16-voice polyphonic real analog synthesizer.
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131 People rated this product : 9 out of 10
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20 People wrote reviews |
Read all Alesis Andromeda Analog Synth reviews... |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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Feature:
Its an analog synth with the programmability of the most flexible digital synths around (Waldorf Q, Virus, etc). Its like an Oberheim Xpander in that respect, but with VCOs rather than DCOs and more polyphony. Extremely flexible envelopes that can be very fast. 16 part poly-multi. Incredible flexibility. The analog distortion is nice, although the digital FX arent too good. Its almost a modular in a keyboard... This is the most powerful analog synth ever, full stop.
Quality:
Can't say Ive had problems yet, so Ill give it a 10.
Value:
Its worth the money. Enough said.
Desirability:
Beyond sexy. It redefines sexy. This thing gave me a case of Gear Acquisition Syndrome for three years!
Sound:
Real analog definetly sounds different to virtual analog. Now do not get me wrong, VA's can be great instruments in their own right, but they cannot replace real analog. I like VA's, I like the dark dirty assault of the Virus and the slicey-clean-metallicness of the Nord 3, but the Andromeda is simply a totally different beast. For one, the oscillators sound, on non-sawtooth waves, much more solid and thick. A6 PWM disembowels Virus PWM. The bass you can program with this thing absolutely shakes the room... I programmed a 1 oscillator PWM+triangle wave bass and added the sines of both oscs in post-filter (with one sine an octave down) and the bass shook the table violently. I compared it to a 2 octave PWM+ triangle sub-osc + EQ + analog boost on my virus, and even though the Virus sounded much more precise, the A6 had so much power it put the Virus to shame. The pads are lush, thick and rich, the leads can be very powerful, the filters sound really cool and although not as precise, defined and strong as the Virus filters, they have a very musical tone to them and a nice wetness.
Ease of Use:
Strangely enough for a synth of this power, the operation is easy and intuitive beyond belief. Its heavy and tuning takes time, but its worth it! The interface is easy, and although this is not a 'my first synth' its reasonably easy to tweak.
Support:
Never dealt with them. The best support is non-needed support.
Overall:
The only analog polysynth you will ever need.
Submitted: 10/27/2006
Style of Music: Electro-Industrial
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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After playing synths for 25 years, and going through the Crumars, the Chromas, the Oberheims, the Roland Jupiters and Junos, the JD's, the DX's and the Moog's, using them ALL in one way or another in the studio ro owning, THIS IS THE FIRST to grab my attention so much as to keep me awake all night for days exploring it. It is thick, 16 voice REAL analog, and its performance features (including especially the ribbon) make it a true behemoth. I WAS held back on this purhase because of Alesis' reported bankruptcy and purchase by Numark...I don't know what's gonna happen to this synths' support, but its the BEST REAL analog synth there has EVER been...no kidding.
There is a ton of heart in this machine. I hope and pray that the engineering/design team for this board is very well taken care of and is still working together. The system is logical, well laid out and a true beauty of ergonomics. I have gotten reports of a buggy OS, but I personally have had no problems.
If I could take one synth to my desert island, this would be it...well over my Fantom, JP8, Motif, JD's, Triton's, Kurzweils, Moogs, Prophets and Oberheims. There is enough here for EVERYBODY.
LONG LIVE ALESIS! BRING BACK ALESIS!
Submitted: 6/6/2002
Style of Music: Original Progressive heavy rock
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