Feature:
Just itself (of course with the bars and stuff) so i cant really put anything hear.

Quality:
I let the mic stand fall on purpose to try to add more weight on my stage mic stand and it held up lol!! Is it heavy? you're probably thinking and yes it is but it WILL last. For the weight, buy a mic stand that stands on legs.

Value:
This is the only downfall here. Even though it works like they say it does, its worth atleast $149 or something not $300!!

Desirability:
Its nice and sexy.

Sound:
It sounds amazing...just like you're in a booth!!! You can adjust the mic wherever you want for a certain sound which gives it versatility.

Ease of Use:
Postion your mic however you want it for that exact sound YOU like with ease.

Support:
Never needed support.

Overall:
Its a must-have if you're on a studio budget and/or you want good-sounding music NOW.

Desirability:
Since when does a piece of audio equipment have "sex appeal"? (...Does Mr. Hefner know about this?)

Sound:
I guess this piece of "overpriced horse hockey" WILL do the job that it's intended for, however, for a TRUELY "sound right" experience and professional sound to your music. Surf on over to www.auralex.com and have a look around at some of th3e wonderful products they make. ZZOUNDS can get any of these products to sell them to you. After you have a look around, it may seem like a lot of work and a bit daunting trying to arrange your studio in order to get that perfect sound but I believe you'll find that it's definitely worth your time. For an example of the near perfect sound you can achieve have a listen to this, http://www.youtube.com/watch?v=KVUMmkPN-OM . Yes, that's me.

Quality:
I read the only downside was the hardware was a little clunky.

Value:
I don't think there's any competition for this particular product. I think Auralex makes other things like the 'Maxwall' (sp?) but that's really for mixing if I'm not mistaken.

Desirability:
I read a good review of this in an issue of Sound of Sound. This combined with some rear-absorptive baffling, could go a long way toward reducing some of the reflective-cues that are a sonic dead giveaway that you're cutting vocals in a small-ish room.

Sound:
I've heard it's basically neutral, doesn't alter the frequency response of what the mic picks up. I understand the way it works is, if you're recording with a condensor for example (with a cardoid pickup-pattern preferably) it absorbs the sound that hits its 'wall' so that there's little to no reflection coming back into the mic from its backside.

Ease of Use:
It looks like it's pretty idiot-proof, the hardware just mounts onto a mic stand I believe.

Support:
Made in China right? So product support probably is mostly by way of e-mail. Probably somewhat sucky compared to more 'boutique'-like companies that you might deal with if they were U.S.-based.