Feature:
features ROCK. 2 main mixes and each channel with a dedicated custom mix. the mono switch is very very handy if you're monitoring with hardware that's only sending a mono signal. the ONLY thing i don't like about the features is that if you're using a custom mix, you cannot mix in either main mix. what i was hoping was to put the click through the main mix, then mix it in with the custom mix if the talent wants to hear it

Quality:
sound isn't fantastic but i think it sounds pretty good. little noise/hiss from my unit, and i got mine used...

Value:
other companies sell similar for almost double.

Desirability:
have to have a headphone amp.

Sound:
not bad. sounds just fine for monitoring.

Ease of Use:
simple

Support:
never used

Overall:
this fulfills its simple task very well. i think it sounds fine, and it gets plenty loud even with a loud drummer (with decent isolation headphones). this all depends on the signal you're feeding it of course...

Feature:
It's a headphone splitter/amplifier. It splits the signal into eight channels. That's teh only feature it really needs.

Quality:
LIke all of Behringer's products, the construction is rock solid.

Value:
It does what it needs to do, and has a low price tag. It's extremely functional.

Desirability:
It's ugly and noisy, but does what it needs to do. No more, and no less.

Sound:
The sound is pretty terrible. It's extremely noisy, but generally this unit is only used to give performers a track to play along to. It doesn't have to be good since it isn't the audio that is recorded. For this it is fine.

Ease of Use:
This is extremely straightforward. Run the output from your DAW into the inputs, and plug your headphones in. That's really it.

Overall:
I'll continue to use this product. I use it on film sets to deliver audio feeds to my boom operator, the director, and the script supervisor. In the studio I run channels to musicians. It does what it needs to do. Alot of directors ask me about the hissing, but it's just the unit.