Quality:
It's not very strong, and you have to take care of it. After all it's a musical instrument.
Value:
The price is realy good. I'm sure if it weren't a Korg I couldn't buy one.
Desirability:
The burgundy color of Karma is realy sexy. I changed my home studio curtains and bedroom sheets to match to Karma's color. It's very beautiful. There is no other synth as beautiful as this one. I don't know this color is Mr. Kai's idea or Korg people...anyway, I admire that.
Sound:
The sounds of Karma are not all new, but they are the best, when you play with a Wurlitzer sound for instant, it's the best Wurli sound you can find. the sounds are impressive, and Karma is so flexible you can change the sounds to even better! If your style is Electronica, don't forget Karma. I mainly compose Electronica music, in Schulze/Tangerine Dream fashion, And Karma is great for this. Also, if you are into Jazz-Fusion and Prog-Rock, Karma will be your main axe. It's a Triton with a not-of-this-earth control system. It's great for live cause everything is in control. And it's a killer system for the studio. I will have my Karma for the rest of my life, and I'm planning to buy another one soon, because I need to use 4 expansion boards at once.
Overall:
Each time I record or play live, I will have a Karma beside me. I'm not a synth-freak anymore...I'm a Karma-freak, a Karma-addict and a Karma-maniac !
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