Marshall JVM410H 4-Channel Guitar Amplifier Head (100 Watts)

Silent recording. 128 MIDI presets. Emulated line out XLR.

Item: MSHJVM410H

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customer reviews

Rate and Review This Product:

19 People rated this product : * * * * * * * * * * 8 out of 10

1 Person wrote a review :

* * * * * * * * * * 10 out of 10

"Victoria one ups her Dad with the JVM!"

Feature:
This is the ultimate Marshall! REALLY! My take is this you have all the features of the the best plexi, the JCM 800, and you get this really unique clean channel that really lets you explore tones that usually don't come out of a Marshall. These are really clean fender like tones. You've got a channel that the signal is yours for the coloring coming through these responsive and pristine speakers (green backs). The foot switch alone is enough to pull you over. You have two master volume controls each to my ear with a slightly different "punch". You can color each one with presence and reverb which though digital is excellent and better than the Vintage Modern. Each channel remembers the last time you punched in to that volume mode so you get this unique tone you have worked out on the click. Each of the 4 channels has green orange and red overdrive and 2, 3 AND 4 start with normal plexi in 2 with a JCM 800 kind of build with the orange and red. You can tweek this by volume controlling each stage though and I am in 3 clean with perfect Marshall flexibility with each bit of the pick. 4 is delving into the rectified overdrive and my friend goes 3/4 to get all that wank but 1 to get back to a really clean Mesa or Fender tone and 2 for plexi. Midi which I don't use but he does. This give you over a hundred presets. He swapped out the EL 34's with groove tubes. I can not hear this as better. I have travelled and gigged with this amp and it has inspired me like nothing before it! I have not begun to touch the feature list here but I hope you have the sense that Victoria has kicked out the jams with this amp. This is the new benchmark amp!

Quality:
I always buy the extended warranty but I find ironically the cheaper the item the more you need this. Still Marshalls are valved amps so you need to buy a few tubes just in case. I have some groove tubes from the B52 I had before which I would use. Modern Marshals are not wimps. They tour well. If you have the bucks you double stack them but I know of no one who has had to use the second amp from a blow out.

Value:
Here is the best part. To me this head blows away amps way over its price point! Really I think Marshall blew it here. They could easily have asked 500 more for this amp. It really does it all!

Desirability:
I am really just as gratified to have any amp with tone behind me but these are iconic amps to those who know this. I mentioned my marathon sessions with the Vintage Modern. I have spent so many more hours now exploring this amp. I think that I do have a crush on it..really on how much I want to see if I can get that backwards loop (Boss RC20 XL) guitar part on Spanish Castle Magic or even that Albert King sound in my fender mode. I did get some panties sent up in Ft Lauderdale! Probably to much tequila not my tone.

Sound:
i am a classic rock and blues player and I recently bought a vintage modern to satisfy my need for punch and wail with some built in boost and volume control to get overdrive without my neighbors calling the police. This amp is blue and the between the awesome revelation of controlling the drive with the volume and switch controls from my strat and the beautiful tone from the G12C 25-watt Celestion Greenbacks in the speaker cab I was in guitar heaven! (These are voiced to the Hendrix Plexi) I was getting ready for a gig in Ft Lauderdale and I spent about 3 days playing virtually all day exploring all these tones that I had always tried to get to with pedals. It had an effect loop as well so even my pedals required I reconfigure to get better tone then I had ever been able to find. Really! So why am I reviewing this head? My good friend told me I had to come by and try this head that he had just bought from zZ. He had just had the same experience with his JVM as I have described above. His band does a lot more drop D and rectified death metal so I am thinking yeah well I have my girl and you have yours. So he brings it over and we plug them both in and swap back and forth with our own trick bag of guitar riffs. The verdict was....i now own a JVM with the cool blue Vintage Modern speaker cab!

Ease of Use:
It looks daunting with the 4 channels but really it is a dial in the sound and save it with out the confusion of a Mesa. If you want to go Midi as my friend you go from 2 master volome controls per channel with 3 overdrive settings on each volume. Thats 6 per channel and you have 4 channels each with increasing overdrive. Though the seller of this amp to me was this clean channel with the ability to get fender like blues tones. I have now cheated even further and I got a Boss 59 Bassman pedal. With this in the clean loop I am now able to completely wank into a Stevie Ray riff and if you didn't turn around it is coming out of a Vibro or Twin! Amazing! I am still learning but it is really just tone palate. You have a lot to draw from and because it's easy you will be tempted to tweek this amp a lot. I have, like the true geek I am, started a log of different settings. I am also learning I can reprogram the foot switch to stay in channels one and two.

Support:
I have heard they are great but if you work with zZ you virtually have 24/7 backup. I have heard that Marshall is great this way but no personal experience.

Overall:
Well you never say never but I am very gratified to see my talent being stretched and advanced by this amp. I am sad only that I didn't ante up for a Marshall sooner. I am a committed musician and really for such an important tool as your amp this is really not a allot of money. Even in the Marshall line there are 6k amp stacks. The JVM really is the for me the most flexible and tone ready amp for a working guitarist. I have played and recorded on them all and I am finally home with this flexible yet tonally perfect Marshall with the secret weapon of a clean channel to push you into places you don't go with a Marshall.

Submitted: 5/20/2007

Style of Music: Rock and Funk

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About This Product!
Description
News
The JVM Series 100-watt, valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800, 2203 and "plexi" Super Lead amplifiers -- a timeless foundation for countless classic rock and metal guitar tones for over 4 decades. Featuring a quartet of EL34 valves, this peerless design has been expertly crafted to compliment the extraorinary wealth of tones found in the JVM.

Technical Info

Type: Head

Output (RMS): 100 watts

Channels: 4

Modes per Channel: 3

Independent Gain and Volume (per Ch): Yes

Independent Tone Network (per Ch): Yes

Independent Reverb Level (per Ch): Yes

Dual Programming Master Volumes: Yes

Silent Recording: Yes

Emulated Line Out XLR: Yes

Series FX Loop: Yes

Programmable Parallel/Series FX Loop: Yes

MIDI Presets: 128

Pre-Amp Valves: 4XECC83

Power Amp Valves: 1X ECC83, 4XEL34

6-way Programmable Footcontroller (Supplied) PEDL-00044

Dimensions (mm): 750 x 310 x 215

Weight (KG): 22

Speakers: No
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  • 05/10
    Just back in stock,
     New, With Footswitch, will ship immediately. 

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