Feature:
Shipped with a 32MB SmartMedia card. The 128MB card is a must for me, and cost me an additional $70. This is probably my biggest complaint. SmartMedia cards are expensive and seem very flimsy, and the manual for this unit says 128 MB is the limit (in fact, that may be a SmartMedia limitation). I would feel much better about using the cheapier and sturdier CompactFlash cards, especially if ZOOM could reconfigure this to accept up to a 1GB card. I sprang for another $20-25 for the AC adapter, but I've heard that this unit is not too hard on batteries and I hope to put that to the test soon.
Quality:
Well put-together. I've seen reviews that mention the plastic construction, but honestly I think this is made very well. It will not take a lot of abuse, but I think of it as a delicate electronic instrument rather than something you throw in the back of the truck on the way to a gig. Take care of it, and it will serve you well. Mine is surrounded by styrofoam in a fiberglass case when I travel with it.
Value:
The price can't be beat, when you compare the quality and features with anything else on the market. Not fair to compare it with units twice as expensive, but if I had it to do all over again, I think FOR ME it might be better to save up a little longer and buy something that delivers 44100Hz.
Desirability:
It looks like what it is. I like that.
Sound:
Not CD quality, but it's digital and that alone is a huge improvement over some of the analog recordings I made on tape years ago. CD quality requires a sample rate of 44100Hz, and the best this unit does is 32000Hz. Up-sampling is possible (I use the open-source Audacity software for that, and for most of my mixing, on a desktop PC), but the results of resampling are a little flaky sometimes. Quality is quite good overall, but more like MP3 quality than CD. If right now you simply want to put your stuff out on the web, you and your guitar with an overdubbed lead track and maybe a second vocal harmony, this may be the perfect tool for you.
Ease of Use:
To me the interface is a little clunky but it all works reasonably well, and you just have to commit a little time to figuring it all out (STUDY THE MANUAL). I've also used a much higher-end workstation, the Boss-Roland 1180CD, and found it much easier to master ... but at over $1,000, it should be! On the MRS-4, I use an adapter cable to take the left and right RCA outputs into a 1/4-inch mini plug to my soundcard. Software downloaded from ZOOM's website lets you convert your tracks to WAV or AIF format, whether you've already mixed them down or want to do so on the computer. This downloadable software is one of the funkiest-looking things I've ever seen (the manual, in HTML format, is even funkier), but it works quite well for me in Windows 2000.
I think the controls make sense and work well, but the LCD readout is incredibly cryptic until you drill into your head the translations from the manual. Sometimes it's like translating Greek into English. Usability and learning are much affected by this limitation.
Support:
I had a ZOOM 505 effects pedal for guitar that turned out to be defective. ZOOM replaced it, and they were very cool about it. The replacement has delivered excellent results for about 4 years.
Overall:
I'll probably use this until it dies. I may move up to something better (maybe 8 tracks, and certainly a higher sampling rate) in a couple of years. Then I'll use this for recording ideas when I'm away from home.
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