Waves SSL 4000 Collection Native

To faithfully recreate the extraordinary SSL sound, Waves engineers spent more than a year analyzing and modeling the distinctive sonic characteristics of SL 4000 factory reference consoles and components provided by Solid State Logic. Extensive testing reveals that the Waves SSL 4000 plug-ins sound virtually identical to their hardware counterparts. Now, the classic sound of the SSL 4000 Series can be your sound.

Developed under license from Solid State Logic, The Waves SSL 4000 Collection includes 4 meticulously modeled plug-ins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Channel, the SSL G-Master Buss Compressor, and the SSL G-Equalizer.

SSL G-Channel
Waves is proud to present the SSL G-Channel, a brand new addition to the award-winning SSL 4000 Collection. The power of the complete Solid State Logic SL 4000 console series is now at your fingertips.

G-Channel consolidates the equalization and dynamic controls of SSL G Series consoles into one convenient tool. The G-Channel EQ module delivers the original hardware’s characteristic pre-boost dip, pre-cut rise, and broad Q for extreme frequency manipulation. The Dynamics section features soft-knee compression and limiting, a gate/expander, and automatic makeup gain for rock steady output levels. Together, they deliver the one-of-a-kind sound and convenient routing flexibility that have made the SSL G-Series console a control room classic.

SSL G-Master Buss Compressor
Based on the renowned master buss center compressor of the SL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of its IC input and twin VCA gain-reduction amplifier design. This compressor has long been prized by top engineers for its ability to "glue together" tracks, and is considered by many to be the ultimate finalizer that transforms a mix into a finished record. It's also ideal for taming piano dynamics or adding punch to drums and percussion.

With gain reduction meters that mirror the originals, the SSL G-Master Buss Compressor displays levels in dBu rather than in dBFS and includes SSL's coveted Autofade feature, with an adjustable fade rate from one to sixty seconds. You can even switch the Analog modeling feature on or off to suit your needs.

SSL G-Equalizer
This four-band equalizer, modeled on the SSL G Series EQ292, offers greater gain change than the E-Series EQ, and a slightly different curve. The SSL G-Equalizer includes a slight dip before a boost as well as a slight rise before a cut, which contribute to its incomparable sound, and its broader Q allows for more extreme equalization. That's why many leading engineers use the E Channel's equalization for detailed problem-solving and mixing, and the SSL G-Equalizer to shape and give character to the sound.

SSL E-Channel
The SSL E-Channel delivers the characteristic sound of the original's all-discrete design and its Class A, VCA chip.

Equalization -- The equalization section of the SSL E-Channel is based on the renowned Black Knob equalizer, developed in 1983 by SSL in association with legendary producer George Martin. The Black Knob equalizer featured enhanced cut and boost ranges and a steeper 18dB/octave high pass filter for tighter control of low frequencies, as well as a smoother curve.

Features a High Pass Filter, Low Pass Filter, and a four-band parametric equalizer. The Split feature lets you position the Low Pass and/or High Pass filters before the dynamics processors and put the filters in a dynamics sidechain for simple de-essing.

Dynamics -- The dynamics section features a soft-knee compressor/limiter and an expander/gate modeled on the SSL LS611E. Like the original, it can be placed before or after the equalization section, and makeup gain is automatically applied to maintain a steady output level. The compressor's adjustable attack lets you choose between the default auto-sensing function which responds to your source material or a fixed 1 ms. attack time.

Technical Info

This product requires an iLok USB Smart Key (not included) and internet access.

System Requirements
iLok Authorization Required

Mac:
Mac G4 1.25 GHz or higher

512Mb RAM.

1024x768 32-bit minimum display resolution.

OS X 10.4.3

PC:
P4 1.7 GHz / AMD Athlon XP 1800 or higher

512Mb RAM

1024x768 32-bit minimum display resolution

Mac Compatibility
TDM:
Digidesign Pro Tools TDM 7.0

Digidesign Pro Tools TDM 6.9.3

RTAS:
Digidesign Pro Tools LE 7.0

Digidesign Pro Tools LE 6.9

VST: Steinberg Cubase SX 3.1, Nuendo 3.2.0

Audio Units:
Apple Logic Audio 7.1

BIAS Peak 5.02

MAS: MOTU Digital Performer 4.6

PC Compatibility
TDM:
Digidesign Pro Tools TDM 7.1

Digidesign Pro Tools TDM 6.9.3

RTAS:
Digidesign Pro Tools LE 7.0

Digidesign Pro Tools LE 6.9

VST: Steinberg Cubase SX 3.1.1 and Nuendo 3.2.0

DirectX:
Sony Media Applications: Vegas 6.0, Acid 5.0, SoundForge 8.0, CD Architect 5.2

Cakewalk: Sonar 5 Producer Edition

Steinberg: Cubase SX 3.1.1 and Nuendo 3.2.0, WaveLab 5.0

Adobe: Audition 1.5

Magix: Samplitude 8.21 Professional

The Waves Update Plan is your complete care package, allowing you to protect your investment and always stay current with Waves latest version.

# All Waves purchases and upgrades include one full year of Waves Update Plan coverage.

# With current Waves Update Plan coverage, you receive all updates and benefits at no additional cost.

Painstakingly researched, the SSL 4000 collection of plug-ins gives you software versions of possibly the most loved, most hit-making consoles of all time, the Solid State Logic 4000 Series. The G-Master buss compressor is prized for the final touch it gives to mixes, making them 'gel'. Of course, it also shines on individual instruments. The original's unique auto-fade function is recreated too, with selectable fade duration. The G-Equalizer holds true to the original's character with a slight dip before boosts and a slight rise before cuts. Low- and hi-mids have adjustable Q for surgical control. The E-Channel serves up 4 bands of EQ, soft-knee compression/limiting, plus expansion and gating. EQ can be sidechained to the dynamics section for de-essing, and the 'split' function lets you put the high- or low-pass filters before the dynamics. Compressor has a defeatable auto-attack setting and automatic makeup gain. All in all, it's the sound of a 7-figure-plus console with nowhere near the size and expense! RTAS, VST, MAS, AU, and DirectX formats.