Advanced sound engine with double wave capacity of previous Fantoms. ARXexpansion ready.
37 People rated this product : 8 out of 10
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6 People wrote reviews |
Read all Roland Fantom-G6 61-Key Sampling Workstation reviews... |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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Feature:
I am truly in awe when I play with this board - still. The exapandability is a great feature, the sound engine itself is great, the ease of recording audio with midi is great; the LCD is very impressive looking and even better in terms of it's practical use. I don't know how I ever got along without such a big beautiful display! Tons of sounds and ease of recording make this a great composing machine. I do sound for film and this baby works great for my workflow. From sampling for foley to voice overs and simple pads, this thing is really great. The display is just awesome to look at. They did a great job with the layout and colors and use of pictures. THere is a lot to it so it takes some getting used to but like any good machine once you have yer mind around it the basics will quickly become second nature. If you've spent any time with some if the recent (last ten years) music workstations you will quickly grasp the concepts and features of this machine, but will likely spend a long time learning and exploring the nuances. To me, thats a good thing!
Quality:
Roland stuff is generally very good. I still have the first Roland product (SH09 synth / keyboard) I bought, circa 1978 and it works fine. I have other Roland products - never had a problem with any of them. This unit seems to be well made and has a very solid feel about it. The brushed alum face is sweet - its technical and modern yet not austentatious. Who uses that word anyway. But seriously, the way the display is integrated into the face is nice and seems like it will be durable. Time will tell, but I'm not a bit concerned about the durability of this unit.
Value:
It is right in the ballpark with the competing workstations, i.e. triton, motif, etc. I love this thing. I don't see how anyone wouldn't like this thing. It's a great machine. It reflects the years and years of experience that Roland has - thats probably the best thing about this machine - it's the best of everything! Geez, now I really sound like Roland sales guy. I promise I'm not. I just love this machine that much, and if my input can help someone thinking about buying this machine, maybe allay their fears 'cause lets face it, this board aint exactly cheeap, then it's all good. I don't mind telling everyone how much I like this thing!
Desirability:
I wanted it enough to buy it! I don't lay down 2500 for just any product - it has to be good. But then I don't think twice about the price...it is what it is and, IMHO, they deserve to get whatever they can for this machine. Go Roland!
Sound:
The sound is very good. It may be a little on the predictable / Roland-esque side of the scale, but in all, it is recording-worthy, in my humble opinion. Since the ROM is all samples anyway it can sound like anything you need it to sound like. The factory presets are very good and easily and infinitely tweakable. The DSP is sweet - both the global 'verb and chorus, and the individual processes are great too. It is very deep.
Ease of Use:
The factory sounds are fine - suitable for at least some basic uses for sure. THe infinite tweakability is nice though, and if you like to mess with the factory patches to make them "your own" this board will satisfy. There are tons of user-defined storage locations. The display makes it easy to see a lot of info at once. The navigation via softkeys is easy to learn although this board is deep with tons of features. It will take a while to memorize the whole thing. For as powerful as it is, I'd have to say it is very easy to use. There are three basic modes, "Studio", "Live", and "Single". All of them are easy to use but Single is the easiest, most straight-forward or basic way of working with the machine. In Single mode you simply select from one of the 1664 preloaded patches and rock on! In Studio mode you can work with the 24 track mixer in "DAW style". Very cool. In Live mode you get eight patches that can be layered and / or split. Basically any patch can be assigned to any keyboard range. The Dynaic Pad area is cool too - it's another way to access patches parameter (i.e. "Part Mute"), or to invoke rhythm patterns, amoung many other things. ONe final note: as I'm writing this I have yet to open the owners manual! I was able to figure out all this other stuff without reading anything about it. I'd say that makes this thing about as easy as it could be, particularly for the depth and breadth of features and functionality it has. Dang, I ought to be a sales guys for them!
Support:
Nope
Overall:
I think I will be happy with this board for at least a few years...probably 10!
Submitted: 5/31/2008
Style of Music: Rock
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 9 out of 10
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zZounds has verified that this customer bought this product from us. |
Feature:
It comparatively easy to put together a song on this sequencer due in no small part to the 8" color screen and well thought out interface. I've worked with it for a few weeks now and got into most of it's corners. Definitely read the workshops and the manual to save time over the long haul. Sampling is extremely straight foward but putting those samples into a coherent performance set or patch takes a lot more work. Inputs and outputs are all there except breath controller.
Quality:
Well built. Looks great. Best music workstation GUI in the industry.
Value:
Well, you know, in the end it's all about the killer sounds. Roland, in their infinite business wisdom, has decided to save those for their ARX expansion modules. At $400 a pop, this gives you a $3400 machine with 2 (the maximum) installed.
Desirability:
One look and your wallet is out of the pocket. Also, it will suck up all of your waking (and some sleeping) moments. Say goodbye to your family for at least 2 months.
Sound:
Individual sounds aren't up to par with say, the Kurzweil (Young Chang) PC3X. Piano and organ are sub par. Strings are average and drums/effects/vox is above par. Quite honestly, I have an 18 year old Ensoniq SD1 that has better sampled piano and string sounds. You'll end up picking out about 20 favorites and abandoning the rest. Fortunately the sampler on this unit is first rate and if you want to put in the time - lots of it - you can put together some pretty first rate home brew patches.
Ease of Use:
This is a deep interface and I'm not a prior Roland user.
Support:
I like their workshops which can be downloaded from their Roland USA site. The manual is well written and 95% complete. It's too new for service issues. $200 cash back rebate was a nice touch - ends June 09.
Overall:
Once I bite the bullet for a few sound modules (or spend 6 months making my own sounds) this will be a first class machine.
Submitted: 6/8/2009
Style of Music: Jazz/Pop
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Read all Roland Fantom-G6 61-Key Sampling Workstation reviews...
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