
The SLA-1 Studio Linear Amplifier is a robust yet compact power amplifier designed for studio and even live applications. It has been designed and engineered to provide clean, quiet power and excellent sound with ultra-low noise and distortion. Learn More...
Condenser microphones usually specify different requirements for their phantom power. These ratings can range from 48 Volts all the way down to 9 Volts. Fortunately, there's a certain amount of flexibility with matching Phantom Power voltage to your mic. Learn More...

The T8 (Transformer Eight) is a totally passive audio interface that uses 8 transformers to separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The T8's audio transformers have flat and wide frequency response and handle high signal levels while maintaining an isolated balanced output. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 ohms to 100k ohms. Learn More...

The ART Pro-VLA II is a tube driven Vactrol-based Compressor and Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations. Learn More...

The ART S8 Microphone Splitter can be used to split eight balanced low impedance microphone signals into sixteen (eight pairs). Each channel of the S8 provides one direct output and one transformer-isolated output from a single microphone. Learn More...
The DJ PRE II is a high quality phono preamp designed for your home and studio. It acts as an interface between your turntable and your audio recording system. The analog input capacitance can be switched between 100pf and 200pf to optimize your phono cartridge response. A switchable low cut filter removes rumble while leaving the audio pristine. The front gain trim control and signal/clip LED allow you to optimize the preamps gain for a wide range of input sources. Learn More...

Built into the PS 4x4 is a surge and spike protection system, designed to protect powered equipment from harmful electric surges and spikes. The unit also has RFI and EMI filtering, a 15 amp breaker, and a total power capacity of 1800 watts. The PS 4x4 also features a front-located on/off power switch (which lights up when turned on), and a front-mounted circuit breaker reset switch. The rugged, all-steel chassis occupies 1U rack spaces and is intended for installation into standard 19 in. equipment racks. Learn More...
Why risk running out of batteries mid-session -- or worse, getting a phantom power 'brown-out' in the middle of a take? Why keep spending on 9V batteries at all when you can have constant, reliable power? If you have the Phantom II, you ought to have this. Learn More...
The ProSplit provides one direct output and one transformer isolated output from a single microphone. Applications include sending the direct output to the main or Front-of-House mixer, with the second isolated output being sent to a monitor or recording mixer. Learn More...
A/B-Y switching works two ways. It lets you switch a common source signal (guitar, bass or keyboard) between two amplifiers or amp channels. Or conversely, it lets you switch two source signals (ie, two different guitars) into the same amplifier. A good quality A/B-Y switcher will also provide LEDs or other indicators to show whether A, B or Y routing is in effect. The Y routing combines both the A and B outputs in parallel so that two amplifiers can be driven at once. The Coolswitch provides full A/B-Y switching functionality, plus parallel Common in/out jacks. Learn More...

Ideal for virtually any home or project studio, the ARTcessories HeadAmp4 easily adds additional headphone outputs to any mixer, computer audio interface, workstation, iPod, media player or laptop without creating any additional load on the existing headphone source. Learn More...
A 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48-volt mic, you would obtain best results with 48 volts of phantom power. The Phantom III is a great choice for these needs. Learn More...
The USBPhonoPlus v2 is the ideal low cost interface solution for transferring any analog or digital audio source, including a turntable into a computer via standard USB connection. Learn More...

ART's latest amplifier stems from the success of their popular 100-watt SLA-1. For all of you power-hungry audio enthusiasts, ART presents to you the more powerful SLA-2. The SLA-2 is a studio linear power amp that delivers 200 watts of clean, clear power, and will help reproduce your mixes with near-pinpoint accuracy inside a single rack space. Learn More...
The Zdirect is a high-quality, totally passive interface that lets you connect instrument-, line-, or speaker-level signals to a mixer or other balanced input through a high-performance audio isolation transformer. The high impedance single-ended 1/4 in. input is converted by the transformer into an isolated balanced low impedance signal source. Learn More...
The DTI (Dual Transformer/Isolater) is a high-quality, totally passive audio interface that uses a pair of high-performance transformers to totally separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. Learn More...
The SP 4x4 features a backlit linear meter to monitor input voltage, which gives the user a familiar analog-style readout when monitoring voltage from a power source. The SP 4x4 also features ART's "4x4" distribution on the back of the unit -- four of the eight rear outputs are 1.25 in. apart. This allows the user to plug in wide power cables and multiple wall wart devices while still having eight total power outlets to choose from. Learn More...

The ART SyncGen is a simple to use and inexpensive way to improve the sound of your digital recording gear and eliminate seemingly random pops and clicks resulting from synchronization timing errors between different pieces of equipment. Learn More...
Different condenser microphones specify different amounts of required phantom power. As a rule, these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be “more is better.” Learn More...
Use the SPLITCom Pro to Split or Combine balanced low impedance microphone signals. As a Splitter: The SPLITCom Pro provides one direct-coupled output and one isolated output from a single microphone. AS A COMBINER: The SPLITCom Pro provides one output from two microphone inputs. Learn More...
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