bought this product from us.

"Great Sound"

Feature:
I'm knocking it down 2 notches because of the fbq feature. As an EQ, it does everything it should. Hi and lo pass filters are convenient if not redundant. Sub x-over is fine. The FBQ is handy, but not complete. Intensity of glowing sliders shows sound levels per frequency, but that's it. You can visually identify strong/weak spots, but you still need your ears. What it does do is make tuning quicker, but it does not do it for you. Feedback will show up as one bright slider, so you can quickly nab it/tune it if you ring the room, but folks who know the "I don't have a RTA-capable EQ" methods will find this only a convenience. Folks that don't know how to tune a room by ear will not benefit from this feauture. A noise insert & a measurement mic insert would make it work...

Quality:
I think it's built well. Sliders feel precise and smooth, but strike me as delicate. House installs = fine. The controls don't feel up to the occassional woopsie that gigging encounters. I'm knocking it 3 points because, like alot of Berhinger gear, there's a really nasty power-off pop. I mean, I hate to even expose powered-off gear to the surge.

Value:
Outstanding sound at minimal cost.

Desirability:
turn on fbq and the lights go nuts...if you're into that sort of thing.

Sound:
Sound is outstanding. My older furman eq was clean, but very muddy in comparison. Bass is tight but full, no slop. Highs are crystal. I don't mean to go overboard, but the sound quality rivals eqs 3 times as costly.

Ease of Use:
It's an EQ...

Support:
No experience.

Overall:
Its a static install. I'll use it indefinently.

Submitted: 8/28/2006

Style of Music: rock, jazz, R&B, Dance, CCM

12 of 13 people (92.31%) found this review helpful. Did you?

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* * * * * * * * * * 7 out of 10

Behringer FBQ3102 EQ Customer Review

Sound:
the subwoofer output is effected buy the graphic eq part, so if you want to use it as a crossover, it won't work. if you drop the lows in the graphic eq part it will pull the lows out of the sub out. same with the low cut knob, it is NOT a dedicated sub out because everything else effect's it.

Submitted: 12/1/2006

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Read all Behringer FBQ3102 Ultragraph Dual 31-Band Equalizer with FBQ reviews...

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About This Product!
Description
Docs
From Our Catalog
Ultragraph Pro EQs are professional, ultra-musical, and equally at home in both live and studio applications. They feature the amazing, patent-pending FBQ Feedback Detection System that instantly detects feedback frequencies and can also be used as an audio analyzer. Their dedicated mono subwoofer output with adjustable crossover frequency lets you add some extra punch to your music. Other features include ultra low-noise audio op-amps, servo balanced XLR and TRS I/Os, high-quality illuminated faders, detent ALPS(R) potentiometers and illuminated switches.

Features:
Professional 31-band stereo Graphic Equalizer for both live and studio applications

Revolutionary, patent-pending FBQ Feedback Detection System instantly reveals critical frequencies and can also be used as Audio Analyzer

Dedicated mono subwoofer output with adjustable crossover frequency

Additional sweepable high and low cut filters for each channel remove unwanted frequencies e.g. floor rumble, tape hiss, etc.

Highly accurate 12-digit LED input/output metering and input gain control for easy level setting

Ultra low-noise audio operational amplifiers offer outstanding sound performance

Relay-controlled hard-bypass with an auto-bypass function during power failure (failsafe relay)

Servo-balanced inputs and outputs with 1/4 in. TRS and gold plated XLR connectors

High-quality illuminated faders, detent ALPS potentiometers and illuminated switches for long-term reliability

Shielded toroidal power transformer for ultra low-noise performance

Extremely rugged all-metal chassis ensures long life even under the most demanding conditions

Designed in Germany. Manufactured under ISO9000 certified management system.

Technical Info

Audio Inputs:
- Type: RF-filtered, servo balanced XLR and 1/4 in. TRS connectors
- Impedance: 40k ohms balanced and unbalanced
- Maximum Input Level: +21 dBu balanced and unbalanced

Audio Outputs:
- Type: Servo-balanced XLR and 1/4 in. TRS connectors
- Subwoofer Out: Balanced XLR connector
- Crossover Frequency: variable, 30-200Hz

System Specifications:
- Frequency Response: 10Hz to 30kHz, +/- 3 dB
- Signal to Noise Ratio: 22 Hz to 22 kHz > 94 dB @+4 dBu
- THD: Typical 0.006% @ +4 dBu, 1 kHz, Gain 1
- Crosstalk: Typical 65 dB @ 1 kHz

Roll-Off Filtersection:
- Type: 12 dB/octave, Butterworth
- Input: variable (-15 dB to +15 dB)
- Low Cut: variable (10 Hz to 400 Hz)
- High Cut: variable (2.5 kHz to 30 kHz)

Graphic Equalizer:
- Type: Analog 31-band equalizer
- Frequency Range: 20 Hz to 20 kHz in 31 1/3-octave bands (ISO frequencies)
- Bandwidth: 1/3 octave
- Control Range: +/-6 dB or +/-12 dB (switchable)

Dimensions (H x W x D): 3-1/2 x 19 x 5-7/8 in.

Weight: 5.51 lbs
Dual 31-band graphic EQ with a trick up its sleeve: a feedback detection circuit lights up the slider of the offending frequency so you know what to cut. It also features balanced I/O with 12-segment level metering.

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