Fender Acoustasonic Ultralight Stereo Amplifier Speaker Enclosure
No longer available at zZounds
zZounds Gear Experts Say...
The coolest, most portable professional acoustic guitar amp available.
Overview
The Acoustasonic Ultralight amplifier offers faithful reproduction of acoustic-electric instruments in a beautiful compact package with a high-tech feature set. Match it up with the Acoustasonic Ultralight Stereo Head for the ultimate in portable amplification!
The companion Acoustasonic Ultralight Stereo enclosure has 2 x 8 in. drivers with lightweight Neodymium magnets, and 2 high-performance dome tweeters. The cabinets's patented magnet docking system allows secure attachment to its matching head (sold separately).
Applications:
Acoustic-electric guitarists
Solo performers who sing and play in venues where space is limited
City-dwellers who take a taxi to the gig
Anyone who travels light and desires an ultra-portable guitar amp
The companion Acoustasonic Ultralight Stereo enclosure has 2 x 8 in. drivers with lightweight Neodymium magnets, and 2 high-performance dome tweeters. The cabinets's patented magnet docking system allows secure attachment to its matching head (sold separately).
Applications:
Acoustic-electric guitarists
Solo performers who sing and play in venues where space is limited
City-dwellers who take a taxi to the gig
Anyone who travels light and desires an ultra-portable guitar amp
Specs
Model Name: Acoustasonic Ultralight Stereo Enclosure
Model Number: 227-1700-000
Series: Ultralight
Type: Speaker Enclosure for Acoustic/Electric Guitar
Ohms: 4 ohms Per Side
Speakers 2-8 in., 4 Ohm Eminence Drivers with Neodymium Magnets; 2-1 in., 6 Ohm Dome Tweeters with Neodymium Magnets
Features:
Italian Poplar Plywood Construction
Patented Magnet Docking System Allows Secure Attachment of Jazzmaster Ultralight
Amp to Speaker Enclosure
Locking Neutrik Speakon Speaker Connector
Rubber Feet
Fender Strap Handle
Covering: Black Textured Vinyl with Nickel-Plated Corners and Black Grille Cloth
Weight: 17 lbs. (7.7 Kg)
Dimensions:
Height: 15 in. (38.1 cm)
Width: 20.5 in. (52 cm)
Depth: 10 in. (25.4 cm)
Power Handling: 250 Watts RMS
Cover: Uses Cover, P/N 0071410000 (Not Included)
Accessories: None
Introduced: 1/2006
Model Number: 227-1700-000
Series: Ultralight
Type: Speaker Enclosure for Acoustic/Electric Guitar
Ohms: 4 ohms Per Side
Speakers 2-8 in., 4 Ohm Eminence Drivers with Neodymium Magnets; 2-1 in., 6 Ohm Dome Tweeters with Neodymium Magnets
Features:
Italian Poplar Plywood Construction
Patented Magnet Docking System Allows Secure Attachment of Jazzmaster Ultralight
Amp to Speaker Enclosure
Locking Neutrik Speakon Speaker Connector
Rubber Feet
Fender Strap Handle
Covering: Black Textured Vinyl with Nickel-Plated Corners and Black Grille Cloth
Weight: 17 lbs. (7.7 Kg)
Dimensions:
Height: 15 in. (38.1 cm)
Width: 20.5 in. (52 cm)
Depth: 10 in. (25.4 cm)
Power Handling: 250 Watts RMS
Cover: Uses Cover, P/N 0071410000 (Not Included)
Accessories: None
Introduced: 1/2006
Documents and Manuals
For support or warranty questions, please contact the manufacturer:
Phone: 800-488-1818
Web: https://my.fender.com/support
Phone: 800-488-1818
Web: https://my.fender.com/support
Reviews
Reviewers gave this product an overall rating of 5 out of 5 stars.
(4 ratings)
Submitted July 2, 2008 by a customer from yahoo.com
"It took more than half a life of diligent, often manic searching, but I've finally found the Holy Grail of acoustic instrument a"
Verified Customer
zZounds has verified that this reviewer made a purchase from us.
I expect this little gem of a system to take me to my end game. It looks as good as the day I bought it, and it is SO versatile. I want to buy one for my wife/bass player, and I also want to get an extra cabinet to "spread out" the beautiful sound I'm getting.
Sound
It's more the sound of a home theatre than a P.A. system. Rich, bright, withh warm, full bottom in both channels. I use it for solos and in an acoustic trio, and I've yet to hear better. And I've made my entire living playing music for over 30 years.
Features
My favorite 2 features are the notch (feedback buster) and the phase switch. With these, I can play ANY room and hardly ever have to change the other settings. And the effects are perfect for both the vocal and the instrument channel. Very natural and warm, they make it fun to play & sing. I just kiss both channels with a touch of effect (I like the hall reverb for both).
Ease of Use
I do a 30's & 40's swing solo show, using a Gibson J200 Western Classic and a Shure reissue "Elvis" mic. These are not easy instruments to work with, because of inherent "boominess" on both counts, but the ultralight has NO PROBLEM compensating, regardless of the room I'm playing. I have much better mics I could use, but the Shure fits the visual vibe I'm after, and the ultralight makes it sparkle.
Quality
I've been using my ultralight for a little… read more over a year now, playing an average of 5 to 6 gigs a week, and if anything, it sounds better now than when I first got it. Cosmetically, the golden pine head with the blonde cabinet remind me of old Cris-Craft boats from the 40's --- I get lots of compliments on it. And they're built like tanks. However, the carrying case for the head & the cover for the cab are beginning to tatter & tear, which I find disappointing.
Value
Easily worth the price! I see both the head and the cab have gone UP $100 apiece, but I'm ordering another set for my wife to play bass & sing through as a duo with me, and I don't feel bad about it because I know how good it sounds. It's better & more portable than the Bose system, and at about half the price for both of us!
Manufacturer Support
Fender is notoriously hard to get ahold of. Find a reliable dealer, and you'll be alright. I got my first cabinet cover replaced for free, due to my dealer being on the ball. Other than that, no problems whatsoever with the actual gear, and I expect it will outlast me, like the rest of my Fender stuff.
The Wow Factor
I lust every time I march it into a gig and pull it out of its wraps! And so do the people in my audience who are into such stuff. And then they HEAR it... I can't say enough. I don't know why more musicians aren't onto this system and singing its praises to the heavens. Whether I use the J200 or my Taylor T5, it's simply the best acoustic amp I've heard, and I've tried them ALL --- SWR to Roland to Crate to Trace Elliot to Genz Benz to full P.A. systems.
Musical Background:
Professional musician making my living at it since before dirt.
Musical Style:
Rock, swing, pop, jazz, ragtime, country, rockabilly; no fake loops samples. read less
Sound
It's more the sound of a home theatre than a P.A. system. Rich, bright, withh warm, full bottom in both channels. I use it for solos and in an acoustic trio, and I've yet to hear better. And I've made my entire living playing music for over 30 years.
Features
My favorite 2 features are the notch (feedback buster) and the phase switch. With these, I can play ANY room and hardly ever have to change the other settings. And the effects are perfect for both the vocal and the instrument channel. Very natural and warm, they make it fun to play & sing. I just kiss both channels with a touch of effect (I like the hall reverb for both).
Ease of Use
I do a 30's & 40's swing solo show, using a Gibson J200 Western Classic and a Shure reissue "Elvis" mic. These are not easy instruments to work with, because of inherent "boominess" on both counts, but the ultralight has NO PROBLEM compensating, regardless of the room I'm playing. I have much better mics I could use, but the Shure fits the visual vibe I'm after, and the ultralight makes it sparkle.
Quality
I've been using my ultralight for a little… read more over a year now, playing an average of 5 to 6 gigs a week, and if anything, it sounds better now than when I first got it. Cosmetically, the golden pine head with the blonde cabinet remind me of old Cris-Craft boats from the 40's --- I get lots of compliments on it. And they're built like tanks. However, the carrying case for the head & the cover for the cab are beginning to tatter & tear, which I find disappointing.
Value
Easily worth the price! I see both the head and the cab have gone UP $100 apiece, but I'm ordering another set for my wife to play bass & sing through as a duo with me, and I don't feel bad about it because I know how good it sounds. It's better & more portable than the Bose system, and at about half the price for both of us!
Manufacturer Support
Fender is notoriously hard to get ahold of. Find a reliable dealer, and you'll be alright. I got my first cabinet cover replaced for free, due to my dealer being on the ball. Other than that, no problems whatsoever with the actual gear, and I expect it will outlast me, like the rest of my Fender stuff.
The Wow Factor
I lust every time I march it into a gig and pull it out of its wraps! And so do the people in my audience who are into such stuff. And then they HEAR it... I can't say enough. I don't know why more musicians aren't onto this system and singing its praises to the heavens. Whether I use the J200 or my Taylor T5, it's simply the best acoustic amp I've heard, and I've tried them ALL --- SWR to Roland to Crate to Trace Elliot to Genz Benz to full P.A. systems.
Musical Background:
Professional musician making my living at it since before dirt.
Musical Style:
Rock, swing, pop, jazz, ragtime, country, rockabilly; no fake loops samples. read less
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