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Rode NT2A Variable Pattern Studio Condenser Microphone
Figure 8, Cardioid or Omni polar pick-up patterns. Variable pick-up pattern,variable high pass filter and variable pad.
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Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
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The new NT2-A is a professional large capsule (1 in.) condenser studio microphone with variable pick-up pattern,variable high pass filter and variable pad. These features provide greater creative control and versatility.
Three 3-position switches located on the mic body provide the freedom to step from Figure 8, Cardioid or Omni polar pick-up patterns; from a flat response to either 80 Hz or 40 Hz high-pass filter and a Pad adjustment of 0 dB, -5 dB or -10 dB attenuation.
The heart of the NT2-A is the Australian designed and manufactured TYPE HF1 dual diaphragm capsule. The frequency and transient response of this new transducer has been voiced to complement today s modern recording techniques,and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's.The NT2-A includes a soft pouch and clip.
Features
The Australian designed and manufactured HF1 1 edge terminated,gold sputtered, dual 5 um diaphragm capsule.
3-position variable polar pattern: Omni, Cardioid &Figure 8; all controlled on the mic.
3-position variable high-pass filter: Flat,80 Hz or 40 Hz.
3-position variable pad:0 dB,-5 dB or -10 dB.
Ultra low noise,transformerless SMT circuitry.
Wide dynamic range.
High strength heat-treated steel mesh head.
Durable satin nickel finish.
Internal capsule shock mounting.
Supplied complete with soft pouch and clip.
The NT2-A is designed to operate from phantom power to the P48 standard.
The NT2-A will operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector.
Output Impedance
The NT2-A will operate satisfactorily into a load impedance as low as 1K. If a load below this is used, the output signal level will be reduced.
The NT2-A output is balanced between pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
Specifications
Acoustic principle: Externally polarized 25 mm (1 in.) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range: 20 Hz - 20 000 Hz
Output impedance: 200
Signal /Noise ratio DIN/IEC 651: 87 dB (1 kHz rel 1 Paper IEC651, IEC268-15)
Equivalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum SPL: 147 dB (@1%THD into 1k) 157 dB (@1%THD into 1k) - pad at maximum
Sensitivity at 1 kHz into 1k: -36 dB re 1 Volt/Pascal (16 mV @94 dB SPL) +/- 2 dB
Maximum output voltage: +16 dBu (@1%THD into 1k)
Dynamic range of the mic amplifier: DIN/IEC 651 140 dB (per IEC651, IEC268-15)
Power (Supply voltage): 48 Volts (P48)
Output Connection: 3 pin XLR,balanced output between pin 2 (+) and pin 3 (-). Pin 1 ground
Weight approx.: 860 grm (4.23 oz)
Three 3-position switches located on the mic body provide the freedom to step from Figure 8, Cardioid or Omni polar pick-up patterns; from a flat response to either 80 Hz or 40 Hz high-pass filter and a Pad adjustment of 0 dB, -5 dB or -10 dB attenuation.
The heart of the NT2-A is the Australian designed and manufactured TYPE HF1 dual diaphragm capsule. The frequency and transient response of this new transducer has been voiced to complement today s modern recording techniques,and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's.The NT2-A includes a soft pouch and clip.
Features
The Australian designed and manufactured HF1 1 edge terminated,gold sputtered, dual 5 um diaphragm capsule.
3-position variable polar pattern: Omni, Cardioid &Figure 8; all controlled on the mic.
3-position variable high-pass filter: Flat,80 Hz or 40 Hz.
3-position variable pad:0 dB,-5 dB or -10 dB.
Ultra low noise,transformerless SMT circuitry.
Wide dynamic range.
High strength heat-treated steel mesh head.
Durable satin nickel finish.
Internal capsule shock mounting.
Supplied complete with soft pouch and clip.
Technical Info
PowerThe NT2-A is designed to operate from phantom power to the P48 standard.
The NT2-A will operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector.
Output Impedance
The NT2-A will operate satisfactorily into a load impedance as low as 1K. If a load below this is used, the output signal level will be reduced.
The NT2-A output is balanced between pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
Specifications
Acoustic principle: Externally polarized 25 mm (1 in.) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range: 20 Hz - 20 000 Hz
Output impedance: 200
Signal /Noise ratio DIN/IEC 651: 87 dB (1 kHz rel 1 Paper IEC651, IEC268-15)
Equivalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum SPL: 147 dB (@1%THD into 1k) 157 dB (@1%THD into 1k) - pad at maximum
Sensitivity at 1 kHz into 1k: -36 dB re 1 Volt/Pascal (16 mV @94 dB SPL) +/- 2 dB
Maximum output voltage: +16 dBu (@1%THD into 1k)
Dynamic range of the mic amplifier: DIN/IEC 651 140 dB (per IEC651, IEC268-15)
Power (Supply voltage): 48 Volts (P48)
Output Connection: 3 pin XLR,balanced output between pin 2 (+) and pin 3 (-). Pin 1 ground
Weight approx.: 860 grm (4.23 oz)
Dual-diaphragm condenser with pattern-switching, bass roll-off, and selectable pad. Includes soft pouch and mic clip.
11/13
Just delivered to our warehouse! New, with Free Rode Pop Filter, available for immediate delivery.
11/13
Just back in stock, New, with Tripod Boom Stand and Mic Cable (20 Foot), order now!
06/11
Price drop! New, with Free Rode Pop Filter, saves you $49.05, now $349.95.
05/29
New to zZounds, New, with Free Rode Pop Filter, orders being accepted.
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Rode NT2A Variable Pattern Studio Condenser Microphone Reviews
10 out of 10
"Silky, Smooth, Warm & Upfront"
Feature:
I think its safe to say that this mic is Rodes version of Neumanns U87. It costs 10 times less, and performs just as good, if not better. I an busy mix it would be difficult to pick the best mic, but in solo the NT2A sounds much more flattering without any eq or other effects. The multi patterns are brilliant and just like the u87 you can switch from one to the other without any cheap artifacts like chinese mics with multipatterns.
Quality:
The build quality of this mic is superlative. Its solid, and free from any housing noise. The mic is well engineered inside with zero clutter (think Apple G5), and it feels heavy and looks impressive. The gold plated XLR is a bonus as well as solid polar pattern switches. Overall i love this mic to bits. I paid a very low price and may just pick up another or get a K2 tube mic instead, or another brand like the Neumann TLM 103 for a different flavour.
Value:
Worth every cent, this mic is worth 5-10 times its asking price, no kiddin. Its much better than the old NT2, infact its a different mic all together. The top end is much smoother and not ragged like so many other mics.
Desirability:
The look of this mic is very slick, its not big and bulky like all the far east mic, but its a heavy mic - you need a good mic stand. It looks and feels solid, and should last for decades if kept well.
Sound:
This multi pattern condenser sounds very silky indeed. I just sold my AT4047 to fun this mic, and with the savings i bought a Focusrite Voicemaster Pro mic pre. This is one killer sounding mic on male vocals. Its smooth and very flattering, almost like a tube mic. I love apply gentle +1/-1db cuts and boosts of Eq (on the Voicemaster) to shape the sound just the way i want it. Its very responsive to effects and thats what shines about this mic. I'm using it to record male vocals for smooth RnB vocals. I love the Voicemaster with this mic, as i can go through the various stages of processors to get a very polished sound on vocals. Compared to my old AT4047 (a very underated mic), this mic blows it away for smoothness and overall sound quality. This mic is also quieter, and feels much more solid.
Ease of Use:
Its pretty much a plug and play mic, although i wish it came with the shockmount that the K2 comes with. I use the clip instead, which does the job.
Support:
I have use Rode support in the US, and they are fairly good. I was told that Rode mics now come with 10 Years of warranty.
Overall:
A superb mic and probably the finest sounding mic in its class and 10 times more. It beats the Soundelus U195 anyday of week for vocals, its much better than AT series mics, much better than any SE mic i have tried, and it holds its own weight with much more expensive mics from Europe.
I think its safe to say that this mic is Rodes version of Neumanns U87. It costs 10 times less, and performs just as good, if not better. I an busy mix it would be difficult to pick the best mic, but in solo the NT2A sounds much more flattering without any eq or other effects. The multi patterns are brilliant and just like the u87 you can switch from one to the other without any cheap artifacts like chinese mics with multipatterns.
Quality:
The build quality of this mic is superlative. Its solid, and free from any housing noise. The mic is well engineered inside with zero clutter (think Apple G5), and it feels heavy and looks impressive. The gold plated XLR is a bonus as well as solid polar pattern switches. Overall i love this mic to bits. I paid a very low price and may just pick up another or get a K2 tube mic instead, or another brand like the Neumann TLM 103 for a different flavour.
Value:
Worth every cent, this mic is worth 5-10 times its asking price, no kiddin. Its much better than the old NT2, infact its a different mic all together. The top end is much smoother and not ragged like so many other mics.
Desirability:
The look of this mic is very slick, its not big and bulky like all the far east mic, but its a heavy mic - you need a good mic stand. It looks and feels solid, and should last for decades if kept well.
Sound:
This multi pattern condenser sounds very silky indeed. I just sold my AT4047 to fun this mic, and with the savings i bought a Focusrite Voicemaster Pro mic pre. This is one killer sounding mic on male vocals. Its smooth and very flattering, almost like a tube mic. I love apply gentle +1/-1db cuts and boosts of Eq (on the Voicemaster) to shape the sound just the way i want it. Its very responsive to effects and thats what shines about this mic. I'm using it to record male vocals for smooth RnB vocals. I love the Voicemaster with this mic, as i can go through the various stages of processors to get a very polished sound on vocals. Compared to my old AT4047 (a very underated mic), this mic blows it away for smoothness and overall sound quality. This mic is also quieter, and feels much more solid.
Ease of Use:
Its pretty much a plug and play mic, although i wish it came with the shockmount that the K2 comes with. I use the clip instead, which does the job.
Support:
I have use Rode support in the US, and they are fairly good. I was told that Rode mics now come with 10 Years of warranty.
Overall:
A superb mic and probably the finest sounding mic in its class and 10 times more. It beats the Soundelus U195 anyday of week for vocals, its much better than AT series mics, much better than any SE mic i have tried, and it holds its own weight with much more expensive mics from Europe.
Submitted: 05/10/2006
Style of Music: US RnB like Joe, Mario, Usher, etc.
10 out of 10
"What you get is much more than what you pay for."
Feature:
There's no shockmount included, but that's what keeps the price low. There's no handmade cherry box like Blue Bottle, but that costs more than ten times more. But it does include built in polar controls, so that's really useful.
Quality:
It amazed me. Completely metal construction and no flimsiness whatsoever. Perfect fit and finish.
Value:
The best value in the industry.
Sound:
The sound is amazingly pure. Very neutral, so very "factual" sound.
Ease of Use:
Plug and play. Extra controls built in on the mic increase productivity.
Support:
LOL, didn't need support.
There's no shockmount included, but that's what keeps the price low. There's no handmade cherry box like Blue Bottle, but that costs more than ten times more. But it does include built in polar controls, so that's really useful.
Quality:
It amazed me. Completely metal construction and no flimsiness whatsoever. Perfect fit and finish.
Value:
The best value in the industry.
Sound:
The sound is amazingly pure. Very neutral, so very "factual" sound.
Ease of Use:
Plug and play. Extra controls built in on the mic increase productivity.
Support:
LOL, didn't need support.
Submitted: 10/27/2006
Style of Music: Classical
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