Feature:
The learning curve on all digital recorders is steep, but I found myself tracking in about 15 min, and then just expolring and trying to add effects, and navigate by the screen.After seeing and finding the functions in the LCD screen and using it for about a week, I began to get very high recordings at 24bit/48khz, 12 live tracks, plus filling up the additional multitracked tracks.
Quality:
The Korg D3200 is about 22'x 17" X 6" and is a metal box with wood trim ends it is a nice looking unit with solid feel, and input jacks are real XLR's and metal 1/4" inputs, not plastic. Buttons and controls feel quality.The LCD is kinda dull, and that is the only thing I wish was better, or in color.
For the price I paid new in a box, (I cant say), I stole it. What a deal!
Value:
This unit replaced 2 Tascam DA 38's MDM's, two 8 channel compressors,four 8 channel snakes, a large, bulky 24 channel analog mixer, and a rack full of multi-effects and processors, cable speghetti, (about $8,000); a truck bed full of gear, in one compact box!
And it has more tracks than my old rig, 32 vs 16, plus 8 virtual tracks per channel, and 'way better sound quality at 24 bit/48: much better quality, and a way better way to mix and save the recordings. a It burns CD's and can transfer your files by USB for computer back up.
This is an incredible value and space saver as well.
Wanna buy a truck bed full of older studio gear for more money?
Your ability to play your instruments, input clean sound signals, and mix well, will produce excellent demos, or produce a good final CD product, no problem.
Desirability:
The metal box and solid feel make this unit rugged and less likely to break in an accident, and that appeals to me alot working around sometimes less than cautious musicians and band fans who trip over stuff to look at it. Everybody likes "LIVE RECORDING" and wants to get in on the act. Features and metal construction and price make it an "I want it" ...so I got it.
Sound:
At the price I got my Korg D3200 new, I have to give it a (9) for the reason that you can pay a lot more and get better.
I have a Tascam, 2488 digital recorder, but found myself not having enough inputs for live band recordings.
The Korg can connect 8 XLR phantom powered mikes, and 4 1/4'' jacks (line in or guitar or keys) and give you 12 tracks of live recording on the spot.
If you use condencer mikes with a 20 to 20k frequency response, you will get very good results.
You can use the 12 1/4'' jacks for all recording if you don't have XLR mikes and equipment.
I bought this unit for it's compact size, transportability, and ability to record live gigs, getting the whole band on 12 tracks, then adding more tracks at the home studio to polish the recordings for Demo CD's.
Ease of Use:
After playing around and experimenting with the unit and learning where the controls are, it becomes very easy to record with. There is a lot of power in this little box. The manual is helpful an best used when you need a specific task, and then following the steps, one by one.
The machine saves your mix or mixes so you can recall them, compare or remix, unlike an analog mixer, you'll never get the mix again after you zeroed out your analog mixer.
This saves a lot of time time when your client wants a remix.
Ease of use is a 7 because Digital Recorders have a lot of functions and it is a very technical piece of equipment. But once you learn how to use one digital recorder, all your learning applies to the other machines.
Support:
Never dealt with Korg for repairs so I don't know.
Overall:
I will use the Korg D3200 till some one makes a 48 XLR input, 48 x 100mm fader, unlimited multi track metal case unit for $ 1000.00.
I am satisfied with it for field "live recording" of club bands needing only a 12 mikes, cables, and a few mike stands, and one AC power outlet to produce agood quality live recording.
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