Feature:
The mic includes a light metal carrying case, shock mount holder, and foam windscreen. In order to protect the high-quality diaphragm from accumulating moisture spots, a stand mounted pop filter is recommended. You'll also need a standart 3-pin cable and 48V of phantom power, of course.
Quality:
Apprarently the C1 is partially produced in China and assembled to assure quality control, here in the States. If a manufacturer finds the means of doing this, it keeps the cost of production down while optimizing quality.
Value:
I'd shopped comparable products for more than a year and am convinced the C1 is 'far and away', the best value mic in its price range.
Desirability:
Simply . . . gotta have it! Sex appeal? Hey, we're talking about inanimate objects here . . . (Give me a break.)
Sound:
Though this is my first large condenser 'studio' mic, I've worked with a number of other microphones and applications over the last 2 or 3 decades. As far as sound goes, the C1 is noted for producing a very warm, natural quality, that translates especially well for vocals.
Ease of Use:
I was able to unpack the mic, plug it in, and begin recording almost immediately.
Support:
No, though I filled out and mailed my pre-printed product registration card to the PMI Audio Group (Studio Projects) in Torrance, California. It was returned to me with a P.O. label indicating the company's forwarding address had expired.
Overall:
After I'd read several reviews of the C1, I realized I needed to get my hands on one of these 'bad boys' while they were still available for $200. It's pretty common for a manufacturer, especially with a high quality product to introduce it into the market at a premium price and watch it rise with increased demand over time. (See, my business education wasn't a complete waste!)
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