Feature:
Miss a volume pedal input that doesn't doesn't pop back to 128 after you change a voice. Can't change the arpeggios 1-5 without hitting the pad on the unit (i.e., can't change these with foor pedals). I find this a huge limitation for live work. Haven't used the ribbon controller much, but I can see how it will be useful. Ditto the effects processors. BTW, the 128 voices specification is crap. Yeah, it's 128 voices if your voice is only composed of one element. Most are composed of 3-4 elements. With all 4-element voices, you get 32 voice polyphony max. Also, I can't friggin' BELIEVE this unit doesn't have polyphonic aftertouch. I mean come on, the Prophet T-8 in 1982 had it.
Quality:
All looks great. Haven't found any flaws, and I'm one picky dude. I expect it would hold up on the road well with a modicum of care.
Value:
Awesome keyboard for the money.
Desirability:
I guess silver probably allows you to see the buttons on stage, but it's been years since I was there. I personally liked the black panel with wood ends style of the CS-40M and CS-70M units of the early 80's as they seemed more organic. The sounds coming out of the unit sure sound organic, I think they could make it look a little more like an instrument and less like a "piece of equipment".
Sound:
Okay, first of all, my last keyboard was a Roland MKB-300 Super Jupiter, just so you know where I'm coming from. Great sounds. Individual strings and "close miked" strings very good, but I miss some huge orchestral string sounds. They're there, just lacking. Electric pianos rock, again individual instruments, french horn, oboe, etc, awesome. Overall sound quality is hard to beat. Infinitly controllable and tweakable. You could spend the rest of your life getting it just right if you wanted. If you can't dial in the exact expressiveness you want, the problem's not the keyboard. Takes a while to learn the ropes. Has taken me about 3 months of evenings working with sounds to learn all you can do. Haven't touched the sequencer yet.
Support:
I sent some "how-to" questions to the Yamaha folks and got a satisfactory response within a couple of days. I think they'd be there if I needed them.
Overall:
Can't wait to see what the 2006 NAMM holds for Yamaha. I can see room for improvement. Mine might come up for sale depending what they have new to compete with the OASYS. Overall though, for what I want to do with it, I wins over the Triton and Fantom units which I think are geared more to live work. WOuld like to play with the Kurzweil units now that I am more familiar with the Yamaha though as lots of folks like those too. I'm glad I bought it, and think it's a lot of keyboard for the money, certainly would buy it again. Looking forward to the future though.
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