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TC Electronic Sub-N-Up Octaver Pedal

The Sub-N-Up pedal offers two sub-octaves and one octave up for a powerful, room-shaking sound. Switch between modern polyphonic or classic monophonic modes. (3) Read 3 reviews for this product | Rate and review this product
Ships to: Can ship to United States
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TC Electronic Sub-N-Up
List: $194.99
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TC Electronic Sub-N-Up Octaver Pedal

Sub 'N' Up Octaver is the new leader of the pitch-pack. Featuring a superb next generation octave-engine and individual blend controls for dry, octave-up and two sub-octaves, Sub 'N' Up is set to deliver flawless octave tones whether you're playing complex chords or groovy single-note lines. And with the option of adding modulation to the mix via the high-powered TonePrint editor, for spacey ambient octaves, Sub 'N' Up Octaver truly is the definition of pitch perfection.

Polyphonic Epiphany

Sub 'N' Up features the latest in polyphonic pitch technology. This means you get lightning-fast note tracking and impeccable hi-fi octave tones when playing chords. So whether you're into shimmery octave-up tones for swells, a sweet 12-string ring or down and dirty subsonic octave riffs, Sub 'N' Up Octaver will deliver the goods every single time!

Old-School Is Always Cool

Sub 'N' Up Octaver also gives you access to a cool monophonic octaver. Great for faux bass-lines with a guitar or for replicating the glorious glitchy imperfections of yesteryears octave pedals. Or!!... hook it up to a bass, crank the two sub signals, and get ready to bring down the PA.

TonePrint - Otherworldly Octaves

If the next-generation octave engine puts Sub 'N' Up Octaver ahead of the curve, then the TonePrint engine blasts it into outer space. Not only can you beam custom-made tones to the pedal via the free app, you can also make your own octave tone from scratch via the editor. This features state-of-the-art modulation engine for never heard before octave tones. So go ahead and give that pitch some vibrato. Pitches love vibrato!

Features:

- Next-generation polyphonic octaver for flawless chord tracking
- Classic monophonic octaver for old-school octave tones
- TonePrint Editor w. Modulation create otherworldly octave tones
- TonePrint-enabled beam signature octave tones to the pedal via the free app
- Mix controls for dry, octave-up and two octaves-down
- Compact enclosure
- True Bypass for zero coloration of your tone
- Roadworthy design
- Made from high-quality components
- Runs on 9 V battery or a 9 V DC
- Power Supply comes supplied with a USB-cable for use with TonePrint Editor and firmware updates

zZounds is an authorized dealer of TC Electronic products.
Weight, Dimensions, and Manufacturer Part Numbers
Shipping Weight: 0.75 lbs
Shipping Dimensions: 5 x 4 x 3 in
Manufacturer Part Number (MPN): 960822001
If you have additional warranty questions, please contact the manufacturer at 519-745-1158
Customer Reviews
4.5 out of 5 (3 ratings) Rate and Review This Product
zZounds has verified that this customer bought this product from us. "Great Octave Pedal"
Overall: There's a really bad review for this pedal and although I don't usually write reviews, I thought that review was so inaccurate and unfair, I just had to put my 2 cents in. Simply, this is the best octave pedal I have used. For reference, over the years I've used EHX POG, Boss OC3, J. Rockett WTF and the Digitech GNX3 (multi FX, including octaver). I've been using the Sub n Up for about 6 months. To address the "blown speaker" sound mentioned by the other reviewer: I'm sure if the SUB2 knob is above 50%, through a 6-10" practice amp, it sounded like $#!+. Those speakers aren't designed to reproduce those frequencies...duh. However, even on my Yamaha THR10C, a decidedly practice amp, I can get good results, but to think you can dime every knob and get a good sound is unrealistic and foolish. The tracking on this pedal is better than anything else out there in POLY mode. Single notes are perfect to the ears and fingers, no latency. Clean chords are defined (with appropriate settings). In CLASSIC mode, the Sub n Up sounds and plays like a POG. The TONE PRINT setting has about a dozen presets you can access on your phone. Most of them are pretty good, a few are awesome. Using tone print is stupid EASY...select the preset, hold your phone up to your guitar's pick up (seriously) and the app sends out this fax machine, "dial up" kind of noise that "programs" the pedal. That's it. Once you've loaded the tone print, you can turn the knobs to adjust to taste. Also, a neat little 'cheat' is that some of the presets have HOF reverb and/or Corona Chorus. You can turn down the octave knobs and keep the verb and/or chorus. The app makes the SUB2 knob the wet/dry level for the reverb. There are 2 extra pedals included for free...sort of. If you want an octave pedal, you're not likely to find a better one than this. So many useful tones to be had. However, if you think any random combination of settings should sound good, through any old speaker, you're wrong. Nothing works like that. Also, this thing is metal. The knobs and switch are solid. If someone tried to steal mine, I'd use this pedal to bludgeon them.
Style of Music: A little of everything.
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zZounds has verified that this customer bought this product from us. "3 Years and 15 OC pedals later.."
Sound: HAH. I laugh because I can't quite put my finger on this section. The Tone-Print editor allows for far more than one could understand. There's so many parameters that could be changed, going from a synth octave tone to a purely digital octave. There's hi-cuts, lo-cuts, EQ's, slopes, etc. The only complaint I have is that the polyphonics aren't as good as the Bass Whammy's, as they glitch just a TINY bit. But, nonetheless, it's almost perfect. Feature: Tone-Print Editor... I'd recommend looking up "Tonehack #7" on T.C. Electronic's YouTube channel. Ease of Use: If you don't care for the Tone-Print editor, the 4 knobs, tone-print beaming, and 3 way switch are a fairly simple layout.I should mention, the "dry" knob at 5 o'clock [max volume] is UNITY GAIN. You cannot dial in more than your actual dry volume. However, you can go into buffered bypass, and probably raise the gain using the Tone-Print editor. Quality: 5/5. It's a small, yet strong pedal construction. The footswitch is pretty soft, but gives a tactile response when activated. Value: At this price-point, I feel like I stole the pedal... Manufacturer Support: Their YouTube channel swayed me. The Wow Factor: This is what a digital octave pedal should be capable of; period.The bar has been set, and it's FAR above every digital pedal I've used. Overall: Last week, I googled "Sub N' Up", and found this guy's poor excuse of a review. It was featured as the top, and only review of this pedal on Google. OF COURSE I'm gonna post why he has no idea what he's talking about. I've gone through 15 octave pedals in a matter of 3 years, searching for the one with the best latency, tracking, polyphonics, tone, and overall quality at a good price point. When I got this pedal today, dialed in the tones, I was a little unsatisfied. The sub 1 and 2 bloomed slowly, the response was bad.But then, I beemed a tone-print [Smooth Bass]. The latency went from slow to nonexistent. Where'd it go? I realized, the tone-print I beamed showed me a little taste of what the Tone-Print Editor could do. I've yet to use the editor, but by Jove, this pedals got it right. Here are all the pedals I've tried... TWA Great Divide, POG [all variations], EHX Bass microsynth, Boss OC2 + OC 3, Pitchfork, Markbass Synth, DOD Meatbox [reissue], Hotone Skyline Octa, MXR M288, Aguilar Octamizer, Digitech Bass Whammy, Boss PS-5, Red Witch Factotum, Red Panda Particle.
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