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Home>Recording>Microphones>Stand-Mount Condenser Microphones>Large Diaphragm Condenser Microphones

Rode NT2A Variable Pattern Studio Condenser Microphone

The Rode NT2A invokes the silky smooth spirit of the legendary microphones of the 50's and 60's with the benefits of modern technology. 65 People rated this product: Rate and Review This Product
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Manufacturer's Description for Rode NT2A Variable Pattern Studio Condenser Microphone

The new NT2-A is a professional large capsule (1 in.) condenser studio microphone with variable pick-up pattern,variable high pass filter and variable pad. These features provide greater creative control and versatility.

Three 3-position switches located on the mic body provide the freedom to step from Figure 8, Cardioid or Omni polar pick-up patterns; from a flat response to either 80 Hz or 40 Hz high-pass filter and a Pad adjustment of 0 dB, -5 dB or -10 dB attenuation.

The heart of the NT2-A is the Australian designed and manufactured TYPE HF1 dual diaphragm capsule. The frequency and transient response of this new transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's.The NT2-A includes a soft pouch and clip.

Features

- The Australian designed and manufactured HF1 1 edge terminated, gold sputtered, dual 5 um diaphragm capsule.
- 3-position variable polar pattern: Omni, Cardioid &Figure 8; all controlled on the mic.
- 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz.
- 3-position variable pad: 0 dB,-5 dB or -10 dB.
- Ultra low noise, transformerless SMT circuitry.
- Wide dynamic range.
- High strength heat-treated steel mesh head.
- Durable satin nickel finish.
- Internal capsule shock mounting.
- Supplied complete with soft pouch and clip. zZounds is an authorized dealer of RODE products.
Power
- The NT2-A is designed to operate from phantom power to the P48 standard.
- The NT2-A will operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector.

Output Impedance
- The NT2-A will operate satisfactorily into a load impedance as low as 1K. If a load below this is used, the output signal level will be reduced.
- The NT2-A output is balanced between pin 2 (hot) and pin 3 (cold). Pin 1 is ground.

Specifications
- Acoustic principle: Externally polarized 25 mm (1 in.) dual diaphragm.
- Directional pattern: Multi-pattern
- Frequency range: 20 Hz - 20 000 Hz
- Output impedance: 200
- Signal/Noise ratio DIN/IEC 651: 87 dB (1 kHz rel 1 Paper IEC651, IEC268-15)
- Equivalent noise: 7 dBA SPL (per IEC651, IEC268-15)
- Maximum SPL: 147 dB (@1%THD into 1k) 157 dB (@1%THD into 1k) - pad at maximum
- Sensitivity at 1 kHz into 1k: -36 dB re 1 Volt/Pascal (16 mV @94 dB SPL) +/- 2 dB
- Maximum output voltage: +16 dBu (@1%THD into 1k)
- Dynamic range of the mic amplifier: DIN/IEC 651 140 dB (per IEC651, IEC268-15)
- Power (Supply voltage): 48 Volts (P48)
- Output Connection: 3 pin XLR,balanced output between pin 2 (+) and pin 3 (-). Pin 1 ground
- Weight approx.: 860 grm (4.23 oz)
Dimensions and Weight in Packaging
Shipping Weight: 5 lbs
Shipping Dimensions: 16 x 11 x 5 in
RODE Warranty
Rode Warranty
If you have additional warranty questions, please call the manufacturer at 805-566-7777
Our extended 30-Day 100% Satisfaction Guarantee applies on this product. Buy it, and if it isn't just right for you, return it!
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Customer Reviews
5 out of 5 (65 ratings) Rate and Review This Product
zZounds has verified that this customer bought this product from us. "Upgraded to a RODE...very impressed"
Sound: I was a bit nervous about buyying this budget friendly mic at first. I didn't think it would live up to the U87 comparisons I've read but believe me, it definatly can hold it's own. Beats the hell out of the TLM 103 and my Blue Baby Bottle. Very flat, warm and full recordings on male vocals. It's got a smooth presence to it. Not brittle like the TLM 103. Coupled with my Joe Meek OneQ, which is another underrated preamp in my opinion, this microphone is out of this world. Simply put, I was blown away. Well worth the money. Feature: I hate mics that do not include a shockmount. But the HPF siwtches, pads, omni, cardioid and figure 8 switches are a huge plus. Ease of Use: Plug and Play Quality: Amazing Value: 400 bucks for this piece is a steal. They could get away charging a good 1,200 for it. The Wow Factor: Very solid mic with nickel plated finish on it. Dope
Style of Music: Hip Hop/R&B
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"You can't beat Aussie Babes and Beer for inspiration to do a totally superlative job designing, manufacturing and marketing thes"
Sound: Yes it does sound a bit like a Neumann 89. The edge-terminated HF-1 Capsule makes it more like a 414. The Neumann's have center-terminated caps. I've used it on many sources: Spaced pair omni, Blumlein pair (crossed figure of eight), Piano, Drums, Voice, Sax, Trombone, Strings, Clarinet, M-S stereo, As the mid in a Decca Tree with two 414's. It's very versatile. I have produced several CD's with these mics basically covering styles from classical chamber music to jazz and pop Feature: The features are terrific. As stated before, the multi-pattern settings are silently switched and easy to operate. Sometimes the switches can be changed without noticing so make sure to check the settings before hoisting it up 15'. Ease of Use: Just that the switches are a little too easy to operate and you have to double check them. Quality: Excellent construction. They're made in Australia where they make the best beer and have extremely beautiful women, strong support for the arts in a non-pompous manner and lots of beaches. The Aussies have blown the Chinese out of the water. It's Neumann quality for sure. Value: Worth more than any mic under a thousand except maybe the older AKG 414's Manufacturer Support: A big fat N/A! I have heard of their great support and ten year warranty and have never needed it. I own 6 Rodes along-side my Neumann's and Akg's. 2 K-2's, 2 Nt2-a's and 2 Nt5's w/optional omni caps. They have all served extremely well with not a moments problem. The Wow Factor: They are solid and never screw up. The design is sleek and under-stated and reflects the integrity of the Australian people as a whole. Overall: I plan on using all of my Rode mics forever. When they come out with a Stereo version of the K-2 (K-24), I'll buy that ASAP. Basically an AKG C-24 with better specs. They will corner that market. I'll be first in line and buy two.
Style of Music: Any
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