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Voodoo Lab Superfuzz Fuzz Pedal

100% analog. Handwired. True bypass switching.

Our 30-Day 100% Satisfaction Guarantee applies on this item. Buy it, and if it isn't just right for you, return it!
Description
Docs, Multimedia
The rare Jordan Electronics Bosstone (circa 1968) is considered by many to be the ultimate vintage fuzz. The Voodoo Lab Superfuzz starts with this classic fuzz design and adds unique tone and resonance circuits to create an amazing new array of fuzz tones. The tone control delivers a wide spectrum of midrange and bass timbres, everything from an extreme gain scooped tone through a raucous, bluesy, prominent mid voicing. The resonance control is a sub-harmonic booster that lets you add an aggressive bottom end not typically found on fuzz pedals. Attack varies the gain from rich and creamy to outrageous.

"The Superfuzz flaunts tons of output and reacts well to picking dynamics... while making a little combo amp sound like it's pumping a big cabinet. Yeah!" -Guitar Player

"I was overjoyed to plug in my guitar and hear the exact sound I used on the first four Spirit albums" -Randy California

About Voodoo Lab
Voodoo Lab guitar effect pedals are faithful recreations of the most sought after pedals of the '60s and '70s. Handcrafted from the finest modern and vintage components, these pedals are housed in rugged, die cast aluminum cases with heavy duty metal switches. All Voodoo Lab guitar effects are 100% analog, handwired, and feature true bypass switching.

Technical Info

Power: 9V battery (included) or any 5.5mm barrel, 9VDC, center negative, power supply (sold separately).

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Item: VDLSUPERFUZZ
 
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$129.00
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Voodoo Lab Superfuzz Fuzz Pedal Reviews

15 People rated this product :
           9 out of 10
           9 out of 10
  zZounds has verified that this customer bought this product from us.
"This pedal must be demoed to be appreciated."
Overall:
I tested the Boss Fuzz along with the Voodoo Labs. The Voodoo Labs tone quality was much better. The Boss got very distorted very quickly especially when playing chords or double stops. As long as the guitar volume is high enough, this pedal gives what you want. The controls allow for various fuzz property levels. I play a Strat though a Marshall DSL 50 with a hot plate attenuator. This pedal gives that extras crunch and sizzle when you want it.

Submitted: 01/14/2008
Style of Music: Rock, Blues
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