Feature:
No sequencer or anything, just the guts of the triton HI synthesis engine, but thats good enough. The feature set is everything you would want in a saynthesizer. you can twaek all the aspects of each sound; so I could safely say you could reproduce any sound with this gadget. The lightweight design is great, but it lacks sturdiness (more later)
Quality:
Im going to focus on build. To cut corners on price and to reduce weight, they had to make a cheap keyboard. It just doesnt seem sound at all. If youn pick it up in the middle you hear it creaking and popping, which indicates instability. It just feels weak but i think that if you take care of it, it should last. Ive had mine for 5 months and its been great and occasionally mishandled (once dropped, and its fine!)
Value:
For the money, super. If you are a musician on a budget (like, 95 percent of us??)then this is the board. Trust me, half of the sounds RIVAL that of the roland fantom series (ive compared them both side by side, and you really have a hard time deciding!)
Desirability:
It looks ok, nothing wrong there. But the main focus of this board should be the sound; its untouchable
Sound:
For the product the sound is no compromise between price and quality.
Strings: Individual solo patches are included which could use some work, but they are good to be the byproduct of a synthesizer. There are many ensemble patches that are simply amazing. Lush and expressive. On most patches, when you play and gradually go from the high to the low end, you can hear a shift from violins and higher strings to cello and double bass. It really simulated a real ensemble. There also pad like strings and other types.
Keys: The included mf/f stereo piano patch is great for the money. You get a wide response from playing and everything seems to be just right. EPs didnt do so well, most of them are junk to me but the 4 or 5 that I like are GREAT and they can be modified so that should be no real issue.
Vocal: Its a keyboard, and a synthesizer at that so dont expect much. The stand alone choirs are rich and expressive and there are many types. There are also some stand alone "solo" programs (like one called formant voices) that tries to emulate a real voice; and it sucks. but still good job.
Brass: Great. Warm ensemble sounds, trombones, trumped duos, anything. even that sfz bad ass brass sound. It could easily do the 007 theme.
Woodwinds: Wasnt too impressed. solo instruments werent up to par with the other categories, but this was mainly in the GM section. There is a vibratto flute sound that is ultra good, and the oboe sounds are also great. Good ensemble patches. Typically, when a synth lets you control vibratto, it sounds cheesy and fake, but for the winds the vibrrato is mopre on the natural side but not perfect yet.
guitar: Great. The acoustic patches are amazing, even filling in with fret slides automatically (some patches react to pressure to acomplish the same thing and allow more control). And as for the electric guitars, processed or not, great. You can add overdrive and a high end gain and get amazing disatortion with the right sounds, without the machine gun effect. you wont be disapointed. Most sounds need custom effects to really appreciate though.
Bass: as for the bass guitar replacement sounds, not the best at all, but there is a slap bass sound that is amazing. Techno bass and artificial lead type bass sounds are decent.
Pads: This is where the X50 really does good. The pads are thick and ambient, and highly customizable. There are many varieties and when using surround sound output, its even more organic and evolving.
Leads: Decent. Very few are usable dry; effects must be added or you need to learn how to control them in real time and make them expressive. With some work, you can really get some nice sounds though. You just have to experement.
There are other sounds, but i dont want top use space so trust me on the basis they are really good.
You can combine up to 8 sounds and adjust pan, effects for each channel, volume, and almost anything to create super complex sounds. There are many preset orchestral programs that use this concept to create expressive sounds. The only problem here is the 64 oscillator polyphony. After so many sounds, you notice other notes being occluded. You can tweak the sounds and fix this.
The sounds are easily controlled through 2 assignable pedals, 4 assignable knobs, two button switches, mod wheel and pitch bend, and even they are assignable.
Ease of Use:
Itrs kind of hard to use, but you learn it quickly. The interface is clean and easily accessed. Learning curb would probably be around a week or two, and you have it mastered.
Support:
Called them once to ask about the adapter. They were prompt and friendly but I waited for EVER -_-
Overall:
Build quality suffers, but if you take care of it the real world use of it will be worth the money. Buy it.
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