Nady RSM2 Studio Ribbon Microphone
No longer available at zZounds
Designed for use in contemporary, state-of-the-art studios, yet offers the unique natural sound previously only available on classic large ribbon mics.
Overview
The RSM-2 Ribbon Studio microphone is designed for use in contemporary, state-of-the-art studios, yet offers the unique natural sound previously only available on such classic large ribbon mics as the legendary RCA 44, which is still used to make great recordings today after almost 70 years. Perfect for recording studio vocals, acoustic instruments, strings, horns,orchestras and choral groups, ambient instrument audio,and many live sound applications. Powerful and versatile, and with the unmatched natural sound of classis ribbon mics, the RSM-2 meets the stringent requirements of even the most demanding digital recording and live broadcasting applications.
The unparalleled, uncompromised sound of a classic ribbon (velocity) mic
Low-tension 2-inch long, 2 micron thick aluminum ribbon design with typical "large mellow" ribbon audio reproduction with smooth, natural extended low and high ends
Fast accurate transient response, ultra-high 165 dB SPL capability, unmatched transient response and overall stunning realism
Figure-8 audio directional (pickup) pattern for both front and rear wide, extended sweet spots (as compared to large diaphragm condenser mics); and increased off-axis high frequency response on sides, with decreased high response above and below on-axis (though lower audio levels)
Individual recording volume control of separate sources, through use of stereo mic setups wherein isolation is achieved by placing the source so that it is in the principal axis of one… read more mic and the off-axis null of the other
Manufactured with the finest materials with a machined housing with advanced internal shock mount construction for the highest structural integrity and rugged reliability
Integrated yoke mic stand mount and XLR cord included read less
The unparalleled, uncompromised sound of a classic ribbon (velocity) mic
Low-tension 2-inch long, 2 micron thick aluminum ribbon design with typical "large mellow" ribbon audio reproduction with smooth, natural extended low and high ends
Fast accurate transient response, ultra-high 165 dB SPL capability, unmatched transient response and overall stunning realism
Figure-8 audio directional (pickup) pattern for both front and rear wide, extended sweet spots (as compared to large diaphragm condenser mics); and increased off-axis high frequency response on sides, with decreased high response above and below on-axis (though lower audio levels)
Individual recording volume control of separate sources, through use of stereo mic setups wherein isolation is achieved by placing the source so that it is in the principal axis of one… read more mic and the off-axis null of the other
Manufactured with the finest materials with a machined housing with advanced internal shock mount construction for the highest structural integrity and rugged reliability
Integrated yoke mic stand mount and XLR cord included read less
Reviews
Reviewers gave this product an overall rating of 2 out of 5 stars.
(25 ratings)
Submitted August 7, 2007 by a customer from oktavamod.com
"Nady RSM-2 - Good candidate for microphone modification."
Verified Customer
zZounds has verified that this reviewer made a purchase from us.
Sound
The sound of this mic has the potential to be great, but the mechanical resonance of the headbasket tends to add a layer of inharmonic distortion that obscures the pure sound the ribbon motor is capable of producing. In addition, several layers of wind blast protection create a band pass filter that rolls off both extreme top and bottom end response. The stock transformer is no match for a specialty ribbon mic transformer from Cinemag or Lundahl.
Features
The biggest drawback to this mic is its size - there is no shock mount available for it. Given its propensity to mechanical resonance a shock mount would be a welcome addition.
Ease of Use
Plug and play baby.
Quality
In my business, I've had the opportunity to examine nearly one hundred Chinese manufactured ribbon mics like the Nady RSM-2. I've found that 30-40% of them have extremely slack ribbon tension - the ribbon actually sagging out of the magnet gap over 80% of its length. This causes low output and distortion. Once way to check for slack ribbon tension (if you own one of these mics) is to listen in headphones as you rock the mic back and forth. A ribbon that is too slack will produce a metallic "clanging" sound as if flops back and forth across the gap. This should be repaired.
Value
If you get a mic with proper ribbon tension the value is just OK. If the mic turns out to have a slack ribbon the value drops.
Manufacturer Support
No experience.
Musical Background:
Professional microphone modification
Musical Style:
Ambient
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