The 266XL features an OverEasy/hard-knee switch, program-adaptive expander gates, balanced inputs and outputs, precision LED metering and sidechain insert, and a +4/-10 operating switch on the rear panel. It also offers front panel selection of stereo or dual mono operation. A standard 1U rack design, the 266XL includes AC-1 power supply. Learn More...










8 out of 10








8 out of 10








9 out of 10








8 out of 10








8 out of 10








9 out of 10








8 out of 10








10 out of 10








6 out of 10








6 out of 10








7 out of 10








4 out of 10








5 out of 10








8 out of 10








5 out of 10








10 out of 10Feature:
Overeasy is great for vocals. Could also be configured to do some cool AGC but place a true limiter after it. As most owners will agree the expander is a joke. It really is more like a gate and not a great one either. Not output meter just gain reduction. No power switch on this unit or the 166 either. I don't know if this is just poor design or a statment that the product was built to be left on with out worry.
Quality:
It's DBX so the compents inside can't be that crappy, and it doesn't make compressed audio sound crappy. I bought mine used but the expander makes a low pop when closing. Don't know if thats just how its made or if its just mine.
Value:
No way! I am glad I didn't pay for it new. Budget gear or not my Samson S-com plus trumps this thing and cost less new.
Desirability:
The darkest unit in my rack besides some vent plates. As I stated before my freakin S-com plus out does this thing. It is still better than a Alesis 3630.
Sound:
It doesn't hurt my audio fidelity wise. Not really good as a limiter. This unit likes to pump a lot.
Ease of Use:
This compressor doesn't label the ms. on its attack and release controls. Instead it has slow and fast so there is a lot of guess work to be done.
Support:
Never used it
Overall:
Seen better, own better. If someone stole or it broke I would replace it with an S-com plus.
yes
no









9 out of 10








9 out of 10








10 out of 10








10 out of 10








9 out of 10








9 out of 10








10 out of 10Feature:
Does everything you might reasonably ask of a basic compressor. The gain reduction meters are great for seeing how much compression is being applied. A dedicated limiter might be a useful addition.
Quality:
Solid and reliable.
Value:
Difficult to beat at this price [around 100 quid].
Desirability:
Feels nice and has never let me down. It's a dbx.
Sound:
Once connected, it gets on with the job quietly and efficiently.
Ease of Use:
The controls are intuitive and setting up is straight forward.
Overall:
Having compared a few budget compressors, this one seems to have a sensible balance of features and price.
yes
no









10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10Feature:
I owned a competitor's Compressor/Gate, and returned it for this. I play through a Peavey XXL which sounds INCREDIBLE but squeals like a pig at a BBQ festival. This baby put a cork in porky's mouth - for good. Also fattened up my sound.
Quality:
Bulletproof. The best compressor on the market - period.
Value:
Worth more than it is priced. Saved my rig.
Desirability:
dbx compressors are the industry-standard
Sound:
Doesn't provide any colour to the tone - just sweetens it up: makes my crunch even crispier. My rhythm guitar is rock solid now, with NO FEEDBACK.
Support:
Never needed.
Overall:
Flawless.
yes
no