Not just for Pros -- the V-AMP Pro is the 19 in. rack-mount version of the V-AMP 2 with extensive MIDI and digital connectivity. You get an impressive collection of 32 classic amps, 15 legendary speaker cabinets and 16 studio-quality effects: everything from vintage combos to supercharged gain monsters. Store your own presets in the 125 memory locations or get presets developed by today's hottest players. Learn More...










8 out of 10








9 out of 10








9 out of 10








9 out of 10








9 out of 10








9 out of 10








8 out of 10








8 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10Feature:
Everything you would need to fine tune a guitar amp. Some of the dials and buttons have secondary features. The presets to me were fantastic, but it's a matter of taste. I especially like the rectified presets.
Quality:
Well built,looks in great in the rack unit with all the other gear. Nice lights, not because of looks but also function, the light index moves accross the rotary dial and provides good visual refrence in the dark. The rotary dials are pleasant.
Value:
For the money it is quality gear.
Sound:
Sound quality is great. I have other pro gear. I think this does a fine job of emulation, as it sits in my recording chain. You might even record directly from it into a DAW. Very clean and direct. Even on heavy crunch tones there are no awful feedback sounds.
Ease of Use:
After thumbing through the manual, I was able to easily understand the layout of the console. I'm sure are other secrets to be discovered, such as the downloadable patches and use of the midi features.
Overall:
Better that having to replace tubes and eardrums.
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3 out of 10








3 out of 10








5 out of 10








3 out of 10








3 out of 10








4 out of 10








5 out of 10Feature:
pre-sets suck
Quality:
case looks clean but the knobs are awefully cheap.
Sound:
All sounds are pretty sucky. It seems like them all are hard eq to high frequencies. It's like you are playing on a cheap guitar with a cheap amp with the mid & high freq all the way to 10. I bought also ToneLab and it's so much better. Clean sounds never mind, you get any. Even if you drop the gain all the way down it still distorts.
Ease of Use:
I couldn't find a way to turn the unit in plain mode (sounds like what it is currently selected). You always have to get a pre-set and tweak the knobs--pain in the ass!
Support:
didn't use.
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9 out of 10








9 out of 10








9 out of 10








9 out of 10








9 out of 10








9 out of 10








9 out of 10








1 out of 10Feature:
You can use it as is out of the box or if you want you can hook it up to a midi and program to your hearts content
Quality:
Looks very durable and solid. Not nearly as cheap as many of their other products
Sound:
I very nice sounding unit. I rarely use effects most of them gather dust. But I must confess this one has some nice sounds I can actually use. I noticed definite improvemnts on signal at the mixer it seems to act as a line balancer.
Ease of Use:
Better documentation than most Behringer products.
Support:
While I've never had a single problem with any of my 8 Behringer products. I've never received a single response from any questions
regarding their product other computer generated respones to
registration.
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10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








9 out of 10








10 out of 10Feature:
An awful lot of ins and outs for $150 bucks. Most of the effects that guitarists expect. Lots of pretty lights, and the coolest blue faceplate, real eye candy. Would like an attenuator to turn down the lights a bit.
Quality:
No problems with noise, RF, or finish. Knobs are plastic but travel 360 degrees, so you shouldn't be breaking pots. Sturdy metal box which really should be rack-mounted, providing even more protection.
Value:
Someone else said it, it's a lousy $150 bucks. If it were made 30 years ago it would be $10,000. Are other modelers better? Who cares, buy them too! Get a whole rack full of them! Still cheaper than buying just one of the amps they are designed to emulate.
Desirability:
It was more practical than the J-station because it's rackmountable, it's prettier cause it's blue, it has a pretty nice foot pedal controller available for cheap.
Sound:
It's not a tube amp mic'd by a professional in a large studio room. I can tell the difference, I think. But I've been fooled before. You might be too! Most guitar players have two or three sounds that they are craving, and you should be able to get pretty close with this unit. If you play a lot of covers, you could literally sequence your whole show with the midi options available.
Support:
Have no experience with support, but I assume it would be a little difficult, as Behringer isn't in the US. Just try calling anywhere for support for anything though, usually it sucks, so I'll give the Uli a break here.
Overall:
I would buy another cause I'm a gear slut who likes sexy knobs and pretty lights, and gadgets that come with software and can be expanded and foot controlled. This product has all that for under $350 (with FCB1010)!
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10 out of 10








8 out of 10








9 out of 10








10 out of 10








9 out of 10








10 out of 10Feature:
Should have an acoustic simulator. An LCD screen will also be nice....
Quality:
Very good.
Value:
The best value for better results. Why pay more for Line 6, Boss, Marshall? Used most and love the V Amp the most.
Sound:
This sounds amazing. Much better than any Boss GT and much, much better than the far more expensive Line 6 PODs. I use it in the studio on almost every guitar track I record. Sounds amazing when you add some warmth from a valve compressor.
Support:
Never had to use it.
Overall:
Can't say much more. Get to a store near you and listen for your self. You will be amazed.
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10 out of 10








7 out of 10








9 out of 10








10 out of 10








10 out of 10








9 out of 10








10 out of 10Feature:
I wish it had a bit more in the way of FX chaining. But I'm one of the people who likes to run 7 FX in a chain for his guitar. What it doesn't allow for I can easily add later with vst's.
Quality:
Very well made. I would be comfortable dropping it a couple of times.
Value:
Definetly a "Best Buy"
Sound:
I find this to be just about the best that you can get. I sold my Line 6 POD after getting it. I use this with the Behringer FCB1010 and am quite happy.
Support:
I rated this the best because I have over 15 pieces of Behringer gear and have never had to use their support. Must be a good company then.
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10 out of 10








7 out of 10








9 out of 10








10 out of 10








7 out of 10








8 out of 10








10 out of 10Feature:
I think the features are fine. Would prefer an LCD like the PODs but for 500bux less I can live with it. Face it - these are digital and all sound the same.
Quality:
If it were a little thicker Aluminum I would give a 10. But honestly I dont see this getting hurt. It aint plastic.
Value:
I have a lot of their products - the MOST BANG FOR YOUR BUCK sold me every time. I dont have millions of dollars to throw away. I run a recording studio as my buisness so money is a factor. And getting as many kewl things for as little as possible lets my users have their choice of sounds and I get more selections with spending less.
Desirability:
I would like more a digital look - LCD panel like POD. I wish their were some real preamp tubes in there as well.
Sound:
Used in Pro-Studio environment. All the bands I record compliment the sound. We still mic the marshalls and fenders in the studio but this as a second trackover adds depth and perspective to the sound.
The sounds are amazing - FULLY configurable to your hearts desire.
I was absolutely impressed. The cheapest item in the studio and it ROCKS!
Support:
Called them before on OTHER products. They are polite and get the job done... what more do you want.
Overall:
I have lots of cash and bought just about everything out there. This is definitely one of the better items in the studio. Sure my 72Fender and 82Marshall sound great but... they only give 1 sound. More creative freedom with this box. I mean... do you really want to practice in front of a 100watt marshall cranked to 10 before it starts sounding RIGHT or... plug in some headphones and use a V-AMP while saving your EARS!!
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10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








8 out of 10Feature:
Behringer thought of everything. I mainly will use the unit for live gigs, utilizing the Digital out for the PA and analog out for my guitar rig. But eventually I will use the unit for recording. The brochure lays out the array of features.
Quality:
I have played though many amps in my day, tube, solid state, and I have to admit, this is one of the most impressive units of have come across. I have done my research for about 10 months, on modeling amps, carvin, and everything in between, logged many hours in the local music stores playing through their equipment. This thing is built like a tank, the finish is very professional, very well laid out, I think it is very road worthy, and don't expect to have any problems being mounted in my SKB box.
Value:
Like I said, I have researched many amps, be it tube or modeling, and by far this unit wins hands down, price, features, quality, ease of use, and sound, the later being the selling point. I belive I have made the best selection I could of made.
Desirability:
The aesthetics are remarkable, very modern, professional looking, and built to last. The features are laid out logically, easy to see and the talk of guitar player in the audience, I get comments about it all the time when playing out about the rich tone and in your face sound as well has how it looks in my rack. Good Job!
Sound:
For clarity, precise sound replication, and in your face cut through tone, it would be hard to beat this unit. With the arsenal of sounds and the ability to add unlimitted sounds, it rules over the typical tube amp/stomp box configurations. You will not be disappointed with the sound, I have been playing many years, and for me, this is it. I can replicate just about any sound out there. You also have the advantage of using custom sounds created by folks just like yourself and I which are located on the Behringer site under the V-tone library section for free. One note to relish, I connected the V-amp pro to my Carvin tube 100 amp, and when you play, if you pick the strings lightly you get the smooth sound like you would expect, but if you dig into the string(s), the attack/dynamics is simply amazing.
Totally awesome.
Support:
An 8 only because I have not had a need to contact Behringer, but I must say, there is alot of literature out there to get you going. There should be a selection of N/A for this Support section if you have not used Behringer's support.
Overall:
My last rig, Carvin Quad-X/Tube 100 lasted me 10 years. So I suspect that this amp will last me a long time. With the ability to upload different sounds, I don't see this unit being outdated anytime soon. It has the sound, the features and ease of use, that I am looking for. If it were lost or stolen, I would probably replace it with another.
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9 out of 10








9 out of 10








10 out of 10








10 out of 10








9 out of 10








9 out of 10








10 out of 10Feature:
The lights on the unit are great and look supurb as well as being very practical especially if your in a dark area when gigging.
I use a FB1010 midi controller with the unit and find it very good indeed apart from the delay between patch changes but I`ll get used to that.The wah sounds quite nice when using the expression pedals of the FB1010 and has plenty of range in comparison to my Jim dunlop,but doesnt have as much body to the sound as the dunlop.
I feel a few Bass amps would`nt have gone amiss like my Johnson had but there is a valve emulation which would warm up a Bass guitar.
It has just about every conceivable connection which is a huge plus especially in a studio enviroment.
It would have been nice to have had a simple pedal included like the vamp 2 but then again that all boils down to cost and this unit isnt expensive.
Quality:
The finish on the Vamp Pro is fantastic and the colour is far better than the pics that you see, its darker and in a brushed steel/aluminium finish (lovely).
The Pro has an on/off button unlike its cheaper brother and also shows off with a little light show when powered up (a nice touch).
It gives the impression that its built to last and looks awesome.
Value:
The best and it will give the more expessive units a real run for there money.
Desirability:
Ive got it and its a tool, buts its a sexy piece of kit and well designed especially the lights,cos they even move when yer editing it via midi off your computer,very Star trek.
Sound:
As far as sounds go the V amp pro is very very impressive,but dont go by first impressions because the preset sounds are mostly IMO dreadful.
Download the new editor from Behringer and then see what this beast can achieve.
I use Cubase SX 2.0 In my studio so some of my recording is straight into a P.C and the V amp sounds great, but be careful when connecting it up to your backline amp cos it needs tweaking somewhat but you will with perseverence get that killer sound that you were looking for.
I use mine through a Marshall JCM 5223 and its great to have different amp emulations e.g a Fender twin etc even a JTM and then have one of my patches on a clean bypass so that I can use the true tone of my Marshall as and when needed.
Support:
I havent had to deal with the company as yet with this so I cant pass comment.
I did register on line once for another of there products and I got a notification quick enough though.
Overall:
The Vamp pro has huge potential and has to be IMO the best product of its kind as far as the price goes.
I owned a Johnson J station previously which was an awesome piece of kit but unfortunatly it didnt support windows xp for its editing software.
I expect to keep this product for some time.
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10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10Feature:
125 presets to start you off and with the amount of options, the possibilities are endless.
Quality:
Built like a tank. I'd gig with this no problem and with no need for a backup.
Value:
Best bang for your buck at $200.
Desirability:
For someone looking to get a modeling amplifier with tons of effects and options, they should look no further. High quality modeling comparable to preamps three times the cost.
Sound:
Very nice sound quality. Doesn't sound fake like Line6 modeling amps.
Support:
I emailed Behringer's customer support with questions before buying the V-Amp Pro and they replied right away and helped me with everything I needed.
Overall:
I plan on keeping this baby for a long time. It is everything and more than I wanted and for the price, you just can't beat it.
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8 out of 10








9 out of 10








8 out of 10








8 out of 10








8 out of 10








5 out of 10Value:
Still a great deal for the price for half the price of the rackmount POD.
Sound:
Bought one, but brought it back. I hate midi foot contollers - all I wanted was three or four sounds live with a simple footswitch. (Like with my Line 6 Pod).
Support:
I emailed Behringer a couple of times about this and two other products - never heard a thing back.
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9 out of 10








8 out of 10








10 out of 10








10 out of 10








10 out of 10








10 out of 10








9 out of 10Feature:
Only missing an acoustic simulator, then it would be perfect.
Sound:
Sound is incredibly accurate, whether clean or overdriven.
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