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Feature:
The Perception 100 (this one) doesn't have any buttons or adjustments. Just an XLR jack on the bottom, as it should have. I haven't felt like I needed anything else.
If you want switchable PREATTENUATION or switchable BASS CUT, then get the Perception "200" instead. It does cost more, obviously.
Quality:
The delicate microphone and electronic stuff on the inside is German made as far as I know, but the metal case body and final assembly is done in China.
The mic appears to be TOP NOTCH in fit and finish. No metal burrs or misaligned or loose parts so far.
Value:
Excellent value for the price, especially considering the delicate components that matter most are German made (though final assembly is in China.)
Behringer's similarly-priced inexpensive mics are unfortunately 100% Chinese components, so now you know why some people knock Behringer for their stuff breaking. The Behringers do come with cases and shock mounts, while the AKG is just the mic and a mic holder and a short instruction manual.
Desirability:
It is a good mic, I'd buy it again. Just don't expect anyone to drool over it...AKG Perception 100 is like a Toyota Camry. Gets the job done, but it isn't a Ferrari, either.
Sound:
It works *extremely* well for the interviews that I do. It is surprisingly difficult to get the mic to clip and is very forgiving despite being so sensitive. When you are wearing headphones and monitoring what it picks up, it is like you have dog ears -- you can hear things that you can't hear normally.
Ease of Use:
Just plug it in with XLR cables and hook the thing into a mic stand. Easy.
Support:
Haven't dealt with the company so far.
Overall:
I am happy with the mic and hope that it holds up...if it lasts, I won't be buying anything else.
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