Universal Audio 710 Twin-Finity Microphone Preamplifier
Double your mic pre with the 710's two discrete, blendable gain stages: a tube circuit dripping with character, and a solid-state path with crisp response.
Universal Audio 4-710D 4-Channel Microphone Preamp
Add 4 channels of Twin-Finity mic preamps to your recording studio rack! The 4-710D's hybrid signal path lets you blend solid-state clarity and tube warmth.
Universal Audio Solo/610 Microphone Preamp
One Putnam 610 console tube preamp, to go! With its fat input and output gain knobs, the UA Solo 610 warms up any microphone or DI instrument in the studio.
Black Lion Audio Bluey FET Limiting Amplifier
Based on mixmaster Chris Lord-Alge's modded "Blue Stripe" 1176 compressor, BLA's Bluey boasts a wet/dry mix knob and that signature lightning-fast attack.
Manley Core Reference Channel Strip Microphone Preamplifier
Combining elements of Manley's most-loved outboard gear in a musician-friendly mic preamp/EQ/compressor/limiter, the Core makes it easy to get a great sound.
Black Lion Audio B12A Quad 4-Channel Microphone Preamplifier
BLA packed 4 B12A mic pres into 1 rack space to build the Quad. Plug into 4 channels with 70 dB of punchy API 312A-style gain, Cinemag transformers and all.
Universal Audio 6176 Vintage Channel Strip
The classic Putnam 610 preamp, plus the legendary 1176 compressor, equals one unbeatable channel strip. Warm up vocals, drums, and more with the UA 6176.
Black Lion Audio Eighteen Microphone Preamplifier/EQ Channel Strip
Dial in punchy mids and smooth highs on this vintage-vibey channel strip, with a mega-versatile program EQ and BLA's Melcor-inspired op-amps under the hood.
Black Lion Audio 17 Seventeen FET Compressor
Dial in some attitude. BLA delivers fast attack like the iconic '76 -- plus a frequency-adjustable sidechain, separate high- and low-pass, and wet/dry blend.
Audient ASP800 Microphone Preamplifier, 8-Channel
Get 8 channels of the same high-performance preamps found in Audient consoles, with HMX and Iron switches for harmonic coloration, and ADAT digital output.
Black Lion Audio Auteur MKII Twin-Channel Microphone Preamplifier
Don't compromise clarity or warmth -- you can have both! BLA's Auteur mkII preamp improves on the original's responsive sound with more gain and lower noise.
Universal Audio LA-610 MkII Classic Tube Microphone Preamplifier
Dial in warmth and clarity with UA's iconic LA-610 mic pre -- and compress on the way in with T4 optical circuit identical to the legendary Teletronix LA-2A.
Black Lion Audio B172A Dual Compressor
1176-style FET compression or LA-2A-style opto compression? BLA's B172A has both sides of this dynamic duo, in separate circuits you can route any which way.
Audient ASP880 Microphone Preamplifier, 8-Channel
An ideal DAW front end, the ASP880 gives you 8 Audient preamp channels with variable high-pass filters, Burr-Brown A/D converters, and ADAT digital output.
Black Lion Audio B173 Quad 4-Channel Microphone Preamplifier
What's better than a Black Lion Audio 1073-style mic preamp? Four of them! The B173 Quad gives you 70 dB of clean gain with plenty of rich vintage character.
Black Lion Audio B12A mkIII Microphone Preamp
Get that API-style vibe with 70 dB of big, fat gain! Black Lion packed this half-rack mic preamp with Cinemag input/output transformers and a front-panel DI.
Manley Nu Mu Stereo Limiter Compressor
Manley's riff on their famous Variable Mu compressor/limiter, the hybrid tube/solid-state Nu Mu delivers smooth, open compression and serious "mix glue."
Black Lion Audio B173 mkII Microphone Preamp
Black Lion's take on the classic 1073, this half-rack mic preamp gives you 70 dB of warm gain with tons of British character, complete with a front-panel DI.
Manley Enhanced Pultec EQP-1A Mono Equalizer
This EQ sounds like a Pultec -- because it really is a Pultec! Dial in warmth or air with Manley's single-rack-space version of the classic studio equalizer.
Manley Force Four-Channel Vacuum Tube Microphone Preamplifier
The Force = four Manley Core tube mic preamp channels in one box. It's high voltage, high headroom, high fidelity -- at an impressively low cost per channel.
