Feature:
The product came with speaker cables and a power cord. I had to spring for a bracket to mount the removable mixer to a mic stand. I'm not complaining. the bracket seems substantial and the mixer unit is light, mounted to a short stand puts it at the right height for a seated performance. Ideally the eq would have a sweepable mid and there would be individual reverb for each channel. This would drive up the price which, as it is, is eminently affordable for what you DO get.
One nice touch is that you can place the cabinets on their sides such that they will aim upward such as a monitor or an amp with legs to tilt it backward for better dispertion in an actual room. This, to a degree, negates the need for speaker stands. . . lugging less gear is good.
Quality:
It is well made. Mixers are fragile and I don't think this one would withstand much abuse. When stowed in the recess the control surface of the mixer faces the outside so you have to be careful that it doesn't slide all around the back of a van and accidentally damage the control surface. I've had it for a little over a year now and it's doing just fine. If I were on the road I'd have likely compared the 500 and some other systems, all of which were more powerful, slightly larger, and more expensive. For local gigs this system is just perfect.
Value:
excellent value. at around $500.00 you get really good sound in a compact system.
Desirability:
It's not particularly sexy but it does what it's supposed to and does it well. When I put the little mixer on a mic stand so I can control it from a seated performance position it looks kind of cool.
Sound:
I'm going to be careful to not rate anything too high because of my lack of in depth experience with other gear together with the idea that 10 is perfect and NOTHING'S perfect. I'm a solo acoustic guitarist, original music and covers, mostly instrumental, bluesy new agey mixture. I do not use a pickup but rather an AKG C1000s small diaphragm condenser mic, partially chosen for price partly for sound quality and good off axis rejection. This mic is more sensitive than a dynamic and I can get further away from it and still get a good meaty sound. This system has enough power for any solo guitar act in a small venue. The sound is clear and substantial, sufficient bass and does not sound boxy, honky or otherwise artificial. It actually sounds like a guitar. Many people can't tell because they're so used to the sound of piezo pickups. My criteria for purchase were sound, price, and portability, all of which were about equal in priority. This was the best thing I found.
I always ask people in the audience how the sound quality is, whether it's too bassy, too loud, clear or overdriven sounding, and I always get positive feedback on how natural my sound is.
Ease of Use:
I can get set up in 5 - 10 minutes and however long it takes to dial in a sound depending upon the room and my position in it. I don't use effects because I'm looking for a natural acoustic guitar sound although I will dial in a bit of reverb if I feel it's needed.
This little system just plain sounds good, and I think that is at least partially due to the fact that I'm not trying to do too much with it. I could likely get this system to work with 2 guitars and vocals but anything more would likely require a larger system. One key is recognizing this.
The recessed spaces in the back of the cabs for both the mixer and cords enables me to keep everything together so all I have to do is pick up two cabs and that's it. One reason I chose it is that I don't own a car, I generally hire a car to get to a gig. it's quick, only 2 cabs, a couple of mics and one or two guitars and I'm there.
Support:
Never had to call. I've owned other Yamaha gear before and they make good reliable stuff.
Overall:
I will use this little system around town until it expires which, given Yamaha's track record, should be quite a while.
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