Studiologic Sledge 2 Black Edition Synthesizer

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Studiologic Sledge 2 Black Edition Synthesizer, New, Main
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Studiologic Sledge 2 Black Edition Synthesizer, New, Action Position Back
Studiologic Sledge 2 Black Edition Synthesizer, New, Action Position Back
Studiologic Sledge 2 Black Edition Synthesizer, New, Main Studiologic Sledge 2 Black Edition Synthesizer, New, Action Position Back Studiologic Sledge 2 Black Edition Synthesizer, New, Action Position Back Studiologic Sledge 2 Black Edition Synthesizer, New, Action Position Back
Experience the detailed sounds of the Studiologic Sledge 2 with this special Black Edition. Includes 24-voice Waldorf synth engine with 999 saveable presets.

Sledge 2.0 is a 61-note 24-Voice Virtual Analog Synth with tactile control. Waldorf synth engine inside 3 oscillators per voice, up to 1000 presets can be stored. Extremely high quality detailed sound. Sample and Wave loading.

Looks darker. Feels better. Sounds stronger. The exclusive dark look includes a black case, a semi-weighted keyboard with reverse black and grey keys and an even more professional touch feeling. New modulation features and sounds, with a mix of pure synthesis and sampling, push Sledge further than ever before.

Features:

- 999 User Programs (+13 Categories)
- Fast sound selection via numeric keypad or encoder
- Auto Dual Mode - Split/Layer - programmalbe Split pount for each program

Global
- Master tune - Transposer - Pitch/Bend range - Pedal functions (volume, mod wheel, cutoff) - Pot mode (snap/direct) - Display time - Pitch wheel, hold pedal assign

MIDI
- MIDI Channel - Local On/Off - Clock control - Send/Receive controls
WARNING: Cancer and Reproductive Harm - www.p65Warnings.ca.gov.

- Keyboard:
- 61 Keys, TP/9S semi-weighted Action
- Balanced spring action
- Dual switch detection system
- Aftertouch
- Touch:
- Soft, Medium, Hard Fixed (programmable) on MIDI output
- Sound Generator:
- Max Polyphony 24 voices
- 2 Parts
- Modulation:
- LFO1, LFO2 (phase synchronized), WHEEL (for Mod wheel and Aftertouch)
- Adjustable LFOs speed and depth
- LFO shapes: sawtooth, square, triangle, sine, sample & hold, ramp
- Destinations: OSC1, OSC2, OSC3, PWM / Wave / FM, Volume, Filter Cutoff
- Oscillators (OSC1, OSC2, OSC3):
- Range from 64' to 1' with semitone and detune controls
- Shapes: sawtooth, square, triangle, sine, pulse (with pulse modulation)
- OSC1 with 66 original PPG Wavetables + Sample Player (60 Mb internal memory)
- FM (Tone generation): OSC2, OSC3 amount control - Oscillator hard sync (OSC2 to OSC3)
- Mixer:
- Volume and On/Off switch for each oscillator
- Noise generator: White/Pink - Volume control
- Filter & Amplifier:
- Slope (24/12 db) - lowpass, highpass, bandpass
- Resonance up to self oscillation
- Adjustable key track and drive
- Filter envelope - ADSR with amount control
- Amplifier envelope - ADSR with velocity control
- Proportional velocity control on Filter and Amplifier sections
- Arpeggiator:
- Latch mode
- Syncable to MIDI clock
- Direction up, down, alternate
- Range up to 10 octaves
- graphic_eq
- EFFECTS / PROCESSING:
2 simultaneous effects
- FX1: Chorus / Phaser / Flanger
- FX2: Reverb / Delay / Reverb + Delay
- Controls / UI:
- Display 2x16 digits backlit LCD
- Pitch wheel
- Modulation wheel
- 35 Pots
- 3 "chicken head" rotary switches (7 positions)
- 1 rotary encoder with push function
- Master volume control (with panic and anti-thump circuit)
- Numeric keypad
- Connections
- Audio OUT: 2x 6,3 mm mono jack (L+R)
- Headphones: 2x 6,3 mm stereo jack
- Pedals: Hold, Expression
- MIDI: In, Out
- USB: USB to Host, MIDI

- Power Supply
- AC IN: 110-240V

SIZE AND WEIGHT
- Dimensions (W x D x H): 38.2 x 16 x 4.5" / 97 x 40.5 x 11 cm
- Weight: 9.3 Kg / 20.5 lbs

- Package Content:
- Sledge Black Edition
- Power cord
- CD Manual
Dimensions and Weight in Packaging
Base Item
Shipping Weight: 27.75 lbs
Shipping Dimensions: 42 x 22 x 9 in
Manufacturer Part Number (MPN): Sledge 2 Black

For support or warranty questions, please contact the manufacturer:
Phone: 800-431-2609
Manual Addendum
Wavetable List

Reviewers gave this product an overall rating of 5 out of 5 stars. (3 ratings)
Submitted December 20, 2018 by Dave G in poplar, MT

"A nice surprise"

Overall: 5 out of 5 stars
(see rating details)
Verified Customer zZounds has verified that this reviewer made a purchase from us.
I bought mine here, a few months ago. It looks amazing and feels pretty nice to. There may be a slight issue with the volume at a very low setting where the knob does not work as smoothly as I would like. Sometimes I get unexpected results when I work a knob setting, these can be a great thing! The subtle changes that can be achieved are very interesting, even to someone who has a few wave scanning synthesizers...this one is well worth using. The keys feel very nice too. I like the way the outputs are on the side and having the headphones there too works out nicely. There is room for a small box on top or put you phones there. The keyboard is not very heavy- yet it is sturdy. I already have 2 other actual German designed Waldorfs, Q and the Blofeld and this is actually a good addition. Layer the sounds, sample your euro stuff and play wav tables, it's all good. The envelopes are fat with a fantastic feel, the effetcs are pretty good and the 2 seperate osc. are very nice. It is a good machine to learn on and can go pretty deep as far as it's programmable features go. I saw a recent post where someone said they paid 4k for the Waldorf Quantum, just to use as as sampler, I say forget that for now and do a little experimenting...I can use software to do granular, sample it and import it in a fairly short time. Results, rell, I am happy right now. Do want a quantum or the Sequential x? Sure, that will come later. Maybe someone will make something better by then, who knows? The main… read more thing is, for me, do I want instant play ability or something unique I designed and forced (encouraged) to happen? It depends. I make sounds I find interesting and use them when I need them. Did I mention the HUGE storage slots for patches? Yeah, the Sledge has them.

Musical Background:
Many years, samplers, analog, digital, computer, I play anywhere I can.

Musical Style:
Techno- electronic, experimental, ambient read less
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