Studio Projects VTB1 Variable Tube Microphone Preamp

48V phantom power. Phase reverse. Variable input gain control.

Item: STUVTB1

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Studio Projects VTB1 Variable Tube Microphone Preamp reviews

Rate and Review This Product:

18 People rated this product : * * * * * * * * * * 9 out of 10

 

8 People wrote reviews

Read all Studio Projects VTB1 Variable Tube Microphone Preamp reviews...
* * * * * * * * * * 10 out of 10

"Nothing short of sweet"

Feature:
Can't beat the features in the price range... heck even out of the price range most don't come with all the features. Would like to see Studio Projects make a rack mountable stereo version someday!

Quality:
Heavily built, will have no problem lasting many years in my studio!

Value:
Like I said, you cannot beat this preamp for the price, it sounds amazing!

Desirability:
I like equipment that looks all business, no dainty designs needed. The blue LEDs glowing inside do give a neat effect.

Sound:
From ultra-clean on full solid state setting, to flavorful distortion on all tube, and anything in between! Super low noise floor across the board!

Support:
Haven't had to use it...

Overall:
I probably won't be searching for another preamp for a while, I'll just continue filling my rack with these babies!

Submitted: 5/22/2005

Style of Music: All styles of music, voice overs


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* * * * * * * * * * 10 out of 10 zZounds has verified that this customer bought this product from us.

"My Best Sub-$100 Purchase Ever..."

Feature:
At this price...nothing else comes close.

Quality:
Very well built. All controls are rock solid. Not the prettiest knobs and switches I have ever seen but they all look like they can take years of use without a problem.

Value:
I'd give it more than a "10" if I could. Great tone...nice features...quiet operation. Its the best under $100 piece of gear I own.

Desirability:
Its a fine tool for recording. Its a must have for home studios. I use it for mics, acoustic guitar, and its really nice as a direct box for my bass. I'll even give it an extra point for the cool blue glow from inside the box. I'm considering buying another so I can have a stereo pair of them.

Sound:
Very clean and quiet pre-amp. The variable mix of tube and solid state tone gives this box a lot flexibility.

Support:
No support issues so far.

Overall:
Having trouble with low record levels on your acoustic guitar? Is your vocal mic a little too crisp and edgy sounding? Want a fat bass tone without the bass amp? This unit solves a lot of problems at a great price. Buy and enjoy!

Submitted: 7/21/2005

Style of Music: Christian, Jazz, and Country


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Read all Studio Projects VTB1 Variable Tube Microphone Preamp reviews...

30-Day 100% Satisfaction Guarantee Applies On This Item - Buy it, and if it isn't just right for you, return it!

About This Product!
Description
Docs
From Our Catalog
The new Studio Projects VTB-1 is the ultimate in low cost mic preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 is the "Tube Drive." The Tube Drive is a variable drive to a 12AX7, that allows the user to blend as little, or as much of the Tube Drive they want. This VTB-1 allows the user the most flexibility of any mic preamplifier in it's price class.

The VTB-1 allows you to go from a pristine solid state sound, to any combination of Tube Drive you choose... even hard distortion for guitars and bass! The VTB-1 is must have device as the perfect mic preamplifier for any microphone!

Features:
48-Volt Phantom Power

Phase Reverse

Variable Input Gain Control On Detented Pot

1/4 in. D.I. Jack On Front Panel

High Pass Filter

Descrete Solid State Class A/B Design

TRS Insert

Mic/Line Switch

VariableTube Blend On Detented Pot

Meter Read Select Between Input and Output level

Switchable Impedance between 50/200 Ohm

5 position LED metering

XLR mic input

Balanced outputs on XLR and 1/4 in.

External AC Power Supply For extreme Low Noise Operation (Included)

Output Gain Control On Detented Pot

Applications:
A superb vocal mic pre with warm transparent character

Great for use as a Tube DI Box

Great for production, broadcast, and voice over work

Perfect for the professional and home project studio

A quality vocal mic preamplifier suitable for all vocal styles

Circuit Topology:

Mic Preamp
Discreet, current-source fed, paralleled-transistor balanced input stage feeding a bipolar opamp balanced-unbalanced converter. Dual feedback design for low distortion performance. 2-Stage design for increased performance; transistor stage provides up to 45dB gain, 2nd stage contributes up to 15dB gain.

Line Input
FET-input opamp buffer with hi input impedance to avoid pickup loading when used as an instrument preamp. 2nd stage provides adjustable gain from 10dB to 30dB, constant hi-impedance is maintained.
Hi-pass filter:

75Hz hi-pass filter for low-freq wind and rumble elimination (3-pole filter @-18dB/oct).

Tube Blend
Constant-level blend control allows the user to smoothly change from an all solid-state path to a tube-based preamp. This allows the user to add the desired amount of tube sound to the signal without having to deal with complicated "tube drive" controls and such. Alternately, it allows the user to use only the solid-state portion of the preamp to get a very low distortion, un-colored sound when desired.

Tube Stage
12AX7 vacuum tube with DC filament supply for minimum hum and noise. 1st half of tube is operated as a hi-gain amplifier stage, 2nd half operates as a cathode follower to minimize loading of the first stage. A low-voltage plate supply is used to create a "starved-tube" condition for enhanced sound.

Output Stage
Bipolar, lo-noise, hi output-current opamp used for best performance. 1st stage is used to provide additional gain (6dB) and drives the Line out jack and Pin-2 of the balanced out. The 2nd stage provides signal inversion and drive for Pin-3 of the balanced output (effectively an additional 6dB gain).

For Best Tube-Sound Results
The tube operates best when provided with a solid signal. The best way to accomplish this is to use the on-board metering to set the internal levels. Press the Meter Select switch IN, the meter will now display the signal level within the preamp, just before the tube stage. Adjust the GAIN control to get a meter reading within the 0 to +8 range. With the OUTPUT control at "0", start turning the BLEND control clockwise until the desired sound is heard. Depending on the source material, more or less BLEND will be needed. If the output level is too high or low for your following equipment, adjust the OUTPUT control to compensate. This won't change the sound of the blended signal, just the overall level.

Technical Info

Maximum Gain :
Mic In to Bal Out: 72dB (60dB preamp gain, 12dB output gain)
Line In to Bal Out: 42dB (30dB preamp gain, 12dB output gain)

Distortion/Noise (THD + Noise):
-20dBu input-Mic; 0dBu input-Line
Both measured at +15dBu output
Mic or Line In to Bal or Line Out: <0.0015% (Blend set full CCW- no tube)
Mic EIN: -128dBu (150 ohm source, 60dB gain)

Frequency response (20-20kHz, ref 1kHz):
-20dBu input, +15dBu output
Mic In to Bal Out: +0 /-0.25 dB
0dBu input, +15dBu output
Line In to Bal Out: +0 /-0.5 dB

Phase response (20-20kHz, either input): <+/- 15 degrees

Input impedance:
Mic Input (Rear switch in 200 ohm position): 2000 ohms
Mic Input (Rear switch in 50 ohm position): 300 ohms
Line Input (Front panel TRS jack): 1.5 meg ohms

Output impedance:
Male-XLR Balanced Output: 100 ohms (50 ohms each leg)
TRS Line Out: 300 ohms (Impedance Balanced)

Insert Jack (TRS):
Nominal level approx 0dBu
Located between SS preamp stage and tube/output stage
Tip=Send: 50 ohms output impedance
Ring=Return: 7500 ohms input impedance
Solid-state mic pre with variable tube drive for a wide range of timbres. It also boasts a 1/4" instrument input, switchable 50/200 ohm impedance, phase reverse, and a high-pass filter. XLR I/O and TRS output.

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