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MOTU 828Mk3 Hybrid FireWire/USB Audio Interface

The 828Mk3 Hybrid Audio Interface provides 28 audio inputs and 30 outputs with on-board effects and mixing. The 828Mk3 connects with most studio gear and comes bundled with CueMix FX and drivers. 9 People rated this product: Rate and Review This Product
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Product Description

The MOTU 828mk3 Hybrid connects via FireWire or hi-speed USB2 to a Mac or PC computer and delivers 28 audio inputs and 30 outputs with on-board effects and mixing. Apply hardware-based effects to all 28 inputs and 30 outputs via an on-board DSP-driven 8 stereo bus digital mixer with 32-bit floating point precision. Effects include Classic Reverb(tm) with tail lengths up to 60 seconds, 7-band parametric EQ modeled after British analog consoles, and vintage compression (automatic gain control) modeled after the legendary LA-2A(tm) optical leveling amplifier. Effects can even be applied when the MOTU 828mk3 is operating stand-alone (without a computer) as a complete rack-mounted mixer.

Connect a wide variety of studio gear to the MOTU 828mk3, including microphones, guitars, synths, keyboards, drum machines and even effects processors via 8 balanced TRS analog in/out, two banks of optical (ADAT and TOSLink formats) and S/PDIF digital I/O. Monitor everything via XLR main outs, surround output and two front-panel phone jacks with independent volume control. Two front-panel mic/guitar combo inputs are equipped with transparent preamps, digitally controlled trim with plenty of gain, XLR mic input, true high-impedance guitar input, individual 48V phantom power switch, 20 dB pad, and V-Limit(tm), a hardware limiter that helps prevent digital clipping from overloaded input signals as high as +12 dB above zero with no distortion. Additional protection can be applied with Soft Clip(tm).

All MOTU 828mk3 analog inputs are equipped with digitally controlled analog trim controls that allow adjustments in precise 1 dB increments. The mic/guitar input trims can be adjusted using front-panel digital rotary encoders that provide feedback in the front panel LCD, while all quarter-inch TRS inputs can be trimmed from the included cross-platform CueMix FX software. Different trim configurations can be saved as files on disk for instant recall.

Additional advanced features include 192 kHz operation, Direct Digital Synthesis(tm) (DDS) precision clocking, direct SMPTE time code sync (no extra synchronizer needed), MIDI I/O and much more. The 828mk3 provides CueMix FX and drivers for Mac (OS X) and Windows (XP and Vista) for cross-platform compatibility with virtually all audio software via WDM/ASIO/Core Audio drivers. The included AudioDesk(r) workstation software for Mac provides 24-bit recording/editing and 32-bit mixing/processing/mastering. zZounds is an authorized dealer of Mark of the Unicorn (MOTU) products.
Dimensions and Weight in Packaging
Shipping Weight: 9 lbs
Shipping Dimensions: 24 x 12 x 6 in
Mark of the Unicorn (MOTU) Warranty MOTU Warranty If you have additional warranty questions, please call the manufacturer at 617-576-2760
Our extended 30-Day 100% Satisfaction Guarantee applies on this product. Buy it, and if it isn't just right for you, return it!
What Our Customers Are Saying About zZounds "I purchase from zZounds regularly. I like the ease of the purchase and all of the fantastically helpful reviews." - customer on April 22nd, 2012
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Customer Reviews
5 out of 5 (9 ratings) Rate and Review This Product
zZounds has verified that this customer bought this product from us. "MOTU 828Mk3 Hybrid Audio Interface "
Overall: I purchased this unit as a replacement for my 828 mk2 which had recently died. I could've contacted MOTU for repair I suppose, but I was ready to upgrade to the mk3 anyway because of all the new features. I run a Macbook with Logic, and having the cuemix software is a life saver. The new features take a little while to master, such as the dynamics, EQ and reverb built in, but the layout is familiar so that's a help. Basically, I had to figure out where to insert the effects for what results just by trial and error. This is usually not a problem, but if you've already got the session booked, make sure to take some time to play with the new effects as they are not as intuitive as you might think. Just the way it goes with something with this many features. I run ADAT as well so the fact that I can now run 26 mics is rather huge. And 8 different headphone mixes? Incredible. I record full bands live more and more nowadays to save them money and these are CRUCIAL features to have when doing that. Not to mention having the DSP on the unit itself so I can turn my software monitoring off completely. Can't beat it. If you're on the fence, I can tell you I have worked with other interfaces and have done the research. If you're recording "in the box" this is the best and most inputs you will get for the money hands down. Pick up a couple 8 pres and you've still got analog inputs for your other pres.
Style of Music: Alternative Rock, Indie, Cello-Rock
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zZounds has verified that this customer bought this product from us. "Flexible, intuitive, stable. I can't ask for more."
Value: Expensive, but worth it. Overall: I rarely write reviews, but my experience with the MOTU 828Mk3 has been so good that I feel I have to. Others have commented on sound quality and I agree, it's excellent. But where this product really shines for me is in its flexibility and ease of configuring for whatever you want/need it to do. It integrates amazingly easily with Mac OSX's audio engine. Routing and re-routing ins and outs is a piece of cake. The control surface and software are very intuitive. I am a video and sound artist and teach in a university art department. We use equipment in all kinds of ways. Sometimes we just need a recording and editing setup and this works great, both for stereo and surround. But sometimes we do crazy things for projects and installations, like embed speakers into objects, behind walls, etc. and need to re-route signals so the right things are getting the right sounds. We've tried this kind of work with other audio interfaces and it's complicated enough (especially with Saffire products) that nobody other than me can get it. But MOTU's software and interfaces are so intuitive that I never doubt that students can learn how to control everything about the sound with little effort. Additionally, the drivers are rock solid. I can turn it on and off, trip over the firewire cable and unplug it while it's running, sleep and wake the computer, whatever. Once it's on and connected, it starts up and runs exactly as intended. I've had too many experiences with interfaces that can't handle that kind of (ab)use. For our purposes, MOTU is the only way to go.
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