The On-Stage Spotlight Microphone Stand is the ideal tripod boom stand for countless stage and studio applications. With its durable construction of hybrid sheet metal and high-impact plastic leg housing it holds up to repeated use and abuse. A cast steel mid-point clutch also locks down the boom to secure your microphone. The boom arm can fold flat for easy storage and is removable for those times when a boom is not required. Learn more...
The industry standard on stage and in the studio, the round base stand is a musician's staple around the world. Professional quality die-cast zinc clutch. Learn more...
Whenever you're on the road or setting up a sound stage this On-Stage club microphone pack should cover any standard band's or club/restauranteur/cafe setup. Learn more...
The Reflexion Filter is basically a portable device for recording live sound sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product. The main function is to help obtain a 'dry' vocal or instrument recording. Learn more...
Great mic cradle made in the Shure style, and fitting models 849, SM48, SM57, SM58, SM87A, SM94, Beta 57A, Beta 87, 515X, 545, 565, 588SDX, and BG1.1, 2.1, 3.1, 4.1, and 5.1. Learn more...
Ideal for guitar amps, drums, guitar or bass speakers cabinets and lots of other applications. The stand is adjustable up to 15.5 in. and the boom extends up to another 19 in. Convenient design and durable construction with a high-impact plastic leg housing make this stand a tremendous value. Its folding legs allow for the most compact storage. Learn more...
This improved Pop Blocker easily connects to any mic stand or boom with an Easy Grip Clamp and V-shaped bracket attachment that fits onto any shaft up to 7/8 in. diameter. Includes 6 in. bar and 13 in. steel gooseneck for proper placement in front of microphones. Learn more...
A more compact version of the classic 210/2. The combination of the long-legged 201A/2 mic stand and the 211/1 telescopic boom arm. Like the 210/2, the 210/9 sets the standard for professional microphone boom stands. Learn more...
The Hex-Base Studio Boom is the new standard by which others will be judged. It is equipped with 2 straight boom shafts that can be attached for studio recording. Or remove the front boom and use the back boom for project studio work. The boom arm slides effortlessly through the 1 in. square housing and locks with a tension knob. Boom angle adjusts with a 40-tooth clutch. Learn more...
Condenser microphones usually specify different requirements for their phantom power. These ratings can range from 48 Volts all the way down to 9 Volts. Fortunately, there's a certain amount of flexibility with matching Phantom Power voltage to your mic. Learn more...
The Rode PSA1 is the perfect microphone stand to mount a microphone to a studio desk or any other hard top. If you've seen broadcast booths or radio stations you've seen this mic stand in action. Learn more...
This Lo-Z to Hi-Z Transformer matches low-impedance microphones to high-impedance electronic inputs while maintaining high frequency response. It also permits use of long microphone cables, still reducing noise pickup. Learn more...
The Mic Thing is a portable multi-purpose acoustic treatment panel suitable for minimizing room artifacts and improving separation during microphone recording sessions. Great for a range of applications including helping to control room ambience, minimizing spill from instrument amplifiers, or even creating temporary control rooms the Mic Thing is certainly one handy thing! Learn more...