Feature:
I've found that if I use the channels and the manual swich, I can operate the AD50VT as a three channel amp. One feature I find questionable is type of effects used in the presets. Most of the effects settings were not usable for many of the genres I play in. They would be far more usable if the presets were simply typical sounds of the amp models giving the user the chance to add in the effects as desired. this would expand the amp into the 4 channel range without question, and prove far more versatile in the long run.
Quality:
Quality control is superb. Fabulous attention to details. Seems very sturdy and roadworthy.
Value:
I actually got my AD50VT as an old overstock item, at as a direct trade.
Desirability:
the look is quite typically British, and harkens me back to my first experience on an electric, which happened to be a Danelectro shorthorn through a Vox AC15 at my cousin's house some decades ago. Visually and sonically it lives up to my long repressed and unfulfilled memories.
Sound:
Having been a guitarist for over 45 years, and making music part of my Physics classes for over 30 years, I have played through a lot of amps, tube and solid state. I've used Fender, Epiphone, Gibson, Marshall, Acoustic, Gallien-Kreuger, Carvin, Ampeg, Peavey, Crate, and Roland to name a few. I also have played almost every kind of gig from rockabilly to heavy metal, to opera, to dixieland. I can say that I really put my equipment through their sonic paces. I own the older AD50VT with the 11 models, which I bought from the sale of my three channel, 60/120 watt home built head with a Yamaha 4x12 cab I used from 1973 until 2006. I found the sound of the AD50VT to be extraordinary. It functions very much like a tube amp and seems to move air in a similar way my stack did. The tones are extremely versatile. The sound seems to spring off the fingerboard such that it actually seems to assist my speed and creativity. As the amp acts very much like a full blown tube amp, it even has the typical tube hiss at high volumes. The noise reduction is useful in controlling it well, without loss of playability and tone. Even the closed back cabinet makes an acceptable stab at duplicating the variety of enclosures associated with the varioius amp models; it's best served in the manual mode for this. The sound of this amp is more tubelike tha many I've used. The 4x10 Tweed actually sounds alot like the Guitar channel of the 1963 Blonde Bassman I got rid of because I kept blowing it up. The Vox seems to be cruising and just getting started at that point. I am EXTREMELY IMPRESSED. I have to say that it is one of the best sounding amps I've used, bar none. I've put it thorugh paces with my Les Paul Custom, my ES-125 full bodied archtop, and my homebuilt strat-style. All of them responded well, although the ES-125 tended to feedback on the "Marshall" type settings a bit much, but that is the nature of that instrument. Actually, so far, it has been the best amp I've ever tried with my brass Dobro 33 with a Barcus-Berry - a very difficult guitar to amplify well.
Ease of Use:
It is easy to get a usable variety sounds from the AD50VT. A little bit of homework goes a long way. I would suggest reading the manual. It is informative and extremely helpful, especially for those who don't like to experiment. It cuts out a lot of guesswork and answers a lot of questions before one has even thought of them.
Support:
Haven't had to deal with the company at all.
Overall:
This amp is now my mainstay. I actually feel I can set the effects boxes aside and concentrate on the amp itself to get good tone and response. Outboard effects seem weak in comparison with the onboard. It also makes for a simpler connection setup. I've gone back to my original 60's setup of just a wahwah pedal.
7 of 9 people (77.78%) found this review helpful. Did you?
Thanks for your opinion!