Feature:
It's an external bias "true" condenser at the price most companies charge for an internally biased mic. To me, that's the most important feature. The extra elastic for the shock mount is a nice touch. Quality shock mount. Pad and filter switches are solid. The roll-off filter is a bit too much for my taste, but it could come in very handy for other uses. If all you want to do is to remove the floor rumble, use your preamp's filter.
Quality:
AKG must really put these under a microscope when they come in from China. Looks and feels solid. No lose bits. No shortcuts that I can find. (It's working too well to open up.) Puts up with high humidity quite well, too. A pleasant surprise.
Value:
Definitely a great value for anyone serious about recording. Even if you've never tried AKG, the Perception line is worth checking out.
Desirability:
Let's face it. Chinese mics have limited appeal. This is one of the exceptions. It's appearance does have a certain vintage quality about it. I feel like I'm using a serious recording tool. Interesting color.
Sound:
While it's not exactly in the same class with a Neumann, it has a surprisingly detailed sound for a mic in this price range. I use it for voiceovers, and it brings out the subtle qualities quite well, especially with a touch of compression. Some might need a de-esser, but if you move in closer it helps. Nice proximity effect. Team it with a nice tube preamp to warm it up and you'll love it.
Ease of Use:
Nothing exotic here. Plug and play. Point and talk. And that's a good thing.
Support:
Haven't needed service. I don't expect I will.
Overall:
After about four months, this has become a "go to" mic for my voice work. Great for broadcast work. Beats out the RE-20 with a more refined top end and better response. An upgrade to a Neumann is about all that can beat it for my needs.
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