Four 10 in. speakers deliver big, bright tone! Fender's Hot Rod DeVille 410 sends 60 scorching watts straight into a quartet of 10 in. Fender Special Design Eminence speakers, courtesy of 2 x 6L6 Groove Tube output tubes and 3 x 12AX7 preamp tubes. Yikes! Learn More...
4 payments of $212.48









8 out of 10








9 out of 10








10 out of 10








9 out of 10








9 out of 10








9 out of 10








10 out of 10








10 out of 10








7 out of 10








7 out of 10








7 out of 10








9 out of 10








7 out of 10








8 out of 10








9 out of 10Feature:
The features are great except for one BIG flaw: you can't switch the reverb on or off from the foot switch. When you want reverb you must walk back to the amp (not cool while doing a show) and turn up the reverb. So, in the middle of a solo you can't just kick-in the reverb.
Quality:
Very poor inputs. I've done over 700 shows with mine over a 9 year period and the inputs are getting bad.
Value:
Yes
Desirability:
Nah... it's just average. No sex appeal.
Sound:
The Hotrod DeVille has a pretty good range of sound. It falls off slighty on the bass stringswhen soloing. It has very nice highs. It's a bit hard to get a really clean "Telecaster" type twang out of it.
Ease of Use:
The amp is real easy use. No problem there.
Support:
Never dealt with the manufactuer
Overall:
If this amp was lost or stolen, I'd get something else. I think that tweed DeVille 4 x 10 (not the Hotrod) is better. It has more vibe, sex appeal, speakers and tone.
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10 out of 10








10 out of 10








10 out of 10








10 out of 10








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10 out of 10Sound:
I have had my Hot Rod Deville for over 6 years. I have the tweed
covered version. All the channels are great. Just a great all around amp. I now run the Hot Rod along with a Cyber Twin that has 4 channels created by me.
Rock-On brothers and sisters. google cry eloise.
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10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10Feature:
love that it comes with a cover, channel selector stomp box,I like the reverb, bright switch on clean channel, I love the presence knob on the dirty channels. built strong, very durable.
Quality:
made excellent. I'm gald it is not made out of particale wood. I've owned this for about 4 months, had a blues jr. before, I feel it will be very reliable. Like the sound of the 6l6 grove tubes and 12ax7 Fender makes great produts.
Value:
great price for professional gear.
Desirability:
it has the great classic Fender look!
Sound:
you can achieve awsome warm cleans to saturated crying heavy blues sounds, very expressive. I use clean, slighty dirty, and fully driven settings and enables me to play practicly any style, plugging straight in, nothing added! killer tone!
Ease of Use:
very straight foward controls, easy to find sweet settings.
Support:
love transferable warrenty, I have called about some info once and had no problems with customer service.
Overall:
this is a great amp however if you are a heavy metal head and like a tight crunch this amp was not designed for this sound and it would be nessasary to use a distortion pedal, if you love country, blues, rock,jazz this amp will produce it.
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10 out of 10








9 out of 10








10 out of 10








10 out of 10Feature:
All I need is clean. Some people don't like the overdrive, but I don't mind it too much.
Quality:
It's held up great after a year of traveling. (but i keep it in a flight case - i recommend you do - it's too good-looking to get all scratched up)
Sound:
Clean, warm, smooth - Fender at its best!
Overall:
The amp is loud and proud of its Fender heritage. I love it.
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9 out of 10








9 out of 10








10 out of 10








9 out of 10








9 out of 10








9 out of 10








10 out of 10Feature:
My amp came with a 2 channel footswitch, amp cover, and 2 extra tubes. No complaints really about the features, with the exception that I wish I could squeeze some different gain tones out of it. One thing I would add, beacause of the enormous sound is a headphone jack for practicing. This amp is LOUD and shakes the walls at 2 on the master. Also, I would add casters to the amp, as it is close to 60 pounds.
Quality:
This amp is built better than my house. The wood is heavy, and the closed back is nice too. I would play this amp in any venue that would have me. It is more than enough volume, especially considering that even the smallest venues now mic the amps anyway. It should belong to my great grandchild one day, and I just turned 17!
Value:
Well, I got mine at a hugely discounted price that I just couldn't refuse, but if there's one thing I'd say about the process of buying an amp, its wait,wait,wait!!! Force yourself to think about the sound you really want and what you need for it. Don't just look at the money aspect of it, or sell out to the popular "must have Marshall" attitude. Buy the sound...not the amp. Enough of that preaching, I got a great deal and like the tone a lot!
Desirability:
I really like this amp, especially when its cranked up. What I really wanted was a vintage 1959 SLP plexi Marshall head and 1960TV 4x12 cab, but this too is a great amp.
Sound:
Like every musical instrument, there are pros and cons to this amp. Pros include the clean channel, the hot, throaty, bluesy overdrive tone, and the volume capabilities. The cons would include the inability to provide a classic, fuzzy distorted sound a la Hendrix, SRV, etc...but this can be solved by running a fuzz box through the clean channel. The reverb is great on this amp too. I leave it set at about 7 permanently. This amp is a beautiful, vintage looking piece of equipment, and has a good sound to match.
Support:
Don't know. Haven't dealt with them, but I'm sure they're good people.
Overall:
It's a really good all around amp
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