First of all - these monitors have 8" woofers. Before buying these I read several monitor reviews where these monitors were compared to smaller monitors (KRK V6, Dynaudio, Genelec 8030A/8040A etc). One should be careful when comparing apples and oranges. 8" woofer monitors (without a subwoofer) do in fact sound different than smaller monitors (without a subwoofer). Smaller monitors may sound more linear (true/detailed/open/clear) at very very close range, but they generally fail in medium sized/larger rooms. This is why most studios have (at least) a pair of 8" woofer monitors as well as a pair of smaller monitors. I think the KRK V8 series 2 sound really really good and linear at all volumes, at very close range and in medium/large rooms - i.e. very versatile monitors. The sweet spot is quite wide (which is very important if you move around and play the guitar/bass in your studio). The sound is HUGE !! HUGE !! You don't need a subwoofer (and one shouldn't need one either).

I love the auto on/off switch ! Works perfectly. All back panel features are perfect !

Plug'n play ! The manual should be more clear (with examples) when describing the use of the LF/HF switches (compare the Genelec 8000 series manuals).

Very good quality. Finish/fit and size perfect. I love the yellow/black color combination - I'm sick and tired of the typical black (chameleon) monitors. Color is cool - show off your monitors in your studio !

Are you kiddin' ? These monitors cost $2300 i Norway - that's a true bargain for 8" woofer reference/high quality monitors.

Not yet needed to contact support.

EXTREMELY SEXY !! They look and are very pro !

Home studio

Rock, metal, blues

The Bass in these babies are well defined! I'm a little concerned about the mids and hi's though. These are great for use as a main studio monitor, I'm contemplating right now to try get myself a pair of NS 10's or the new Yamaha's fashioned off the NS 10 alongside my KRK'S. I still would'nt choose the Mackie HR824's over these, have exaggerated hi's and hissy.

Auto on/off is cool, I like the slotted port at the front...

Did'nt have to read the manual, very easy....

This product is definitely over worth its price!!

never used them

Recording Engineer/Musician/Producer

Reggae, Dance Hall, Hip Hop

Clean. A true Transducer.

Auto shut of is cool, And for the people who dont know what they are doing the limiter was a good idea

Plug and play!

Not a single problem. Perfect condition.

Bang for buck, its the best!

Havent had to use it. I think that sums it up.

Black and yellow. Recagnize them anywhere.

Recording Engineer, and Producer

ALL! I sampled 6 different styles when I was looking.

the series 2 version of the well-known KRK V8 is extremely good. as a huge fan of the Mackie HR824s and Event SP8s, i had very high expectations for the new V8s and was hesitant at first. however these things really won me over with their exceptional handling of loud audio and especially deep bass. where the other monitors i mentioned excel in flat and sharp response, the KRKs have that but also a little "grit" for dealing with louder sources such as a pair of turntables playing at high volume, or other situations not typical to recording studios. these things can take a beating, are designed beautifully and deliver accurate frequencies and adequate bass. they are most certainly worth a comparison with the big boys, and chances are, you'll walk home with a pair.

nice features include "room controls" - 3-way switches for both the low and high frequencies to help get the best sound for your particular environment (the changes are hardly noticeable at first - but after repeated listens, they are a little more obvious). also appreciated is the "auto on" switch on the back which will turn on the amps in the monitors whenver they receive audio input - such as a synth, or a mp3 going through a soundcard. this keeps your power usage to a minimum and adds a little convenience to your recording.

i absolutely love the construction of this monitor. the curved edges and construction materials are top notch and ensure a tight yet punchy sound. the port at the bottom of the monitor is necessary to disperse distortion - im surprised other manufacturers have not tried similar methods. of course, no monitor is absolutely perfect and you will realize the limitations of your V8s after a few recording or mixing sessions. however, they are designed to withstand quite a bit and you can mix on these confidently knowing they won't go out on you.

this is certainly an appropriately-priced monitor. both the 824s and SP8s are a hundred or two more a piece, and i would definitely put the V8s up in that esteemed category. if you produce electronic music or any other style that requires deep and accurate bass representation these may be the perfect monitors for you and wont destroy your wallet.

i haven't dealt with KRK personally yet so i'll leave this at a 9, assuming they are responsive.

these monitors are dead sexy. in addition to the smooth, rounded curve of the casing, each kevlar subwoofer is painted a deep yellow color and the active LED lights are also yellow. in the right room, they can be a great compliment to your decorations. black and yellow just go great together.

Music Producer

Techno