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TC Helicon VoiceLive 2 Vocal Floor Processor
Control harmonies with guitar, MIDI or MP3 input. 5X processing power of typical floor processor.
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Description
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What does a vocalist live for? A jaw-dropping vocal sound that takes audiences over the edge. Get that sound instantly with VoiceLive 2, the ultimate floor-based vocal processor. It's more than an upgrade, it's a vocal revolution.
Easier than ever
With a completely redesigned user interface, VoiceLive 2 is easy to use whether you're looking for one preset or a creative sequence of sounds for every song.
- Wizard button helps you find the right preset
- Stompbox access to six effect blocks
- One button access to global Tone, Pitch and Guitar FX
- Easy editing of all parameters
- Simple preset chaining with Step feature
- USB for updates, back-ups and audio streaming
New NaturalPlay harmonies
Whether you play guitar, a MIDI keyboard or no instrument at all, VoiceLive 2 has brilliant vocal harmonies for you.
- Control harmonies with guitar, MIDI or MP3 input
- Up to 8 voices with MIDI keyboard control or 4 doubled harmonies
- All new algorithm is smooth and natural even for extreme vocal styles
- Auto sensing of harmony control instrument
More power, voices & effects
VoiceLive 2 contains virtually all the effects necessary to produce any vocal sounds of decades past, and into the future.
- 5X processing power of typical floor processor
- Separate harmony and doubling blocks
- New reverb, tap delay, uMod
- FX block for T-Pain effect, megaphone, distortion
- Global effects including Tone, pitch correction, and Guitar FX
- All effects can be used simultaneously
An engineer that listens
Like a great audio engineer, VoiceLive 2 listens to you and adjusts to make your voice sound smooth and produced.
- Tone tailors adaptive EQ, compression and de-ess to your voice
- Adaptive gate reduces mic input when you're not singing
- Digital mic-gain control is engaged with your feet
Solid design meets comfort
Built with your comfort in mind, VoiceLive 2 has some practical features that will make for effortless performances.
- Natural curve puts footswitches at comfortable angle
- Recessed rubberized handle
- Bright LCD and large lettering
- Rubberized end caps and edit/mix knobs
- Extruded aluminum and steel chassis
Complete Connectivity
VoiceLive 2 has the most complete connectivity of any vocal floor processor.
- Mic or Line input with digital controlled mic gain
- Guitar input with auto-mix , Guitar FX as well as transparent pass-thru
- Stereo 1/8 in. (MP3 player) input
- Stereo XLR,
Connectors, balanced:
- Mic.: XLR, Line: 1/4 in. phone jack,
- Guitar: 1/4 in. phone jack,
- Aux: 1/8 in. stereo mini jack
Impedance: Balanced/Unbalanced
- Mic.: 2.14/1.07 kOhm, Line: 13/6,5 kOhm
Mic Input Level @ 0 dBFS: -49dBu to +10dBu
Line Input Level @ -37 dBu to +22 dBu: -37 dBu to +22 dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic/Line Input SNR: > 107 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: 14 dBu to -4 dBu
Guitar Input SNR: >104dB
Aux Input Level @ 0dBu: +2dBu
A to D Conversion: 24 bit, 128 x oversampling bitstream, 110dB SNR A-weighted
Analog Outputs
D to A Conversion: 24 bit, 128 x oversampling bitstream, 115dB SNR A-weighted
Connectors, balanced: XLR and 1/4 in. phone jack
Output Impedance Balanced/ Unbalanced: 100/50 Ohm
Output Range (Line/Mic Level): 16 dBu / 0dBu
Dynamic Range: > 109 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Headphone Out: 1/8 in. Mini stereo jack, 32 Ohm, +16dBu max (180mW max)
Digital Inputs and Outputs
Connectors: RCA Phono (S/PDIF)
Formats: S/PDIF (24 bit), EIAJ CP-340, IEC 958
Sample Rates: 44.1 kHz, 48 kHz, 88.2kHz, 96kHz
EMC
Complies with: EN 55103-1 and EN 55103-2 - FCC part 15, Class B, CISPR 22, Class B
Safety
Certified to: IEC 65, EN 60065, UL6500 and CSA - IEC 65, EN 60065, UL6500 and CSA
Environment
Operating Temperature: 32 F to 122 F (0 C to 50 C)
Storage Temperature: -22 F to 167 F (-30 C to 70 C)
Humidity: Max. 90 % non-condensing
Control Interface
USB: USB-B
MIDI: In/Out/Thru: 5 Pin DIN
Pedal: 1/4 in. TRS phone jack
Supplementary
Display: 192 x 64 Blue STN LCD, White Back light
Dimension: 13.8 x 3 x 8.5 in. (350 x 76 x 216 mm)
Weight: 5 lb. (2.3 kg)
External Power Supply Mains Voltage: 100 to 240 VAC, 50 to 60 Hz (auto-select)
Power Consumption: <14 W
Warranty Parts and labor: 1 year
Easier than ever
With a completely redesigned user interface, VoiceLive 2 is easy to use whether you're looking for one preset or a creative sequence of sounds for every song.
- Wizard button helps you find the right preset
- Stompbox access to six effect blocks
- One button access to global Tone, Pitch and Guitar FX
- Easy editing of all parameters
- Simple preset chaining with Step feature
- USB for updates, back-ups and audio streaming
New NaturalPlay harmonies
Whether you play guitar, a MIDI keyboard or no instrument at all, VoiceLive 2 has brilliant vocal harmonies for you.
- Control harmonies with guitar, MIDI or MP3 input
- Up to 8 voices with MIDI keyboard control or 4 doubled harmonies
- All new algorithm is smooth and natural even for extreme vocal styles
- Auto sensing of harmony control instrument
More power, voices & effects
VoiceLive 2 contains virtually all the effects necessary to produce any vocal sounds of decades past, and into the future.
- 5X processing power of typical floor processor
- Separate harmony and doubling blocks
- New reverb, tap delay, uMod
- FX block for T-Pain effect, megaphone, distortion
- Global effects including Tone, pitch correction, and Guitar FX
- All effects can be used simultaneously
An engineer that listens
Like a great audio engineer, VoiceLive 2 listens to you and adjusts to make your voice sound smooth and produced.
- Tone tailors adaptive EQ, compression and de-ess to your voice
- Adaptive gate reduces mic input when you're not singing
- Digital mic-gain control is engaged with your feet
Solid design meets comfort
Built with your comfort in mind, VoiceLive 2 has some practical features that will make for effortless performances.
- Natural curve puts footswitches at comfortable angle
- Recessed rubberized handle
- Bright LCD and large lettering
- Rubberized end caps and edit/mix knobs
- Extruded aluminum and steel chassis
Complete Connectivity
VoiceLive 2 has the most complete connectivity of any vocal floor processor.
- Mic or Line input with digital controlled mic gain
- Guitar input with auto-mix , Guitar FX as well as transparent pass-thru
- Stereo 1/8 in. (MP3 player) input
- Stereo XLR,
Technical Info
Analog InputsConnectors, balanced:
- Mic.: XLR, Line: 1/4 in. phone jack,
- Guitar: 1/4 in. phone jack,
- Aux: 1/8 in. stereo mini jack
Impedance: Balanced/Unbalanced
- Mic.: 2.14/1.07 kOhm, Line: 13/6,5 kOhm
Mic Input Level @ 0 dBFS: -49dBu to +10dBu
Line Input Level @ -37 dBu to +22 dBu: -37 dBu to +22 dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic/Line Input SNR: > 107 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: 14 dBu to -4 dBu
Guitar Input SNR: >104dB
Aux Input Level @ 0dBu: +2dBu
A to D Conversion: 24 bit, 128 x oversampling bitstream, 110dB SNR A-weighted
Analog Outputs
D to A Conversion: 24 bit, 128 x oversampling bitstream, 115dB SNR A-weighted
Connectors, balanced: XLR and 1/4 in. phone jack
Output Impedance Balanced/ Unbalanced: 100/50 Ohm
Output Range (Line/Mic Level): 16 dBu / 0dBu
Dynamic Range: > 109 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Headphone Out: 1/8 in. Mini stereo jack, 32 Ohm, +16dBu max (180mW max)
Digital Inputs and Outputs
Connectors: RCA Phono (S/PDIF)
Formats: S/PDIF (24 bit), EIAJ CP-340, IEC 958
Sample Rates: 44.1 kHz, 48 kHz, 88.2kHz, 96kHz
EMC
Complies with: EN 55103-1 and EN 55103-2 - FCC part 15, Class B, CISPR 22, Class B
Safety
Certified to: IEC 65, EN 60065, UL6500 and CSA - IEC 65, EN 60065, UL6500 and CSA
Environment
Operating Temperature: 32 F to 122 F (0 C to 50 C)
Storage Temperature: -22 F to 167 F (-30 C to 70 C)
Humidity: Max. 90 % non-condensing
Control Interface
USB: USB-B
MIDI: In/Out/Thru: 5 Pin DIN
Pedal: 1/4 in. TRS phone jack
Supplementary
Display: 192 x 64 Blue STN LCD, White Back light
Dimension: 13.8 x 3 x 8.5 in. (350 x 76 x 216 mm)
Weight: 5 lb. (2.3 kg)
External Power Supply Mains Voltage: 100 to 240 VAC, 50 to 60 Hz (auto-select)
Power Consumption: <14 W
Warranty Parts and labor: 1 year
A vocal engineer and choral ensemble in one floorboard. The redesigned version 2 interface is even easier to navigate, with a "Wizard" button guiding patch creation and stompbox-like control over the six effects blocks. 8-voice harmonizer key adjusts to incoming audio or MIDI. Adaptive noise gate, compression, and EQ "listen" adjust to your vocals.
10/30
Just back in stock, New, available for immediate delivery.
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Item: TCEVOICELIVE2
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TC Helicon VoiceLive 2 Vocal Floor Processor Reviews
10 out of 10
zZounds has verified that this customer bought this product from us.
"If you're thinking about this. Get it!"
Feature:
It is something most have never tried. All the features seem new. More CC inputs would be nice since you can really make it sound human by modulating the volume of the harmonies, being able to hold a harmony note(s) while you sing another -- all with a tap of a footswitch or flick of a pedal, so more CC inputs would allow more control without using a separate MIDI footswitch controller. At first I thought a feedback destroyer would be useful too, but the compressor on this thing is so smart, I never get feedback with it. Plus a feedback destroyer works best right before a power amp, not at the preamp stage. Sometimes you do get odd beeps and pops. Sounds a bit like R2D2 but only when you're changing presets.
Quality:
This costs as much as my first used car. Its way better built too. Solid, good connectors, switches and an LCD screen thats easy to see. A little too easy to see sometimes since its glare can make it hard to read the labels on the knobs and buttons.
Value:
I gots tons of gear -- from Gibson guitars to Marshall amps, I've been fortunate to be able to aquire pretty much what I want and need for my studio and live gigs. The VL-2 has changed my sound more than anything I own. I've only had it for a week and already I can see us getting way better gigs. It can only get better with practice. You can be sure this kind of device will become as popular for singers as the PC has become for office work.
Desirability:
It make me all gooey inside when I hear myself doing "perfect" Heart harmonies or when I use the "Brick in the Wall" patch and do the Pink Floyd song. Is it cheating? I say no. Not when I'm competing with DJs for gigs!
Sound:
Wow! If you can sing (and play) in tune and you don't have awesome background singers, get this unit! Mortgage the cat, sell the dog, do whatever it takes. You've got to try this thing. I've only gone through about 1/30 of the presets and I can't believe how good it sounds. I'd try more but I'm having way too much fun with the ones I've tried so far. TC Helicon's algorithmeers are to be congratulated!
Ease of Use:
Fairly straighforward however look out for the separate CC channel!!! The CC channel is set separately from the basic MIDI channel so if you have another device on the VL-2's CC channel (without knowing it), you can reprogram the VL-2 in very strange ways. Once I figured that out (the manual is ambiguous re. the need for setting them separately), it works like a dream.
Support:
This is my 4th TC Electronics/Helicon product. I've had contact with the support team for two separate incidents. Both were handled promply and professionally.
Overall:
I'm sure I'll never willingly perform again without one or its decendents.
It is something most have never tried. All the features seem new. More CC inputs would be nice since you can really make it sound human by modulating the volume of the harmonies, being able to hold a harmony note(s) while you sing another -- all with a tap of a footswitch or flick of a pedal, so more CC inputs would allow more control without using a separate MIDI footswitch controller. At first I thought a feedback destroyer would be useful too, but the compressor on this thing is so smart, I never get feedback with it. Plus a feedback destroyer works best right before a power amp, not at the preamp stage. Sometimes you do get odd beeps and pops. Sounds a bit like R2D2 but only when you're changing presets.
Quality:
This costs as much as my first used car. Its way better built too. Solid, good connectors, switches and an LCD screen thats easy to see. A little too easy to see sometimes since its glare can make it hard to read the labels on the knobs and buttons.
Value:
I gots tons of gear -- from Gibson guitars to Marshall amps, I've been fortunate to be able to aquire pretty much what I want and need for my studio and live gigs. The VL-2 has changed my sound more than anything I own. I've only had it for a week and already I can see us getting way better gigs. It can only get better with practice. You can be sure this kind of device will become as popular for singers as the PC has become for office work.
Desirability:
It make me all gooey inside when I hear myself doing "perfect" Heart harmonies or when I use the "Brick in the Wall" patch and do the Pink Floyd song. Is it cheating? I say no. Not when I'm competing with DJs for gigs!
Sound:
Wow! If you can sing (and play) in tune and you don't have awesome background singers, get this unit! Mortgage the cat, sell the dog, do whatever it takes. You've got to try this thing. I've only gone through about 1/30 of the presets and I can't believe how good it sounds. I'd try more but I'm having way too much fun with the ones I've tried so far. TC Helicon's algorithmeers are to be congratulated!
Ease of Use:
Fairly straighforward however look out for the separate CC channel!!! The CC channel is set separately from the basic MIDI channel so if you have another device on the VL-2's CC channel (without knowing it), you can reprogram the VL-2 in very strange ways. Once I figured that out (the manual is ambiguous re. the need for setting them separately), it works like a dream.
Support:
This is my 4th TC Electronics/Helicon product. I've had contact with the support team for two separate incidents. Both were handled promply and professionally.
Overall:
I'm sure I'll never willingly perform again without one or its decendents.
Submitted: 11/11/2009
Style of Music: rock pop originals
10 out of 10
"TC Helicon Heaven"
Feature:
all you could ever ask for.... only one think left out. FEEDBACK DESTROYER.. other than that.. cant think of anything they left out.
Quality:
very well built. Metal top and rubberized plastic sides. Its a very purdy box. Display window is generous.
Value:
I think its worth every penny.... 10 years ago this box would EASILY have cost at LEAST $5000 or more.
Desirability:
its very sexy.... very useful.. will make you a better singer guaranteed.
Sound:
Ho-Lee-crrrrrrap. WOW.... once you start tweeking this.. its INSANE.... makes your voice sound MONSTER HUGE. Totally amazing. I had the Harmony M and G.... NO COMPARISON. Although the M and G are amazing as well..... voicelive 2 is way over the top.
Ease of Use:
once you know your way around its very straight forward. Bit of a curve. but nothing you can conquer in a couple of hours.
Support:
TC are usually fairly quick to return emails. Not always , but pretty good.
all you could ever ask for.... only one think left out. FEEDBACK DESTROYER.. other than that.. cant think of anything they left out.
Quality:
very well built. Metal top and rubberized plastic sides. Its a very purdy box. Display window is generous.
Value:
I think its worth every penny.... 10 years ago this box would EASILY have cost at LEAST $5000 or more.
Desirability:
its very sexy.... very useful.. will make you a better singer guaranteed.
Sound:
Ho-Lee-crrrrrrap. WOW.... once you start tweeking this.. its INSANE.... makes your voice sound MONSTER HUGE. Totally amazing. I had the Harmony M and G.... NO COMPARISON. Although the M and G are amazing as well..... voicelive 2 is way over the top.
Ease of Use:
once you know your way around its very straight forward. Bit of a curve. but nothing you can conquer in a couple of hours.
Support:
TC are usually fairly quick to return emails. Not always , but pretty good.
Submitted: 07/13/2009
Style of Music: all kinds all genre's
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