Feature:
My main gripe is the lack of any type of effects loop and no EQ. The only solution I have found to this so far is to pan a channel to one side, send the signal to the unbalanced output and effects unit, then record the incoming signal to a different channel. This works fine, but makes it impossible to monitor the effects with headphones before recording, since the dry signal is always on one side. Fostex could have solved this by having an option to send a channel's signal to the output but not to the headphones. I guess the headphones and output are on the same circuit, though. As far as the lack of EQ, I'm not sure what Fostex was thinking on this one. In most cases, it is simply not possible to get a good production unless some type of corrective EQ is added. If they just had a simple effects loop, I would be alright with the exclusion of the EQ, but they make it extremely tough (but possible) on you to add EQ, unless you export the files to your computer. Since I bought the unit to get around computer mixing, this lowers their score a little bit. 2-channels is obviously not enough to record a full-featured demo, since drums need more than 2 channels. Therefore, I recommend doing drum tracks on your computer, then importing them to the MR-8 with the .wav manager provided by Fostex. Other than that, 2 tracks is really all you need. Just forget doing a quality live-band recording, unless you are feeding off of another mixer's output. The battery capability is awesome, and allows for easy concert-taping and location recording. Metronome button on the front is a nice addition over the previous version. The operating system is intuitive and responds fairly fast to commands. The 3 mastering effects they provide are a complete joke!

Quality:
Buttons seem a little bit fragile. I haven't had it that long, but I am predicting the buttons will be the first thing to go. Seems a little bit cheaply made, but should work fine as long as it's taken care of. Hopefully, if any of the buttons break, it is one of the 3 mastering effect buttons, since those will never be used again.

Desirability:
Looks a lot better than the red one. Easily small enough to fit this, some batteries, and a couple of mics inside of a backpack, then you are carrying a functional recording studio.

Sound:
Sound is comparable to most other 44.1kHz, 16-bit recorders, nothing too special. The mic preamps have limited gain however (haven't tried the phantom power yet) and I would put them a little below the level of something like the Mackie 1202VLZ I used to have. If you are recording acoustic guitars with a dynamic mic, you have to turn the gain nearly all the way up to get reasonable signal levels, which adds to the noise. The headphone amps sound okay and get plently loud without distorting. Internal effects sound okay (only if they are used sparingly), and can be used for input monitoring without printing them to the track. The sound starts to shine when the MR-8 is fed by an external preamp. I use my Gordon Model 5, which kills the internal preamps, and the unit pretty much records the sound that you give it. In this situation, professional-quality results can be achieved.

Ease of Use:
If you have any idea of what you are doing, you will be recording within a few minutes of opening the box. In my opinion, this is one of the major selling points of the unit. I have more expensive, much higher-quality equipment, but will likely use this more since it is so simple.

Support:
n/a

Overall:
I bought this mainly as a scratchpad to record ideas, but I may end up using this for demos, due to the simplicity of use. It will be great for location recording, then dumping the files to my computer for mixing and

Feature:
My biggest disappointment is that, in this age of 4, 8 and even 16GB Compact Flash cards at reasonable prices, this puppy only will format in FAT16, which enforces a 2GB limit to the size you get, even if you put in a larger card. Also, only WAV recording is supported, no compressed formats such as MP3, OGG-Vorbis or one of the lossless compressions. Also, although you can record "stereo," it doesn't directly make a stereo wave file; you have to perform another operation to merge the two mono wave files into a single stereo one.

Quality:
For the price, I feel like the external hardware quality is quite good. I like the pushbuttons with a positive feel, and the small sliders have a smooth feel to me. It's not my 24 channel Mackie board, but it has a good feel, to me.

Value:
In spite of my complaints, I feel this unit is a reasonable value. It has a lot of features for musicians looking to do their own mixes at a price less than a month's rent (at least anywhere around here).

Desirability:
Thank god they dropped the bright red on this MkII version! I'll be using it a lot to record the output of a board that's mainly used for sound reinforcement of live performances, and I don't want something too flashy.

Sound:
I don't claim a golden ear, so this is based more on technical: the specified distortion performance is decent but certainly far from state-of-the-art, and you can only record at 44.1 or 22.05 ks/s, and at 16 bit depth.

Ease of Use:
It has taken a bit of getting used to, but the human interface is OK. Something I long for: a bit smarter entry of song names (my simple cell phone has much easier text entry). The back-lit (red for recording-related, green for playback and general) pushbuttons give good visual cues about what state things are in, and the feel of the controls is better than I expected for a low-end unit. A confusing bit: when I'm recording two channels, the remaining-time display shows the total mono track time available, which is confusing. I have to divide by two to get the remaining stereo time.

Support:
A few days ago (after a few days of use) I emailed support asking about software upgrades: is there a way to do it from a computer or a flash card file? Do they have plans to support larger cards fully? Haven't heard a peep out of them yet.

Overall:
I'm giving it a 7 for what it does, not for what I really want. So far, my searches have not turned up what I _really_ want: a unit about this size for recording stereo, or even better, 4-track or more, files to large memory cards; ability to do compressed files a plus. Ability to do timed (start and duration) recordings a plus. I don't need all the mixing capability the Fostex has, but I would like large, light-emitting level metering like I have on my large board. The M-Audio microtracker is too small; I want some weight and controls I can more easily use with one hand.

Feature:
The product came with a memory card for making saving the recordings. After a while your memory card will fill up. That's where a very useful feature comes in. You can connect the multitracker to your computer through USB cable. From there, you can transfer all your songs to the computer and actually make a cd of all the recordings. Another useful feature is the distortion. It has distortion levels for all styles of playing. I do wish it had a drum machine built in. That would be very useful for musicians without a drummer.

Quality:
I have had a few problems with this product. It's a very durable and portable multitracker. But I have had a problem with connecting to my computer with it. The multitracker would not connect to the computer. I got a new one and it works fine now. If you're cd burning and song transfering can wait, you have nothing to worry about as far as something breaking. All controls have always worked for me. Although they are a bit sensitive. Very appropriate product for "on the road" musicians.

Value:
It is a very reasonable price. Especially because of what it has to offer. Very good for beginner and expert recordings.

Desirability:
It's a very professional looking multitracker. There are lights for each button and it has a nice screen that can light up. Very nice piece of equipment.

Sound:
I use this product for basic home recordings. It has great sound quality. Everything flows and is very compatible with my musical sytle. Sometimes it can get a bit fuzzy but I just make minor adjustments and it's better. Every note is crystal clear and I can hear every instrument equally. But that depends on the way you record.

Ease of Use:
It is fairly easy to get great sounds. But when you get it the way you like it it's totally worth the work. Modifying the sound to get your personal taste takes some experimenting but again worth the work. The manual is very clear and gives good examples of how to do things. Usually has some helpful tips for recording too. So far I have used this multitracker for my keyboard and guitar. The keyboard tends to get a little fuzzy but it's easy to fix. With the guitar, it's easy to get a crystal clear sound.

Support:
I have not dealt with the company. I have needed to get the multitracker replaced. It wouldn't connect to my computer so I exchanged it for a new one at Guitar Center.

Overall:
For right now I would not replace this product for any other in its price range. If in the future I need a drum machine, I will purchase a multitracker with a drum machine built in. Compared to other multitrackers, the price is excellent. It definately helps me achieve my musical goals. I believe it would help anyone from a beginner to an absolute expert achieve their musical goals. My favorite thing about it is it's sound quality and price.

Quality:
If you own a Mac I would definately suggest getting another digital recorder, as this one has endless problems when synching files. It records great, but recordings are useless if they can't be uploaded to the computer for mixing and archiving.

Value:
Like I said before, worthless if you can upload tracks for mixing, wasted hours and hours watching things load endlessly.

Support:
Sent support billions of emails, got back BS replies, never received any help despite continual requests for assistance, repeatedly got ignored by both Customer service and support although patiently waiting for and sending replies for over two months.

Feature:
It doesn't have many features, but Fostex seem to have left us the useable ones. You're always going to find things this unit doesn't do... but come on, how much did you pay for it? It's not it's big brother. I find the feature set quite useable.

Quality:
Big clunky red piece of plastic. Everything's plastic. Hey, it's light! It runs on batteries... but yeah, it's glossy plastic.

Value:
This is the unit I suggested to a singer/songwriter looking to get into recording her own stuff. She's familiar enough with her computer to get the files off the MR8 and make CDs, but wanted something vastly simpler than a full-blown DAW to record on, and just rented a new apartment, bought new furniture, didn't have much to spend. Her talent's gonna make up for any lack of gear, and I predict she falls in love with this thing.

Desirability:
Hahaha, it was sexy to me! Those sleek rounded red angles... Come on, it's a box of bitmangling ICs.

Sound:
It's CD quality sound. One very important thing to realize is that the headphone amps are noisy as hell. Your actual audio is pretty clean. The limitations I ran into as far as sound quality had far more to do with the microphones than with the inherent sound quality of the MR8. No complaints here.

Ease of Use:
Most everything is easy to use. Basic transport and record controls are all right up front. For deeper stuff, if you're at all used to navigating nested menus, you'll have no trouble here... but that's not necessarily a good thing, it's just a pain some are used to. Not saying I have a better solution, just saying I end up squinting and cursing a bit while paging through menus trying to change the tempo of the click track...

Support:
never had to deal with 'em.

Overall:
I'll keep it around, cause it's good at what it does. I sometimes use it with a little stereo condenser to record live shows. Hey, it runs on batteries.