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When I first pulled the Traktor Kontrol S4 out of the box, I was a bit surprised at its size. It's larger than most of the other hardware control surfaces I've used; almost 20 inches wide and over a foot deep. I wouldn't say it's overly bulky, though, and I actually like the extra elbow room. But it's probably not going to fit into the average laptop bag. I highly recommend the optional flight case/performance stand to help protect it during transport and when in use.
The Kontrol S4's construction is similar to other Native Instruments hardware, with a plastic chassis and aluminum top plates for each of the decks. The mixer section in the center has an acrylic faceplate. The rubber feet on the bottom of the unit did a good job of keeping the control surface in place when I set it up in a DJ booth.
The controls themselves feel very professional. All of the knobs on the top plate are rubberized for a sure grip, and their smooth rotary action is reassuring. Some of the knobs sit up fairly tall, which is great for getting a good hold on them but at the same time seem to be begging to get knocked off when traveling from gig to gig. Yet another good reason to get that flight case, in my opinion. I did like the fact that the front panel knobs for Cue Mix, Cue Volume, and Mic Volume all can be pressed in to lie flush after you've dialed in the levels.
All of the 60mm faders were very smooth, with just enough resistance to make tweaks without worrying about overdoing it. The crossfader had the same feel, which is good because it isn't set up to be removed like on some other professional DJ mixers.
For me, the jog wheels on these kinds of DJ controllers often set the tone for the whole experience, and the wheels on the S4 did not disappoint. The tops of the wheels are touch sensitive, accurately simulating the experience of grabbing and releasing vinyl. Within one trip around the circle, you've got 1000 steps, offering enough resolution to feel like the real deal. The outer edges of the jog wheels are rubberized for no-slip contact, and I was able to use them to quickly and easily match tempos.
As you would expect with a tightly integrated hardware/software solution, the Traktor Kontrol S4's hardware component includes a 2x2 audio interface onboard. What I wasn't expecting was the stellar sound quality. The USB 2.0 connection supports a 24-bit/96kHz audio stream, and all the loops in my library sounded fantastic through the S4. I've demoed other DJ control systems in my home studio, but haven't always trusted the sound quality to extend my review to a live performance setting. I had no qualms about using the Kontrol S4 out at a club, though. One note about the USB connection; the Kontrol S4 can be bus-powered, but I wouldn't recommend it. I gave it a shot to keep the rig as streamlined as possible, but soon went back to the included power adapter. The LEDs don't glow nearly as brightly with bus power, and at first I thought maybe the controller was failing. Also, the headphone volume was reduced a bit, though not enough to have a major impact. Everything worked fine using wall power.
You get two pairs of stereo output options, including balanced 1/4-inch and unbalanced RCA. While you can simultaneously route these to separate monitor setups, I was disappointed to see you don't get separate control over their individual levels. It's not a huge deal, but I would have preferred to keep as much control as possible on the S4 itself instead of having to tweak levels at other points in the signal chain.
The Traktor Kontrol S4 lets you mix four virtual decks from your hard drive, or you can connect analog gear to the controller and assign your turntables, DJ CD players, or MP3 players to one or two of the tracks. To keep things simple, I mainly mixed straight from my laptop without any additional hardware. I did use the 1/4-inch microphone input with dedicated gain control, though. It's routed to Track C. As you may have guessed by the 1/4-inch connection, it's primarily set up for dynamic mics; no onboard phantom power. Track C can also be routed directly to the main outs with the Thru switch. This is a nice failsafe option if your laptop happens to crash. Just plug an iPod into the track and fire up your playlist while the laptop reboots.
I mainly used Track A and Track B as a standard two-deck setup, and would load some one-shots or other random loops into Tracks C and D for added flavor (more on this in a bit). This arrangement worked really well for me, and was a great way to simulate my standard workflow. I felt really comfortable mixing right out of the box while learning some of the more advanced features on the fly without getting overwhelmed.
Those of you familiar with Traktor Pro software should have no problem getting around. The software bundled in this package is virtually the same, though the interface's color scheme is slightly different and it has some additional functionality to take advantage of all the S4 controller has to offer.
The four-deck design is the same as before, but decks C and D default to hold samples and loops. You can change them to behave like standard decks, but as I said earlier the 'two-decks-plus' setup is a great way to learn this system with a familiar starting point. When used as sample decks, C and D can each hold up to four one-shots or loops of up to 32 beats in length. This content can be loaded from your hard drive as you would with decks A and B, or you can use the S4's onboard loop recorder to capture the playback of other decks or the main output and load that into the sample deck's slots. Any looped samples loaded into the sample decks are automatically beat-synced to the master tempo, which saved me a bunch of time.
Both of the decks on the hardware controller have dedicated buttons to trigger and stop the loops and one-shots in the sample decks, providing fast access to those sounds when you're controlling decks A and B. If the hardware decks are set to control C and D, the buttons act as retriggers and the sounds can be scratched or tempo-bent with the jog wheels. More dedicated controls are available for adjusting the sample volume or applying filters and effects.
As with other Native Instruments software, the browsing features are here in full force. The hardware controller has a Browse button so you can access all of the sounds on your hard drive without reaching for a keyboard or a mouse. The process was pretty intuitive, though I would have liked to see some sort of fast-scroll feature because I have a ton of sounds to scrub through. You can auto-preview sounds to the headphone out, which is a great way to hear how a particular loop sits in with the current mix before actually loading it up.
All of the effects sound great, and there are plenty of options for customization. You can route the two multi-effects processors to any of your decks, effectively giving you up to six effects on a single source. If you can't come up with something original, you're just not trying.
Overall, I was really impressed by the Traktor Kontrol S4 system. The learning curve for beginners looks to be a bit steep, but I think it's well worth the effort. I haven't seen many computer-based DJ systems with hardware this tightly integrated, and the all-in-one design is super streamlined and powerful. The audio quality of the interface is fantastic, and the controls feel very nice. Live performance, on-the-fly-remixing, and home studio recording are all well within reach.
This item cannot be returned once the manufacturer's seal has been broken. Any defective merchandise must be dealt with directly through Native Instruments. If a product is found to be defective, you must contact Native Instruments' customer support at 866-556-6487 for service. details




4.5 out of 5
(48 ratings)
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"this is one hell of a dj tool!!!"
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"S4 is perfect!"
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